December 15, 2017
The Circus.
Review #1025: The Circus.
Cast:
Charlie Chaplin (A Tramp), Al Ernest Garcia (The Circus Proprietor and Ringmaster), Merna Kennedy (His Step-daughter, A Circus Rider), Harry Crocker (Rex, A Tight Rope Walker), George Davis (A Magician), Henry Bergman (An Old Clown), Tiny Sandford (The Head Property Man), and John Rand (An Assistant Property Man) Directed by Charlie Chaplin (#353 - Monsieur Verdoux, #599 - The Kid, #600 - City Lights, #759 - The Gold Rush, #775 - Shoulder Arms, #820 - Modern Times, and #923 - The Pilgrim)
Review:
Silent films are interesting to watch, particularly comedies. What does it mean to be funny? With the Tramp, there is something inherently entertaining about this silent clown, whether due to his physical appearance or the way he moves around, and this is especially prevalent in this film, in which he joins the circus. There are numerous entertaining sequences that inspire numerous laughs, from a chase sequence in the beginning to a tightrope sequence near the end with monkeys that is dare-defying along with amusing in its execution. The scene with the lion in the cage is also one that stands out for its thrills (with the sequence reportedly taking over 200 takes to get correctly), and it is one that certainly looks chilling even for the modern age. There is just a great semblance of imagination and entertainment that the movie inspires due to the circus setting, with a story that is simple but also fairly dynamic as well. The rest of the cast do a fine job, with Garcia doing good in playing opposite Chaplin as the ringmaster. The ending is a bit murky along with bittersweet, although at least the ending shot of him walking off in the distance is a memorable one. It likely isn't as great as The Gold Rush (1925), but it is at the very least one of Chaplin's best films.
There were numerous production delays and problems, such as a studio fire, the death of Chaplin's mother, Chaplin's divorce from his wife and claims of owed back taxes by the IRS that made filming stall for eight months. In any case, the film was released three months after The Jazz Singer. Both that film and Chaplin were recognized by the Academy during the 1st Academy Awards with Honorary Awards, with Chaplin receiving one for "for writing, acting, directing and producing The Circus". In the late 1960s, he did a new musical score for the movie, with a recording of him singing "Swing Little Girl" playing over the opening credits of the film, and it is certainly an interesting way to begin things. At 70 minutes, this is an entertaining film that proves to be highly satisfying with its slapstick comedy, all due to the talent of Chaplin that comes out greatly on screen. It's an agile kind of movie that has enough sight gags and snappy title cards to make this an easy one to recommend for anyone.
Overall, I give it 9 out of 10 stars.
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