Jesse James Meets Frankenstein's Daughter.

Review #1153: Jesse James Meets Frankenstein's Daughter.

Cast: 
John Lupton (Jesse James), Narda Onyx (Dr. Maria Frankenstein), Estelita Rodriguez (Juanita Lopez), Cal Bolder (Hank Tracy/Igor), Jim Davis (Marshal MacPhee), Steven Geray (Dr. Rudolph Frankenstein), Rayford Barnes (Lonny Curry), William Fawcett (Jensen, the pharmacist), and Nestor Paiva (Saloon Owner) Directed by William Beaudine (#463 - Billy the Kid versus Dracula and #535 - Bela Lugosi Meets a Brooklyn Gorilla)

Review: 
Older fans of mine will remember my coverage of Billy the Kid versus Dracula, which I covered all the way back in October of 2013, which served as part of a double feature with this film.

Admittedly, combining the genres of a western with horror could be interesting. I suppose there really must've been a push to make some cheap thrills and make a quick buck out of it while featuring outlaws from the Old West. The result is two films directed by Beaudine that were both shot in eight days while written by Carl K. Hittleman while shot at the Corrigan Ranch in Simi Valley, California. The only noteworthy thing to look at in this movie is the lab equipment, which came right from Kenneth Strickfaden, who had designed the electrical effects for Frankenstein (1931) and several other projects. It is easy to say both films are awful, but it may prove a bit difficult to figure out which one is "better" - as if one was comparing scab wounds. I could probably edit my description that I said about Billy the Kid versus Dracula and have it work now, as this is also a sloppy mess from beginning to end, starting with the hokey, if not drunkenly written premise of Jesse James in a horror film. Let's not forget that this film not only decides to depict him as having survived the shooting by Robert Ford in 1882, but also encounter the (grand)daughter of Frankenstein. If you can believe it, this film feels like a drag with its run-time of 83 minutes, probably since it takes half of its run-time for the two main characters to meet but also due to the fact that it feels like there are two plots mixed into one, and they are both pretty boring.

Lupton is pretty wooden, not really generating sort of interest in wanting to follow his outlaw character - as reading about the real Jesse James would probably be more interesting. Onyx (in her last film role) is the one who stands out, having plenty of ham and ridiculousness that would probably be suited for stuff such as Frankenstein Meets the Wolf Man (1943), but then again it actually makes this film seem tolerable, even if it is let down by nearly everything else. Rodriguez (also in her last role prior to her death in 1966) is okay, but the romance between her and Lupton is as stilted as everything else in this movie, not being particularly convincing (I'd also like to point out that James was married at the time of his death - to his first cousin), seeming to fill time and plot. Bolder is bland as the heavy, and the effect used to turn him into the Monster (called Igor for some reason) is awful, since the stitches (on a bald head) is rubber tape. I especially take amusement that the Monster doesn't even wear a shirt, as if that is going to make all the difference for showing strength and terror. You may be surprised that there are two Frankensteins in this film. You may be even more surprised that they are siblings, since the age difference between the two (Onyx and Geray) is 27 years. Speaking of which, Geray isn't awful, having a reluctant nature to him that is somewhat believable to go along with. Honestly, there is nothing here to watch the movie for, since there are no real big spectacles, and the parts when the monster finally comes to life are just as lame as the parts leading up to it. You would actually be better off with The Beast of Hollow Mountain (1956) if you want something with horror and western elements, and that was an incredibly mediocre movie. The only way to watch both this and Billy the Kid versus Dracula is on a night where you want something fast and cheap (they are both in the public domain) and don't care what they deliver as long as they give you some sort of monster and hero to watch. In that sense, they are just fine as a double feature of terror to terrorize the audience in their spooky awfulness.

Overall, I give it 2 out of 10 stars.