January 9, 2020
Robin Hood (1922).
Review #1319: Robin Hood.
Cast:
Douglas Fairbanks (Earl of Huntingdon/Robin Hood), Wallace Beery (King Richard the Lion-Hearted), Sam De Grasse (Prince John), Enid Bennett (Lady Marian Fitzwalter), Paul Dickey (Sir Guy of Gisbourne), William Lowery (The High Sheriff of Nottingham), Willard Louis (Friar Tuck), Alan Hale (The Squire/Little John), Bud Geary (Will Scarlet), Lloyd Talman (Alan-a-Dale), and Billie Bennett (Servant to Lady Marian) Directed by Allan Dwan.
Review:
Never let it be said that adventure films were content with being quiet affairs. When it comes to large-scale adventure films, this is a good case to highlight (copyrighted as Douglas Fairbanks in Robin Hood, I kid you not), with this one having a large castle set and village (all constructed at Pickford-Fairbanks Studio), with some designs done by architect Lloyd Wright (who went on to use its leftovers to design shells for the Hollywood Bowl). The budget has been reported to be around $900,000, which went into making such lavish sets, costumes, and even extras (with large moments reportedly having as many as a thousand present). The film is also noted for being shown as the first Hollywood premiere, doing so at Egyptian Theater in Hollywood (who you might recognize as one of the theaters developed by Sid Grauman). It wasn't the first film to feature the legend of Robin Hood on screen - there had been six productions involving the character, with the first being in 1908. Two of them were notable, with the 1912 version having big costumes and superimposition of animals to demonstrate their good/evil qualities, while Ivanhoe (1913) adapted the 1819 historical novel of the same name by Sir Walter Scott with the character present. Fairbanks was already a well paid and highly regarded star at the time of this film's release, and he helped formed United Artists alongside Mary Pickford, D. W. Griffith, and Charlie Chaplin in 1919 in order to help with artistic control and distributorships. The Mark of Zorro (1920) helped in creating a superstar image for its lead actor, and swashbuckling films owe a great deal to Fairbanks and the efforts he took in sparing no expense when it came to entertaining films, which continued with this feature that solidified the legend of Robin Hood in the eyes of the viewer alongside with solidifying the legend of Fairbanks as a whole.
It is a 127 minute grand spectacle that lands most of its merry advances, particularly when it comes to its action sequences (no photo trickery needed), which are fun to view when seeing how one can do such leaps and smile all the way through. It takes a bit of time to really get going, but it proves to be a useful reward that holds up to the edges of time fairly well after all these decades. Fairbanks (who had started acting just before the turn of the century and would turn turn 40 the following year after release) is clearly enjoying himself here, knowing where to go best, whether when needing to be coy or on the mark with someone else on screen. Beery makes for a fair supporting component to Fairbanks, while De Grasse makes for an adequate villain to encompass the film. Bennett and Dickey each do their own part to carry things respectively, as does the rest of the Merry Men. Two actors would later reprise their roles. Berry returned to his role the following year in Richard the Lion-Hearted, which was based on Scott's novel The Talisman, while Hale would reprise his supporting role twice - The Adventures of Robin Hood (1938) and Rogues of Sherwood Forest (1950). It may not be the greatest Fairbanks adventure film (he personally felt The Thief of Bagdad (1924) was his best), but it certainly ranks up there when it comes to fun memorable times with interesting heroes, that much is for sure. It is an easy film to find in the public domain (remember, the new year means that works from 1923 are now available), and it is easy to recommend finding the best looking print one can find, where one can see different hues of color (as opposed to just monochrome) and have adventure play out for wonderful curiosity.
Overall, I give it 9 out of 10 stars.
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