Showing posts with label Richard Roxburgh. Show all posts
Showing posts with label Richard Roxburgh. Show all posts

June 25, 2018

Mission: Impossible 2.


Review #1100: Mission: Impossible 2.

Cast: 
Tom Cruise (Ethan Hunt), Thandie Newton (Nyah Nordoff-Hall), Ving Rhames (Luther Stickell), Dougray Scott (Sean Ambrose), Brendan Gleeson (John C. McCloy), Richard Roxburgh (Hugh Stamp), John Polson (Billy Baird), Rade Šerbedžija (Dr. Nekhorvich), and William Mapother (Wallis) Directed by John Woo (#030 - Face/Off and #336 - Broken Arrow)

Review: 
The first film was a fairly decent adventure that managed to juggle its spy elements with a decent story and a capable cast to make for a satisfactory experience, for the most part. Four years later, a sequel was created, with Robert Towne returning to do the screenplay (with the story being done by Ronald D. Moore and Brandon Braga) and Cruise and Rhames returning. It's easy to say that the sequel is not as good as the original movie, feeling like a bit of a letdown in terms of its execution. The action sequences certainly seem to be competing with the plot to see which one can go faster in pace, and it would seem that the action sequences win out in terms of effectiveness. The film seems to enjoy having scenes compete with themselves for most ridiculous, such as a rocket containing sunglasses to deliver exposition that explode into the title sequence, a car chase with reckless action and even more reckless hair, doves flying out of nowhere, and a climax complete with a game of chicken and fights in the sand. I can't really give the writing too much guff since the film at least moves moderately well - up to a point, anyway. The motivations make sense roughly 60% of the time, although the plot-line certainly jumbles itself silly at times.

Cruise does a fine job, keeping this character fairly interesting to watch around, having a degree of confidence to him - complete with the opening shot of him doing rock climbing. Newton is fine, although the writing does sometimes let her down. I find that the scenes with Cruise and Newton don't have too much chemistry with each other, not really seeming any better than what you might see in a James Bond movie, for example, although I would note that if you compared it to the three Bond films released in the 1990s, this one would probably fall in the middle in terms of quality, although it certainly wouldn't beat GoldenEye (1995). Apparently, Woo's original cut was three-and-a-half hours long, so it is evident that something was lost in the process to make the final cut 123 minutes long. I do wonder if the longer cut would've made these characters a bit more interesting than they ended up being, particularly with the villain, although I really can't blame Scott for not being up to task for such a thankless role. It sure is nice to see Rhames, albeit in a less role than the first time around, although he certainly seems more interesting than the other member of the "team" in Polson. Gleeson and Roxburgh prove to be fairly watchable as well. Even though the original one was prone to twisting itself a bit too much, I felt that there was something interesting about where it took itself that worked for the moment, but this film doesn't really to work as handily for the moment, making for a movie that is mildly entertaining but not as good as the previous one. It isn't anything to give too much criticism for, but it also isn't anything to really find loving unless one doesn't have much expectations going in.

Overall, I give it 6 out of 10 stars.

May 31, 2018

Stealth.


Review #1089: Stealth.

Cast: 
Josh Lucas (Lt. Ben "Big" Gannon), Jessica Biel (Lt. Kara "Guns" Wade), Jamie Foxx (Lt. Henry "E-Z" Purcell), Sam Shepard (Capt. George Cummings), Joe Morton (Capt. Dick Marshfield), Richard Roxburgh (Dr. Keith Orbit), Ian Bliss (Lt. Aaron Shaftsbury), Ebon Moss-Bachrach (Tim), David Andrews (Ray), and Wentworth Miller (EDI) Directed by Rob Cohen (#043 - The Fast and the Furious and #924 - The Boy Next Door)

Review: 
For a movie that is called "Stealth", the film's only real secret is that it is terrible within the first twenty minutes. From its preposterous plot to the underplayed characters that are followed up by equally underplayed acting, this film was a notable failure upon original release, making just over half of its reported budget of $135 million dollars. It would seem they put more thought into spending money for the effects than anything else, for the movie's detriment as it turns out. The effects aren't terrible, but there isn't a moment where you really feel the need to appreciate what is being shown on screen, with the action sequences being the worst offenders at this, feeling like bad cut-scenes that never cease to try and stymie the eyeballs. I was reminded of Broken Arrow (1996), a film I covered five years ago, while watching this flick - and that is not a compliment, seeing how that one was actually more riveting in comparison, where even Top Gun (1986) would be embarrassed at this thing. The movie uses the "set in the near future" excuse as a way to try and throw lingo (such as quantum computing) and the concept of AI, which is even more amusing if one has seen 2001: A Space Odyssey and its version of AI with HAL 9000, which was thought of in the 1960s as opposed to the 21st century like with Stealth, with the AI here seemingly placed to make it seem a little less like a generic action film and more like a generic science fiction action movie, but there is no way that any sane person would consider this sci-fi. This is more the kind of movie you would reject for $1 at the pawn shop than a worthwhile thing to watch.

There is something about this movie can't generate excitement beyond a chuckle at how over-the-top it presents itself that makes it a chore from start to finish. The acting is the nail in the coffin for this film, with our main trio of Lucas-Biel-Foxx being ridiculous to follow through with, in part because their characters are relentlessly generic and none of them are really up to the task of elevating them to watchability. The closest to entertainment value is Foxx, who has a few moments of amusement. Lucas and Biel have zero chemistry with each other, and they equally add zero charisma to these roles, coming off as boring people to follow that aren't entertaining even in the action sequences. Shepard doesn't do too bad, but the film seems to be beneath him, reminding me of how much more fun I had with him in The Right Stuff (1983). The most amusing voice is Miller, playing the "rogue AI", a trope that you can see coming nearly five minutes after he is first introduced. The plot is all over the place with stuff that you can readily expect and stuff that you wouldn't dare expect, but the most amusing aspect is a line of dialogue referring to the AI, in that it apparently downloaded all of the songs from the web. Yes, an rogue AI that not only goes against commands but also is a pirate of music companies. Oh, the horror. Trying to analyze the film or tear down its flaws piece by piece would be just as exhausting as watching the movie, only less time-consuming. By the time the film has the gall to end with a post-credits scene, you will have already started the process of trying to forget what you have seen, in the hope that it won't bore you to death any further than it already has in its 121 minute run-time. Even as a bad flick, it isn't enjoyably bad, managing to be a relentlessly dull and plodding piece of dreck.

Overall, I give it 3 out of 10 stars.