Airheads.

Review #2566: Airheads.

Cast: 

Brendan Fraser (Chester "Chazz Darby" Ogilvie), Steve Buscemi (Rex), Adam Sandler (Pip), Chris Farley (Officer Wilson), Michael McKean (Milo Jackson), Judd Nelson (Jimmie Wing), Ernie Hudson (Sergeant O'Malley), Amy Locane (Kayla), Michael Richards (Doug Beech), Joe Mantegna (Ian "The Shark"), Nina Siemaszko (Suzzi), Marshall Bell (Carl Mace), Reg E. Cathey (Marcus), David Arquette (Carter), Michelle Hurst (Yvonne), and Harold Ramis (Chris Moore) Directed by Michael Lehmann (#307 - Hudson Hawk, #1490 - Heathers)

Review:

"My feeling was that I had never done something like this. I was a young filmmaker. I had done a couple of independent movies that were really liked and out of the mainstream. And then I did Hudson Hawk, where definitely the sensibility was a little out of the mainstream and it didn’t play that well out of the mainstream. But I still hadn’t learned my lesson, thankfully, and I thought, I’m going to get people in this movie that you wouldn’t expect to see in a movie like this and that’s going to make it more like something I want to see."

You'll never believe this: an ensemble movie with a bit of music and plenty of attempts at comedy that didn't exactly gel with audiences. The script was done by Rich Wilkes, who had been inspired by a movie he loved with Dog Day Afternoon (1975), specifically in doing a comedic rendition that involved rock and roll. He had done music journalism and interviews prior to writing the spec script that eventually went from Island Pictures to 20th Century Fox. Apparently, Lehmann was the first choice in mind for the movie, with Airheads being his fourth movie as a director, after Heathers (1988), Meet the Applegates (1990), and Hudson Hawk (1991)*. While the studio and Lehmann traded disagreements that resulted in a PG-13 movie rather than, say, the R-rated one he hoped to do, at least the studio did not win the request before production where they wanted to have a comedian to "do a pass on the script" (according to Wilkes, Dennis Miller was that guy). As it happened, Wilkes was involved in two film productions in the year of 1994: The Stone Age, which he co-wrote with James Melkonian that was released in February, and this film, which came out in August. Released in the first week of August alongside such films as Clear and Present Danger and The Little Rascals (with The Mask being a few days beforehand), Airheads was not a financial hit, making barely a third of its reported $15 million budget. Lehmann carried along as a director, with his next movie being The Truth About Cats & Dogs (1996) and the reputation of the movie has probably increased in recent years if it inspired people to talk about it for, say, an anniversary retrospective (link here).

For whatever reason, there were actual critiques about the movie either not being an outright comedy or a "satire". Now, I'll level with you: do you really care about "satires"? Do you really care about being subtle in a comedy? Do you really care about anything other than the rockin' beat of a song? Does knowing the "scene" of music such as alternative rock truly matter? Some of those answers are "yes", some of those answers are "no", but I was fine with the overall trip as a whole (besides, it can alway be worse with insulting music, just as The Big Lebowski and that stupid Eagles joke). Sure, it works best when cribbing from The Blues Brothers (1980) rather than Dog Day Afternoon, but it is a neat little movie. It's kind of funny to look at a cast like this and say, yes, one of these folks ended up winning an Academy Award years later.  You've got a little cameo for Harold Ramis (and Lemmy, because hell yeah), Arquette mostly being in the background, three Saturday Night Live guys of the time (Sandler, McKean, and Farley*), a Mike Judge cameo (who among us?), Richards lurking around in his giant frame, but most importantly: a lovable trio of goofballs with Fraser, Buscemi, and Sandler. They have a type of charm that can only come from people wrapped in enough confidence to believe that they really could just waltz in and become rock stars because their stuff is totally the stuff "for the '90s" (not being to actually listen to their songs, for the most part, is kinda funny). They make for quite the trio together in timing, toeing the line in amusement where one likes to see where they go rather than say, laughing at their dream. Sure, I could take it or leave it with Locane* or Farley, but the supporting folks that go around the film such as McKean and his delightfully rat finky performance (less so from Nelson and his attempt to match) or Mantegna and his wannabee Howard Stern* act. I'm a sucker for the people and voices that pop in and out as a time capsule for its time (I imagine that over 30 years, Marky Mark does still suck, although the jury is probably still out on the "Rodney King" chant). For a 92-minute ride, it's a neat comfort movie for those who buy into what it is selling in goofy enthusiasm that likes its folks and likes the scene enough to make it a movie that definitely deserved better.

Overall, I give it 7 out of 10 stars.

Song of the day!

Next up: At last: Reynolds and Eastwood in City Heat.

*I'm going to go out on a limb here and predict that Applegates is probably the most mediocre of the first four Lehmann movies if only because it is highly unlikely that Heathers, a movie I didn't like that much, is lower than Hudson Hawk, Airheads, and also a movie about mutant shapeshifters from Brazil living in Ohio.

*Yes, Michael McKean was on Saturday Night Live as a 46-year-old. Also, that would be *future WCW Heavyweight Champion* David Arquette. Hey, I didn't really give that much of a shit about watching him in Scream, were you expecting me to actually cite that movie? By the way, if you read the retrospective link, you'll probably be shocked as I was in the following sentence: Kevin Spacey wanted to be in Airheads! Good lord, imagine that guy being in the movie, what a dodged bullet. 

