Showing posts with label Gene Wilder. Show all posts
Showing posts with label Gene Wilder. Show all posts

August 11, 2017

Bonnie and Clyde (1967).


Review #981: Bonnie and Clyde.

Cast:
Warren Beatty (Clyde Barrow), Faye Dunaway (Bonnie Parker), Michael J. Pollard (C.W. Moss), Gene Hackman (Buck Barrow), Estelle Parsons (Blanche Barrow), Denver Pyle (Frank Hamer), Dub Taylor (Ivan Moss), Gene Wilder (Eugene Grizzard), and Evans Evans (Velma Davis) Directed by Arthur Penn.

Review:
August holds significance for this film, as it was released 50 years ago on this month, with three different premieres: August 4 (for the Montréal Film Festival), August 13 (New York), and August 23 (Los Angeles) before going into general release the following month. In any case, I decided it made sense to finally cover this movie today to see how it has aged after (roughly) 50 years. There is something about how the movie works on nearly every level, from its cinematography by Burnett Guffey to its dynamic cast to how it becomes more than just a movie with violence (and lots of it) that opened the floodgates to a new level of bloodshed in cinema that is still readily apparent today. There have been countless other films revolving around criminals and/or a good deal of violence (such as say, The Wild Bunch (#591), though that was a Western), but this does not manage to fall into the background because of how it operates itself, with the ending scene being shocking in its execution. Of note is the use of squibs (a miniature explosive device) in order to imitate bullet hits, which surely stands out from prior movies that didn't have as much (or any) blood for the violence. The editing by Dede Allen is also quite good, having a rapid pace that rolls with the action neatly, with influence coming from the styles used for films directed during the French New Wave. Beatty and Dunaway both do great jobs, along with having a great chemistry together that seems instantaneous. The rest of the cast is also quite excellent in roles that led to further fame (along with an Academy Award for Best Supporting Actress for Parsons), with Hackman and Parsons being enjoyable to watch in their interactions within the Barrow Gang. In a film as rough as this is, there is still a level of humor and excitement one can get from all that happens in the movie, from the first scene with Beatty and Dunaway to the Gang escaping from the cops with Parsons holding onto a spatula. It's a forthright kind of film that never seems inauthentic with its goals and pace. The film does take liberties with what happened in real life with the Barrow gang, but it does not alter the fact that this is still a fine piece of entertainment that never ceases to be anything other than captivating.

This was a controversial film upon release, with criticism being about the level of violence apparent in the movie, but it was still a major success (no doubt due its appeal for the generation the movie was released to). No matter what you might think about how the film portrays violence, the legacy that Bonnie and Clyde has in changing the way violence is depicted on screen is undeniably still felt today, for better or for worse. It may not be everybody's cup of tea, but it definitely pulls no punches in how it operates itself and achieves all of its goals.

Overall, I give it 9 out of 10 stars.

October 26, 2014

Movie Night: Young Frankenstein.


Review #655: Young Frankenstein.

Cast
Gene Wilder (Frederick Frankenstein), Marty Feldman (Igor), Peter Boyle (The Monster), Teri Garr (Inga), Cloris Leachman (Frau Blücher), Madeline Kahn (Elizabeth), Kenneth Mars (Inspector Kemp), and Gene Hackman (Harold, the Blind Man) Directed by Mel Brooks (#061 - Blazing Saddles, #198 - Spaceballs, #248 - Robin Hood: Men in Tights, #361 - The Producers, #364 - High Anxiety, and #623 - Silent Movie)

Review
Yeah, I guess at this point I had to cover this movie, and I have three reasons why: The 40th Anniversary of the movie's release is coming up very soon, It's October, for Pete's (or in this case, Rob's) sake, and...It's been long overdue. Seriously, I should've reviewed this last year, but I just forgot (Of course last October I reviewed 20 films in 31 days, but who's counting?), so I am now rectifying a mistake (Though I know I will undoubtedly make another mistake in the future). The movie is a wonderful parody of the classic Universal Horror films, especially Frankenstein (#072), right down to the black and white shooting. In fact, Kenneth Strickfaden, who made the electrical equipment for the lab scenes for the Universal films (and still had it with him), let them use the equipment for this film, which is highlighted by his name on the credits. But let's get to the part of the review where I just say the movie's really funny because that is the next part, isn't it? Every major actor in this movie has or is involved in a funny scene, especially Marty Feldman (What hump?), who is just so fun to watch move around and gaze upon. I especially like Peter Boyle in this film because his movements and way of speaking as the Monster (especially while singing "Puttin' on the Ritz") is just so charming. The movie flows really well and never misses a beat when it comes to being funny, it has so much atmosphere and so much charm, and that is just perfect for October, or for any month in particular. I urge anyone, if not everyone to go see it, you just have to look.

