Showing posts with label Hillary Brooke. Show all posts
Showing posts with label Hillary Brooke. Show all posts

May 6, 2019

The Woman in Green.


Review #1216: The Woman in Green.

Cast: 
Basil Rathbone (Sherlock Holmes), Nigel Bruce (Doctor Watson), Hillary Brooke (Lydia Marlowe), Henry Daniell (Professor Moriarty), Paul Cavanagh (Sir George Fenwick), Matthew Boulton (Inspector Gregson), Eve Amber (Maude Fenwick), and Frederick Worlock (Doctor Onslow) Directed by Roy William Neill (#846 - Frankenstein Meets the Wolf Man, #873 - Sherlock Holmes and the Secret Weapon, #925 - Sherlock Holmes in Washington, #936 - Sherlock Holmes Faces Death, #1021 - The Spider Woman, #1040 - The Scarlet Claw, #1056 - The Pearl of Death, and #1161 - The House of Fear)

Review: 
This is the eleventh film of the Sherlock Holmes series of films with Rathbone and Bruce, release three months after the previous film. If you're at all familiar with how these things go for these features, you'll probably find yourself satisfied with this installment. Anyone looking to jump in these films out of random will also find themselves with a workable winner in any case - it won't be much of a waste in any case with a run-time of just over an hour in 68 minutes. I do think the title is pretty amusing, given that this is a black-and-white film, and I don't think anyone even mentions green at any point. Then again, with a focus on severed forefingers (not shown, obviously), blackmail of rich people, and hypnotism, one won't really think about that too much. It doesn't have much in terms of deep mystery, but it is a decent experience in entertainment at least, having a few interesting sequences. Rathbone is as efficient as ever, never seeming lost in the shuffle or disinterested in getting the best out of what he can with the scenarios presented - consistent as one can. Bruce plays up to the standard of his second fiddle character with comic relief - some of which that works, some that doesn't, with two easy moments easy to highlight you can judge for yourself. One involves him being a skeptic of hypnotism and its effectiveness, opening stating his doubts when at a presentation, only to have him subsequently tricked into being hypnotized and taking off his shoe and rolling his pant leg. The other is him leading the way to "rescue" Holmes while the other authorities arrest the others, including him hopping up on a ledge to get him down. Whatever the case may be, Rathbone and Bruce are around to keep things steady.

This is the third film with the character of Professor Moriarty (The Adventures of Sherlock Holmes (1939), played by George Zucco, and Sherlock Holmes and the Secret Weapon (1942), played by Lionel Atwill), with each having the same type of fate for its villain: falling off a great height. This is the third different actor to play the role, but it also happens to be his third appearance in the Holmes series, joining the tradition of re-using actors for multiple appearances (as is the cast with Brooke and Cavanagh). Daniell proves fine, with one key highlight being a sequence in which he sneaks into Holmes' place in order to have a conversation with him midway through the film, warning him about further pursuit into the mysterious killer. Of course his final fate is a bit ridiculous, since he tries to escape jail by jumping from one ledge to another - while wearing handcuffs, and he then just falls down to death. I guess just having him go to prison didn't pull the final punch they wanted. Brooke is okay as the person referred to in the title, although she isn't really too particularly compelling with the hypnotism aspects. This is the second of four films you can find in the public domain (alongside Secret Weapon and the last two films of the series - Terror by Night and Dressed to Kill), which makes them readily available. In recent years, they were digitally restored and given computer colorization by Legend Films; the Universal films had for decades deteriorated in terms of cellulose nitrate film, requiring restoration from the UCLA Film and Television Archive, which took eight years to restore the twelve films from 1993 to 2001. As a whole, this is a decent film among other okay films of the Holmes cycle with Rathbone and Bruce, being just as well to recommend as other features for anyone looking for a bit of quick mystery.

Overall, I give it 7 out of 10 stars.

May 20, 2017

Sherlock Holmes Faces Death.


Review #936: Sherlock Holmes Faces Death.