*Can I state a small pet peeve? I love Ghostbusters (1984), but am I the only one who thinks Ernie Hudson doesn't get the credit he deserves for being a key part of that movie? It's a QUARTET team, not a trio. Hell, The Real Ghostbusters didn't even let him play Winston, what kind of dumbass show does that? I think at least one percent of folks forgetting about Winston in comparison to the others is at least 0.1% based in weirdo prejudice where they can't even admit to being prejudiced. 

*In 2010, Locane, who was found to be over the blood alcohol level, was involved in a car collision that resulted in the death of a woman. She served a few years for vehicular homicide and assault by auto. Incidentally, in 1984, Vince Neil was involved in a car accident that resulted in vehicular manslaughter and DUI charges when a passenger in his car died. He served only 15 days in jail and paid restitution to the victims of the crash - The moral of the story: don't drink and drive.

*Remember when Howard Stern tried to be funny and not whatever the hell he is now? Incidentally, John "Stuttering John" Melendez appears in the movie and even has a song featured. 

Cars 2.

Review #730: Cars 2.

Cast
Larry the Cable Guy (Mater), Owen Wilson (Lightning McQueen), Michael Caine (Finn McMissile), Emily Mortimer (Holley Shiftwell), John Turturro (Francesco Bernoulli), Eddie Izzard (Sir Miles Axlerod), Thomas Kretschmann (Professor Zündapp), Joe Mantegna (Grem), Peter Jacobson (Acer), Tony Shalhoub (Luigi), Jason Isaacs (Siddeley/Leland Turbo), and Stanley Townsend (Vladimir Trunkov/Ivan/Victor Hugo), Directed by John Lasseter (#440 - Toy Story, #441 - Toy Story 2, #539 - A Bug's Life, and #729 - Cars)

Review
The first Cars was okay. In the sense that when compared to other Pixar movies, it suffered under comparison, but the movie along was fine. This? Meh. Remember how passion made Cars into something to credit? With this, it should've been buried in a box and never opened. Ultimately the problems all come down to the focus changing from McQueen...to Mater. Look, I don't hate Larry the Cable Guy, but after a while, I started to just loathe Mater. He worked better in the first movie because of the small town atmosphere the first movie had, where Mater wasn't with spies and inferior cars trying to ruin a Prix. When did we go from small town memories to SPY FLICK? That would be like if Toy Story 2 was instead a cyberpunk opera. Actually, that would've been better than this. McQueen and Mater's bonding was actually more interesting than Mater being a spy, because I wasn't yelling at the screen, waiting for the movie to get to the point. It's something when you want to see cars racing each other more than spies. At least the rest of the cast is alright, even if there are dozens of characters (and cameos). Admittedly, it's a good looking movie in terms of animation, especially nighttime shots, with the glow of the lights. Mater drags on your nerves, especially if you have little patience. It could be argued that he is up to the level of annoyance that Jar Jar Binks was in The Phantom Menace, though at least Mater saves the day. I like the idea of McQueen going to race in a Prix around the world, to see other cultures and other racers, now that the town is well off. Instead, it's a look into how silly Mater can be in other cultures, right down to swallowing a bunch of wasabi. I wonder if it would've been funnier in live action, with real people. Of course, if I wanted to, I could watch it on the Internet.

The "be yourself" theme works in theory, unless of course you meet someone who doesn't like you, or is a bully. Yes, even when you are being beaten up, at least you can be comforted in that they were being themselves. The idea that cars can apparently kill other cars is a bit strange, though this works into my idea that the cars secretly took over the Earth and just became sentient, disguising their act by acting as friendly as possible. The movie is good for younger audiences, at least, but it should strive better. We could get into the "animation shouldn't be just for kids" argument, but there are better movies to watch. The depth of the movie is lacking with regards to other Pixar movies, but maybe that was a part of the disappointment with me. Pixar is a pinnacle of great quality animated movies, before (Toy Story, The Incredibles, Finding Nemo) and after (Ratatouille, WALL-E, Up, Inside Out) this movie. If you have younger relatives, they might like it. But only if there are no other options. None.

Overall, I give it 5 out of 10 stars.

Movie Night: Thinner.

Review #614: Thinner.

Cast
Robert John Burke (Billy Halleck), Joe Mantegna (Richie "The Hammer" Ginelli), Lucinda Jenney (Heidi Halleck), Michael Constantine (Tadzu Lempke), Kari Wührer (Gina Lempke), Bethany Joy Lenz (Linda Halleck), Daniel von Bargen (Chief Duncan Hopley), and John Horton (Judge Cary Rossington) Directed by Tom Holland.

Review
You want a movie that goes over the top and manages to be outrageously insane while having 0 likable characters? This is the movie for you. The movie is based off the book of the same name by Stephen King (who even has a cameo in this movie), and indeed it does feel like a silly adaptation of a novel, but at least this movie is laughable to watch. I can't decide if Burke is worse in this or in Robocop 3, but arguing over which role had more emotion when one is a robot and not being able to have an answer is troubling. For some reason Burke looks like Jiminy Glick in the overweight scenes, though at least the effects for when he gets thin are decent. The cast is okay, but their characters are unlikeable which means that anytime something happens to them, you're left not caring about what happens to them. Even the guy who curses Billy is unlikable, the whole plot of revenge is mediocre at this point. The way that Billy manages to get rid of the curse is stupid (really? Putting his blood into a pie? It's from the novel, but still.), but I guess all curses could be solved by pies. Especially pecan pies. What we've got is a mediocre movie that runs short enough to where you'll forget about it after a few hours, with effects that are probably better than the characters, and it makes you want to eat pie. So I guess it makes sense, especially that last part.

Overall, I give it 4 out of 10 stars.