Showing posts with label Bai Ling. Show all posts
Showing posts with label Bai Ling. Show all posts

September 17, 2019

Sky Captain and the World of Tomorrow.


Review #1273: Sky Captain and the World of Tomorrow.

Cast: 
Jude Law (Joseph Sullivan/Sky Captain), Gwyneth Paltrow (Polly Perkins), Angelina Jolie (Commander Francesca "Franky" Cook), Giovanni Ribisi (Dex), Michael Gambon (Editor Paley), Omid Djalili (Kaji), Bai Ling (The Mysterious Woman), Julian Curry (Dr. Jorge Vargas), Trevor Baxter (Dr. Walter Jennings), Peter Law (Dr. Kessler), and Laurence Olivier (Dr. Totenkopf) Written and Directed by Kerry Conran.

Review: 
Influences can be a wonderful thing. On the one hand, the film takes inspiration from films/comics of the 1930s like Flash Gordon, but on the other hand it also has inspiration from designers of the 1939 World's Fair like Norman Bel Geddes. A decade before the film's release, Conran had started work on making a teaser trailer for his idea in his living room with a bluescreen, spending four years on the project. Eventually, there was enough interest to make the film come to life, albeit as an independent film with plenty of producers for $70 million (or at least that is the reported figure for it, but regardless the film was not a success with audiences upon release). There are numerous things to be said for the film when it comes to its effects, since it is mostly done on a digital backlot. If anything shines, it is likely the digital artists and the crew tasked with making this world come alive. This is a film being sketched out via storyboards (hand-drawn) to be re-created as an 3D animatic by computer. This is a sibling type of contribution, with Kerry serving as writer and director, his brother Kevin serving as concept artist, production designer, and costume designer while his sister Kirsten served as art director. I can certainly applaud the efforts done here for a film that is very ambitious but also a pretty average one. It isn't a laughable experience, in part because one does find some time to gaze at what is going on around the actors, such as giant robots, sky ships, and so on. There is certainly a wonderful look present here that springs to mind the styles of the past that even springs to the characters, which can be hit-and-miss. The story certainly seems like a blueprint for the modern movie era, where one can make a bunch of references that try to distract from its own familiar story; it at least isn't a self-aggrandizing kind of experience, goofy yet friendly to sit through its 106 minutes. Law is up to some of the tasks associated with an adventurer lead, having some charm that comes with the territory that makes him somewhat interesting to go around with. Perhaps the implied history he has with Paltrow's character should've been shown more (as opposed to sprinkling scenes where they talk about it throughout), since they barely have any kind of chemistry with each other. One could just describe their scenes as aloof, as if I need reasons for a reporter to come along to an investigation about missing scientists and giant robots that steal stuff. Paltrow is just okay. She is playing a mildly interesting but familiar type that she makes come out in bits and pieces.  It's amusing how mild these two are when it actually would be interesting to see the others more, such as a lingo-spewing, eye-patch wearing Jolie that proves useful for the five (or so) minutes she shows up, or the robot assassin in Ling that never speaks, or even just Ribisi with talking the tech of this odd world. One wonders what to say about the digitized appearance of Olivier (who had died in 1989) into the movie to serve as a hologram of someone who had (are you ready for this) died decades earlier. So yes, he is used to essentially play a ghost of a mad man, which is pretty amusing, really. It just means that there is no real villain to speak of, since all the other adversaries are just robots, all tasked to do a dastardly plan like this. Sometimes you really need a cackling over-the-top villain. I suppose at the end of the day one has to wonder if the film is worth spending time with. Does it serve as a fine experience with plenty of distractions fitting for sci-fi action/adventure films? In my mind, I shrug my shoulders and leave it up to you. Sometimes it proves good to say a movie is "fine", sometimes it doesn't. I guess that this works out in the movie's favor, playing well as a curiosity with mild expectations that won't be forgotten too hard among other sci-fi adventure films.

Overall, I give it 7 out of 10 stars.

November 12, 2018

The Crow (1994).


Review #1160: The Crow.