Overall, I give it 10 out of 10 stars.

March 18, 2013

Movie Night: The Producers (1968).


Review #361: The Producers.

Cast
Zero Mostel (Max Bialystock), Gene Wilder (Leo Bloom), Dick Shawn (Lorenzo St. DuBois), Kenneth Mars (Franz Liebkind), Lee Meredith (Ulla), Estelle Winwood, Christopher Hewett (Roger De Bris), and Andreas Voutsinas (Carmen Ghia) Directed by Mel Brooks (#061 - Blazing Saddles, #198 - Spaceballs and #248 - Robin Hood: Men In Tights)

Review
On March 18, 1968, a film was released, named The Producers, the first film directed by Mel Brooks, who I've reviewed before along with Zero Mostel (#300 - Watership Down) and Gene Wilder (Blazing Saddles and #131 - Willy Wonka & the Chocolate Factory), so this already has a familiarity for me. But the real question is this a good film? You bet your Springtime it is. The comedy is a riot, especially with the main two leads. Wilder has an impenetrable charm that combines with the manic energy of Mostel, which combines together with the rest of the cast and their lunacy. The plot is simple, yet actually creative, in an odd way. In a way, it's like if a producer wanted to remake Manos: The Hands of Fate with Tommy Wiseau directing in 3D, but...better? Anyway...What I like about the film is that it has a lot of spirit, it feels like something great, managing to have a lot of gags that aren't over the top, more toned down, something that isn't seen much now. After 45 years, this is a really good film, and if you can find the film (about 90 minutes), give it a watch, you won't regret it.

Overall, I give it 10 out of 10 stars.

April 29, 2012

Movie Night: Willy Wonka & the Chocolate Factory.

Review #131: Willy Wonka & the Chocolate Factory.

Cast
Gene Wilder (Willy Wonka), Jack Albertson (Grandpa Joe), Peter Ostrum (Charlie Bucket), Roy Kinnear (Henry Salt), Julie Dawn Cole (Veruca Salt), Leonard Stone (Sam Beauregarde), Denise Nickerson (Violet Beauregarde), Dodo Denney (Mrs. Teevee), Paris Themmen (Mike Teevee), Ursula Reit (Mrs. Gloop), Michael Bollner (Augustus Gloop), and Diana Sowle (Mrs. Bucket) Directed by Mel Stuart.

Review
41 years, and it is a grand classic, pure and simple. This was based on the 1964 novel, Charlie and the Chocolate Factory by Roald Dahl. However, Dahl apparently did not like this film for its focus on Wonka and not Charlie (hence the title). However, this film is still good. Look, no matter what happens, we're going to care more for Wonka then Charlie (even in the 2005 version, especially given Depp's performance in it...). Speaking of that, Wilder does great in this film. First time you see him, and he impresses you. The rest do fine. The sense of wonder is here, with all the machines and candy (with weird looking chocolate non-withstanding). It does have its scariness to a 10 with the carousel scene. While the movie does not follow the book much, it entices you anyway with a sense of fun.

Overall, I give it 8 out of 10 stars.

July 29, 2011

Movie Night: Blazing Saddles.

Review #061: Blazing Saddles.

Cast
Cleavon Little (Sheriff Bart), Gene Wilder (Jim, the "Waco Kid"), Harvey Korman (Hedley Lamarr), Madeline Kahn (Lili von Shtupp, the "Teutonic Titwillow"), Slim Pickens (Taggart), Dom DeLuise (Buddy Bizarre), Mel Brooks (Gov. William J. Le Petomane / Indian Chief), Liam Dunn (Reverend Johnson), George Furth (Van Johnson), Burton Gilliam (Lyle), John Hillerman (Howard Johnson), David Huddleston (Olson Johnson), Richard Collier (Dr. Samuel Johnson), and Alex Karras (Mongo) Directed by Mel Brooks

Review
This film is a classic comedy that satirizes the Old American West myth made by Hollywood. It's enjoyable for the most part, with a good cast and some admittedly off color lines, though this is more than just a movie with some vulgar lines. It's a clever movie, highlighted by how Brooks crafted the atmosphere in order to make a fun world to watch. Little, Wilder, and Korman are the main standouts, doing good jobs (with Wilder later doing better in another film to be reviewed here soon enough here). This film has aged well, and it is a classic.

Overall, I give it 8 out of 10 stars.