The Messenger (2009).

Review #1133: The Messenger.

Cast: 
Ben Foster (Sgt. Will Montgomery), Woody Harrelson (Capt. Tony Stone), Samantha Morton (Olivia Pitterson), Jena Malone (Kelly), Steve Buscemi (Dale Martin), Yaya DaCosta (Monica Washington), and Eamonn Walker (LtCol. Stuart Dorsett) Directed by Oren Moverman.

Review: 
It feels hard to face the truth at times. The realities of life and how people deal with their actions and consequences can make for an interesting subject for a film to confront. With this film, the main focus in on casualty notification officers, with the main two being a trainee and his mentor, as they try to do their job - no matter how hard it may be, whether for the notifier or the person being notified. There is a dark but driving feel to the reality that it shows for these two and the people that they encounter in their mission that justifies its existence through a 113 minute run-time. It may fall a bit with pacing at times, but there is a sense of duty to tell a story worth wanting to see, being factual and punctual with showing emotion that never feels cynically manufactured in its episodic nature. Foster and Harrelson make for an interesting pair to follow with, where they are faced with trying to do the job they are assigned to do within the standards of the role while dealing with their own story-lines. Foster does a fine job with what he is given, balancing the trauma the character has to deal with while dealing the newfangled reality of his assignment - particularly the people he encounters. Harrelson stands out the most among the cast, having a hardened edge of sincerity and intensity that invites us to look at him with a inquisitive lens that keeps the movie moving along. Morton does fine with what's she is given for a role that occasionally invites focus of interest, and her chemistry with Foster is somewhat present, making for a few fair moments. Buscemi, with a presence of probably less than ten minutes on screen, does fine with showing a good range of emotion as one of the receivers of news from the main group. The movie is at its finest when trying to show honestly with the rough nature of the main duo's job, which makes the first half work a bit better than the second half, which isn't as too held together. The film has a few cliches to it, but it isn't anything that makes the material come off as anything other than fairly watchable. It isn't the kind of movie that had much success upon original release, having a limited run in few theaters before making just over a million dollars on a $6.5 million budget, although it did receive nominations for numerous awards, such as Best Original Screenplay at the Academy Awards for writers Alessandro Camon and Oren Moverman and Best Supporting Actor for Harrelson; in any case, this is a fairly decent film that manages to pull enough emotional honesty and focus from its main two actors to pull a victory out, and I'm sure it will work just fine for people in the mindset for something a bit different for a war drama.

Overall, I give it 7 out of 10 stars.