Review #1056: The Pearl of Death.
Cast:
Basil Rathbone (Sherlock Holmes), Nigel Bruce (Doctor Watson), Evelyn Ankers (Naomi Drake), Dennis Hoey (Inspector Lestrade), Miles Mander (Giles Conover), Ian Wolfe (Amos Hodder), Charles Francis (Digby), Holmes Herbert (James Goodram), Richard Nugent (Bates), Mary Gordon (Mrs. Hudson), and Rondo Hatton (The Creeper) Directed by Roy William Neill (#846 - Frankenstein Meets the Wolf Man, #873 - Sherlock Holmes and the Secret Weapon, #925 - Sherlock Holmes in Washington, #936 - Sherlock Holmes Faces Death, #1021 - The Spider Woman, and #1040 - The Scarlet Claw)
Review:
The Pearl of Death (released less than three months after The Scarlet Claw) is the ninth film in the Sherlock Holmes series with Rathbone and Bruce, with this film involving the search of a valuable pearl that is linked to a series of murders. Given that previous plots have involved supernatural terrors, pyjama murders, house murders and wartime spy plots, I can't say that this plot is any stranger or weirder than the other films. As such, this film meets the standards for fans of the series, with no real detraction or distractions. Once again, Rathbone and Bruce do their jobs with the right kind of class and mannerisms that you would expect, although it is weird that the film has Holmes inadvertently starting the main plot by exposing the security system that protects the pearl. The supporting cast is acceptable, with Ankers and Mander playing capable adversaries without any bombast. Hoey does a fine job as expected, with a bit of entertaining banter between him and Rathbone. In any case, the rest of the movie is fairly suspenseful, moving along with all the right patterns and pace (69 minutes) that will satisfy people in the mindset for it that doesn't come off as an listless retread of any tricks utilized in the other films in the slightest.
The story took inspiration from Sir Arthur Conan Doyle's short story "The Adventure of the Six Napoleons", with the additions of an accomplice to the villain and The Creeper, played by Hatton. He became an icon of sorts due to his unusual facial features that were caused by acromegaly, which distorted his head shape along with his face that happened to him gradually after he had been a soldier in World War I and a journalist. He had appeared in small roles in four other movies prior to this one. The reception of Hatton (who delivers a decent if not briefly sinister job in his time on screen) and his portrayal of the Creeper led to Universal Pictures casting him into two other films with his as "The Creeper" (albeit unrelated to this film): House of Horror and The Brute Man, both released in 1946, the same year of Hatton's death. In any case, this is a capable film that works just as well as most of the other Holmes films.
Overall, I give it 7 out of 10 stars.
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