February 4, 2019
Leatherheads.
Review #1187: Leatherheads.
Cast:
George Clooney (Jimmy "Dodge" Connelly), Renée Zellweger (Lexie Littleton), John Krasinski (Carter Rutherford), Jonathan Pryce (CC), Stephen Root (Suds), Wayne Duvall (Coach Frank Ferguson), Keith Loneker (Big Gus), Malcolm Goodwin (Bakes), Matt Bushell (Curly), Tim Griffin (Ralph), Robert Baker (Stump), and Nick Paones (Zoom) Directed by George Clooney (#851 - The Monuments Men)
Review:
Perhaps the appeal of football is all spectacle. You really do have to be a bit crazy to play a game where the point is try to score points and avoid getting tackled and suffer injury - although you could probably apply that to other sports (namely, hockey). Still, the amount of hype for professional football gets from its stars to its halftime shows can be a bit absurd, depending on the amount of patience one has with football. While football has evolved over the past decades, this can apply to films as well, where now there exists a screwball comedy with 1920s football in the background. The original script was done by Duncan Brantley and Rick Reilly (of Sports Illustrated fame) in the early 1990s, languishing for over a decade before Clooney re-wrote the material to fit as a screwball comedy (going un-credited for the work). The story took inspiration from the exploits of John "Johnny Blood" McNally and the signing of Red Grange to the pros in 1925. One thing that the movie does do well is capture the look of the decade it wants to portray with plenty of production value, and the music from Randy Newman is a fair standout. However, the film feels a bit too muddled into trying to be funny that it never really takes off, falling along the lines harmlessly. You would be better off with The Freshman (1925) when it comes to football and comedy, honestly. The film relies on the trio of Clooney-Zellweger-Krasinski to try and deliver laughs, and they do provide a few chuckles, but after a while you are essentially waiting for the movie to move along, as if watching quirky 20s football (and the offbeat people playing it) would actually serve for more of a focus. While the film may feel a bit too bloated in length in 114 minutes when it gets to its climax with the football game, it is somewhat of a relief.
Admittedly, the best person in the film is Clooney, who seems to be having fun with a role reminding me of a buccaneer for football, not being above using tricks to try and win (or have fun), which I can certainly go along with to a point. Zellweger is fine, and Krasinski is okay as well, but they don't really have much to go on in terms of personality that makes them resonate beyond a cursory glance. The football supporting cast (along with Pryce) seem to generate more interest than the love story, having more energy to it while going through its own type of routines. One film I did think about when watching was Slap Shot (1977), which embraced its old-time approach to its sport while having a charismatic lead that led to better laughs and overall a more entertaining time without needing to try to have it both ways (screwball and sports). The football stuff might have made for a TV miniseries or maybe even just a sketch, but as is this is simply just an average movie that doesn't quite fufill all of its aspirations but will prove just okay if you're into what it tries to sell you.
Overall, I give it 7 out of 10 stars.
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