Cast: 
Brandon Lee (Eric Draven/The Crow), Michael Wincott (Top Dollar), Ernie Hudson (Sergeant Albrecht), Rochelle Davis (Sarah), Bai Ling (Myca), David Patrick Kelly (T-Bird), Angel David (Skank), Jon Polito (Gideon), Tony Todd (Grange), Sofia Shinas (Shelly Webster), Michael Massee (Funboy), Laurence Mason (Tin-Tin), and Anna Levine (Darla) Directed by Alex Proyas (#086 - I, Robot)

Review: 
The Crow is based off a 1989 superhero comic book series of the same name created by James O'Barr, which soon became an underground success. Tasked with writing the screenplay adaptation is John Shirley and David J. Schow, who were each known for their work on writing novels (cyberpunk and splatter-punk horror, respectively), with un-credited rewrites being done due to the tragic accidental death of Lee on March 31, 1993, which occurred a few days before production was set to end. Narration (along with a few new scenes) was added to accompany stand-in actors (such as Chad Stahelski) and CGI digital superimposition. The resulting product is a movie that is pretty entertaining, mostly due to its style and some fair performances, starting with Lee (in his fifth and final appearance in a film). He shows a good deal of charm and compelling nature (complete with a nice-looking costume) that dominates the screen for most of its 102 minute run-time. Wincott, although not having as much time to make up much of a villainous presence, proves entertaining enough. Hudson is enjoyable in pulling some watch-ability out of the cop role without feeling hollow, having a bit of humor to him. Davis does a fine job as well, going along well with Lee and Hudson. Although the supporting cast of adversaries are a bit routine, they aren't detrimental to the film's credit. The climax (complete with rain, naturally) is satisfactory to help cap the film, having a decent showdown that tries to make the final result a little less than easily predictable (for a vigilante hero, anyway), which works okay to a point. After all, this is a movie with a guy back from the dead who is accompanied by a crow that flies around, but at least there isn't some sort of shoehorned explanation of the origins of the title hero. The film is dark and moody with its approach, particularly with its cinematography by Dariusz Wolski that sure makes the setting come to life with plenty of fine shots to look at, reminding me of Batman (1989) and Blade Runner (1982). The film doesn't have too much in the way of a great story at times, and it can fall prey to some cliches, but I found that there are enough enjoyable moments to make this a entertaining experience. It makes for a fine vigilante film that has some fine action sequences to accompany a movie that certainly earns a cult following and at least one watch for people curious for some style and action.

Overall, I give it 8 out of 10 stars.

September 14, 2013

Movie Night: Wild Wild West.


Review #454: Wild Wild West.

Cast
Will Smith (James T. West), Kevin Kline (Artemus Gordon and Ulysses S. Grant), Kenneth Branagh (Dr. Arliss Loveless), Salma Hayek (Rita Escobar), M. Emmet Walsh (Coleman), Bai Ling (Miss East), Ted Levine (General "Bloodbath" McGrath), Frederique van der Wal (Amazonia), Musetta Vander (Munitia), Sofia Eng (Miss Lippenrieder), and Garcelle Beauvais-Nilon (Belle) Directed by Barry Sonnenfeld (#005 - Get Shorty, #077 - The Addams Family, #078 - Addams Family Values, #211 - Men in Black, and #212 - Men in Black II)

Review
This was adapted off the classic television show The Wild Wild West, though judging by how they apparently changed significant aspects of the film, I'd cross out the word adapted. Will Smith is usually charming, even in the cliched Independence Day, but not even he can give any life to the way his character is portrayed. Kevin Kline is okay at best, but to say this would be a step down from A Fish Called Wanda is an understatement. Kenneth Branagh...playing an southern scientist with no legs was odd enough...but the thing that takes the cake is...the spider. Yes, a Mechanical Spider, in the Wild West. You might wonder how it could feasibly be made, I'm just wondering how no one ever mentions seeing it after the film's end, though I suppose Grant wouldn't want "I saw a giant spider, while opening a railroad. No I am not insane." being the last line of his memoirs. The effects have more merit then the story and it's a bland  stand still of a film, disappointing western buffs, action buffs, and of course, Wild Wild West fans.

The film was terrible enough to inspire Robert Conrad (the star of the original show) to accept the film's five Golden Raspberry Awards in person, and I can't blame him for doing that. In conclusion, the best way to sum this film is one quote: "I made a mistake on Wild Wild West. That could have been better. ... No, it's funny because I could never understand why Robert Conrad was so upset with Wild Wild West. And now I get it. It's like, 'That's my baby! I put my blood, sweat and tears into that!' So I'm going to apologize to Mr. Conrad for that because I didn't realize. I was young and immature. So much pain and joy went into The Fresh Prince that my greatest desire would be that it's left alone." And when that comes from Will Smith himself, that just makes this sad film even worse. Avoid this film like it's the plague.

Overall, I give it 2 out of 10 stars.