Showing posts with label Michel Gondry. Show all posts
Showing posts with label Michel Gondry. Show all posts

March 21, 2019

Eternal Sunshine of the Spotless Mind.


Review #1201: Eternal Sunshine of the Spotless Mind.

Cast: 
Jim Carrey (Joel Barish), Kate Winslet (Clementine Kruczynski), Kirsten Dunst (Mary), Mark Ruffalo (Stan), Elijah Wood (Patrick), Tom Wilkinson (Dr. Mierzwiak), Jane Adams (Carrie), David Cross (Rob), and Deirdre O'Connell (Hollis Mierzwiak) Directed by Michel Gondry (#451 - The Green Hornet)

Review: 
Memories are a funny thing. Whether they are ones that we prefer to reminisce about or ones that we look back on with a tinge of regret, this is a film that likes to play with memory while dealing what it means to live with emotions that can come from a relationship - whether it involves pain or pleasure. Imagine a person in your life that you loved or cared for at one point in time and having them disappear from your memory just like that; the film certainly creates a world where it feels pretty routine (with one line involving someone trying to have the procedure for a third time in a month), where people map out memories of someone, go to sleep and then awaken to the disappearance of the heartache and faded memories left behind. With different hands, one could probably have made a horror film with the concept of erasing someone from your mind (or perhaps a straight-forward romcom), but it is the handiwork of Charlie Kaufman, Michel Gondry and Pierre Bismuth that make such a clever and original story worth spending time with. It plays itself into numerous genres, such as romance, science-fiction, and comedy-drama. It is a fascinating film to watch play out, particularly with its main performances from Carrey and Winslet. It plays with the audience and their expectations without feeling like a cynical (or sappy) cheat, having plenty of emotion alongside a few interesting effects and a bit of improvisation. Carrey, playing against type, does a wonderful job, being quite entertaining to watch in a shy yet capable role that never seems too sullen or annoying to be around. Winslet is quirky, unpredictable, unfiltered, and quite right for her role, having plenty of range and intensity to her performance, whether when interacting with Carrey in memories or beyond; their chemistry is what makes the film work as well as it does, being snappy and interesting without falling prey to cliches or being undeserving of its moments, particularly with its final scene. The rest of the cast is also quite good, with Dunst and Ruffalo being charming in their scenes together (such as when they jump on the bed in the middle of the memory procedure; Wood and Wilkinson are fine to watch, both handling their parts in memory erasure with varying results that make them handy to see. What makes the film stick out is its willingness to play with its structure and unfold the way it wants and have the audience make sure to pay attention and not simply let things pass by. It doesn't present high stakes, but that is because it wants to aim for something engaging in actuality - to paraphrase from a quote from the film, it is looking for its own peace of mind. Films can often inspire debate and discussion over its meaning or intent, and this is an easy one to inspire exploration for. Fifteen years after its release (which resulted as a mild success with audiences and an Academy Award for Best Original Screenplay), Eternal Sunshine of the Spotless Mind is a wildly entertaining ride that proves just right for numerous types of curiosities and tastes, tugging with emotion without going overboard in all the right places to make a winner.

Overall, I give it 9 out of 10 stars.

September 10, 2013

Movie Night: The Green Hornet.


Review #451: The Green Hornet.

Cast
Seth Rogen (Britt Reid), Jay Chou (Kato), Christoph Waltz (Benjamin Chudnofsky), Cameron Diaz (Lenore "Casey" Case), David Harbour (District Attorney Frank Scanlon), Tom Wilkinson (James Reid), Edward James Olmos (Mike Axford), Jamie Harris (Popeye), Chad Coleman (Chili), and Edward Furlong (Tupper) Directed by Michel Gondry.

Review
This is one of those films I never had actually got to finishing twice. Around the end of the year (heh, big shock) when every test was done, our classes used to watch some films. The Green Hornet was one of them, though I never got to finish the film. Until now. Everytime I watched it, I had a few questions that popped in my head about the movie: So in the 1960's show, was Kato more useful than the Green Hornet? Was Kato always better in hero work than the Hornet? Why does it seem that the Green Hornet is eerily similar to Batman? And who is Seth Rogen? The answers to my questions are: There are none. Well, maybe one answer. The Green Hornet was created on radio in 1936, 3 years before Batman was, with comic books about the Hornet coming 4 years later, later spawning two serial films, a short 10 minute French film, and the short lived but memorable 1960's series with Bruce Lee and Van Williams. The history of the Green Hornet is probably more interesting than the film itself. What I mean is that Rogen doesn't provide too much to the table, he feels more like the comedy relief to Jay Chou than an actual hero. The Black Beauty is a beautiful looking car though, and the effects are halfway decent, though it can't make up for the mediocre acting and the mediocre story. This was meant to be a superhero comedy, but it feels more like a chore, and Waltz, while admirable in his attempts, can't liven the film enough. This would be a disappointment, but since I don't really know the Hornet, it's just a miss.

Overall, I give it 5 out of 10 stars.