Cast:
Basil Rathbone (Sherlock Holmes), Nigel Bruce (Dr. John Watson), Dennis Hoey (Inspector Lestrade), Arthur Margetson (Dr. Bob Sexton), Hillary Brooke (Sally Musgrave), Halliwell Hobbes (Alfred Brunton), Minna Phillips (Mrs. Howells), Milburn Stone (Captain Vickary), Gavin Muir (Phillip Musgrave), and Gerald Hamer (Major Langford) Directed by Roy William Neill (#846 - Frankenstein Meets the Wolf Man, #873 - Sherlock Holmes and the Secret Weapon, and #925 - Sherlock Holmes in Washington)

Review:
I hope that I am not boring you folks with the reviews of these certain films; I do indeed have some interest in these detective films, which clearly have some sort of appeal for me. This is the sixth of the Rathbone series (#583 - The Hound of the Baskervilles, #721 - The Adventures of Sherlock Holmes, #798 - Sherlock Holmes and the Voice of Terror, #873 - Sherlock Holmes and the Secret Weapon, and #925), but this one is a mystery revolving around murder in a house (instead of something involving the war, though there are military characters present). After three films of wartime infused spy plots, this certainly comes off as refreshing (honestly, the title is a bit strange - doesn't he always face people dying?). One of my favorite scenes is when Holmes realizes one of the clues in a "ritual" involves a checkerboard floor on one of the rooms, and naturally Holmes decides to use the people in the house in order to act the ritual out. The film runs smoothly enough at 68 minutes, mixing capable characters alongside Rathbone and Bruce (with his character having a bit more competence than before) as expected. One of the more quirky scenes with Rathbone is him talking to a squawking raven. It isn't the best Holmes film with Rathbone (for me, nothing tops the first film), but it certainly is an improvement over the previous three movies, in part because of the way it operates itself. The villain (Margetson), while not strong or particular clever, is somewhat satisfying in that he is not merely one dimensional. Brooke is a somewhat fair supporting actress (the most quirky scene involving her is one where she is reciting a ritual and a bolt of lightning strikes through a window and hits a suit of armor near her). It ends with a dialogue between the two main actors about a "new spirit abroad the land" that isn't about greed (inspired by an act of selflessness by Brooke's character), which is interesting if not somewhat broad. The mystery is entertaining enough, and this is a fairly good way to spend an afternoon with a serviceable type of movie like this.

Overall, I give it 7 out of 10 stars.

September 7, 2013

Movie Night: Invaders from Mars (1953).


Review #448: Invaders from Mars.

Cast
Jimmy Hunt (David Maclean), Helena Carter (Dr. Pat Blake), Arthur Franz (Dr. Stuart Kelston), Morris Ankrum (Fielding), Leif Erickson (George MacLean), Hillary Brooke (Mary MacLean), Max Wagner (Rinaldi), Milburn Stone (Capt. Roth), and Janine Perreau (Kathy Wilson) Directed by William Cameron Menzies.

Review
This is an odd film in sorts, and it may be due to the color changes, the sets or because of the twist ending that sounds extremely familiar. But anyway, Invaders from Mars doesn't run too long but it does have its charm. Jimmy Hunt isn't a terrible child actor in this film and he manages to do a respectable job. The effects in this film aren't too bad for 1953 and the color changes that occur do gives more context to the confusion that this film sometimes does. It's a weird film, and while the ending probably justifies the oddness, it's an okay film at best, not too hokey (unless you count that grey alien, which reminds me of Colin Mochrie for some reason.) It's something you could watch easily, what with the 70 minutes run time and all. The ending actually wasn't kept in foreign versions like in England, which edited their own ending, a bit less thought provoking than the original version. This is a mostly decent film that could be argued to be a mid-classic, and it's best to take it for what it's worth. Countdown to 450 Reviews: 10, 9, 8, 7, 6, 5, 4, 3, 2...

Overall, I give it 7 out of 10 stars.

And now, I will reveal the next review in advance...Things to Come.