Cast:
David Corenswet (Clark Kent / Superman), Rachel Brosnahan (Lois Lane), Nicholas Hoult (Lex Luthor), Nathan Fillion (Guy Gardner / Green Lantern), Edi Gathegi (Michael Holt / Mister Terrific), Anthony Carrigan (Rex Mason / Metamorpho), Isabela Merced (Kendra Saunders / Hawkgirl), Skyler Gisondo (Jimmy Olsen), Sara Sampaio (Eve Teschmacher), Wendell Pierce (Perry White), Beck Bennett (Steve Lombard), Mikaela Hoover (Cat Grant), Christopher McDonald (Ron Troupe), Pruitt Taylor Vince (Jonathan Kent), Neva Howell (Martha Kent), María Gabriela de Faría (Angela Spica / The Engineer), and Zlatko Burić (Vasil Ghurkos) Written and Directed by James Gunn (#626 - Guardians of the Galaxy, #932 - Guardians of the Galaxy Vol. 2, #2006 - Guardians of the Galaxy Vol. 3)
Review:
"Over the years, I'd think, 'How was I going to do Superman if I ever had the chance to do it? How can you take a character like this, who's perceived as old-fashioned by many? There have been so many different permutations of the character throughout the years, so how could you do it for a modern audience? I knew what I wanted to do in creating a story that was both utterly human and utterly fantastic at the same time – and I think the movie bounces back and forth between those two poles in a relationship that's incredibly complex. It also has all the fantastic elements that we've never really seen in a Superman movie: the flying dog, the giant Kaiju, pocket universes, science and sorcery, and all these things that were in the old Max Fleischer cartoons."
Oh, has it been a while since we had a Superman (as originally created by writer Jerry Siegel and artist Joe Shuster) movie? We all know that the comic book movie owes a great deal to Superman (1978) when it comes to the great spectacle of worthwhile storytelling and special effects that Richard Donner stated had the aim of "Make a love story...and prove a man can fly.” Three different directors all tried to make their own follow-up to that movie to varying results. Man of Steel (2013) was an endeavor to make a "modern Superman...in his relationship to society and/or the modern world" that resulted in a hard-headed but curious movie fit for die-hard admirers of its director Zack Snyder and, well, others. But the pursuit of the dollar had Warner Bros. craving a mashup for the next Superman-related movie rather than a straight sequel, which resulted in the film formerly known as the last movie with Superman in the title, Batman v Superman: Dawn of Justice in 2016. Long story short: it sucked. Two years later, James Gunn actually was approached about writing and directing a Superman film, but he had doubts about taking on the characters and instead took the perceived "easy path" with making what became The Suicide Squad in 2021. In 2023, Gunn was announced as being in on what became this film, stating that his inspiration came to him revolving around the heritage of the character and looking forward (as opposed to calling it Superman: Legacy, which was the original title). With a budget of over $200 million, I'm sure this new venture in to making people want to check out further DC characters in film or television will work forwards rather than say, backwards (well, I could always go back to All-Star Superman or one of those other stories/shows that inspired this film, but I digress).
I think I had about the right type of expectations with this film in tabbing it as one to take my mom to see on opening week.* While I'm not sure exactly how this film will sit in my memory a year from now, I can say without a doubt that this was a fun experience. If the story of Superman the hero is one of a man who strikes as a symbol of hope amid times of fear and confusion (as one does when created in the days of the Great Depression), you could say that is a movie for the energetic at heart. It has its loose moments of footing with tone, and it certainly will inspire plenty of curiosity over select story beats, but it ultimately soars enough to make the 129-minute trip worth it. I don't find it too wise to go over the story of a movie in theaters beat by beat, but let's get some stuff covered. It's interesting to essentially drop into Superman three years down the beat of heroism (incidentally, The Batman (2022) elected to go with a title character two years spent in the suit that reaches an endpoint of aspiring for hope, food for thought), as reflected in a few lines of text for the intro, among other things. I rolled with it, mainly because I would expect audiences to just go with a man who can fly without starting on alien planets or in Kansas. For a character that might as well be the biggest boy scout possible, Corenswet does relatively alright with the expectations sprung from the numerous portrayals one has heard/seen before**, although I imagine one would aspire for a bit more on the side of Kent, which is left a bit on the wayside for a chunk of the film, particularly since Krypto the (rascal) dog is in the mix. At least the sequences spent with Brosnahan are engaging to the extent needed in rigid charm, one that suggests that maybe kindness is some sort of punk rock. Admittedly, there are plenty of Lex Luthors to have experienced in terms of varying levels of ruthless ambition and the conflict that arrives from "mind over muscle", or with this film, "brain beats brawn". Hoult proves the highlight of the film in audacious confidence for what arises in the classic tale of wanting the admiration of thousands when being incapable of really understanding what it means to give and receive it in the first place. The rest of the ensemble is fairly enjoyable for some hits in humor, with Gathegi and Fillion each having neat little moments of timing (others might say Sampaio proves a worthy new Teschmacher, but see for yourself). The Boravia-Jarhanpur aspects of the film are fairly interesting in the idea that you could interpret as oh, any conflict from abroad in the last few decades, although I wonder if there was the tiniest bit of inspiration gleamed from Superman IV: The Quest for Peace (1987), a movie where Superman early on decides to rid the world of nuclear arms but eventually comes to the conclusion (as one does in a plot too stupid to really explain) that he isn't the one to give the gift of freedom from war and that he wishes the Earth could be seen by folks the way he sees it as "just one world." It probably reflects well that Burić makes for a blustery caricature to carry the weight of bluster and facades for all to experience, suffice to say. The CGI mayhem is relatively on point for what you would expect from the film, albeit on a scale that is more interesting with character moments such as say, Krypto or one certain sequence with Terrific than big fights, which are fine in a way that seems worthy to hope for improvement in staging the next time around, especially when having a good deal of fun with a souped up movie that likes what it sees in super dogs and splitting climaxes. The scene with the Kents (who are folksy enough to fit the bill, when compared to past renditions) probably lifts the movie up the most when it needs it for a movie that basically states that one (crisis of confidence or not) is made by their choices they make rather than being made by what someone tells them to do.*** In a time of eroding confidence in truth, justice, and a better tomorrow, it is nice to see a movie sincere enough to make one realize that what people really want is honesty with their entertainment, and if it means thinking differently about what we aspire to see in hope, then so be it.
Overall, I give it 8 out of 10 stars.
*Fun fact: Seven years ago, I actually put on the Superman Returns DVD and showed it to my mom. It was a funny time watching that tedious movie, suffice to say. I doubt I would show her the, shall we say, "prehistoric comic book movies" in Superman and the Mole Men (1951) or the 1940s Superman serials. Or those Fleischer shorts, which I probably should check out at some point.
**The more interesting debate for Superman portrayals is if one likes Tim Daley or George Newburn best in animated form.
***Strangely enough, I was thinking of a certain speech of crisis and confidence that happens to have been spoken on July...15, 1979. Also, consider how Superman gets out of a certain jam (glass, trust me), one that isn't done by trickery but by showing who he is when consequences strike right in front of him.
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