Showing posts with label Milo Ventimiglia. Show all posts
Showing posts with label Milo Ventimiglia. Show all posts

November 30, 2018

Creed II.


Review #1165: Creed II.

Cast: 
Michael B. Jordan (Adonis Creed), Sylvester Stallone (Rocky Balboa), Tessa Thompson (Bianca Taylor), Dolph Lundgren (Ivan Drago), Florian Munteanu (Viktor Drago), Phylicia Rashad (Mary Anne Creed), Andre Ward (Danny "Stuntman" Wheeler), Wood Harris (Tony "Little Duke" Evers), Brigitte Nielsen (Ludmila Drago), Milo Ventimiglia (Robert Balboa), and Russell Hornsby (Buddy Marcelle) Directed by Steven Caple Jr.

Review: 
Creed (2015) certainly was a big surprise for numerous reasons. I certainly didn't expect another installment of the Rocky series, particularly a spin-off with Jordan in the lead role and Ryan Coogler writing and directing. The result was a film that ranks up there as one of the better Rocky films, being just as good (if not better than) as Rocky II (1979). With the resulting success that came from the film, obviously a follow-up would be expected, with a good chunk of the cast from the previous film returning alongside a few new and a few familiar faces, although Coogler now only serves as an executive producer. The writing credits certainly are different this time around, with Stallone co-writing the screenplay alongside Juel Taylor while the story was done by Sascha Penn and Cheo Hodari Coker. It certainly feels that Stallone wanted in some way to make a better sequel than the ones that had followed up the original, particularly III through V, and there are quite a few beats that seem a bit familiar. However, the best that can be said for this movie is that it is quite entertaining, with Jordan and Stallone headlining a fairly game cast that make the experience worth it. Jordan does a fine job in keeping things fresh and interesting that one would expect from a lead, handling himself in the boxing sequences fairly well. Stallone, in his eighth reprisal of the character, manages to retain the same kind of charm and quality as expected from him for the scenes he is in. Thompson also delivers a fine performance, with her and Jordan having good chemistry once again. Lundgren is fun to watch, being more of a character to watch this time around with a bit of grizzled depth - he's actually more interesting to be around with than his on-screen son (Munteanu, who does fine with the boxing sequences at least). The rest of the cast all do their parts just fine. The film is privy to a handful of cliches for the sports film (much like any of the previous Rocky films, although not as silly), being a bit predictable at times, although the boxing scenes are up to code once again, leaving a good punch. The run-time of 130 minutes is manageable, and on the whole I'm sure that this film will serve its purpose of entertainment just alright, working as a mostly solid follow-up to the first film while leaving room for the desire to want to see another one of these down the road.

Overall, I give it 8 out of 10 stars.

November 21, 2018

Rocky Balboa.


Review #1163: Rocky Balboa.

Cast: 
Sylvester Stallone (Rocky Balboa), Burt Young (Paulie Pennino), Milo Ventimiglia (Robert "Rocky" Balboa, Jr), Geraldine Hughes (Marie), James Francis Kelly III (Stephenson), Tony Burton (Tony "Duke" Evers), Antonio Tarver (Mason "The Line" Dixon), and Pedro Lovell (Spider Rico) Directed by Sylvester Stallone (#047 - The Expendables, #277 - Rocky II, #340 - Rocky III, and #597 - Rocky IV)

Review: 
Admittedly, the Rocky series has certainly had its share of ups and downs. The first three films are all pretty good sports dramas (with the first being the pinnacle), although I will say that it could've ended after Rocky II (1979) or Rocky III (1982) without any objection. Rocky IV (1985) was the pinnacle of ridiculousness, but again - end it there, and that's okay. Rocky V (1990) was (and still is) the worst of the bunch, and even Stallone expressed disappointment with the final product. Honestly, it really is a surprise that there is even a sixth film at all, considering that it was released sixteen years after the last film and thirty years after the original. It has been said by Stallone upon doing this film (for which he wrote and directed) that he would rather "...do something that he enjoyed badly, than feel bad about not doing something he enjoyed." In that respect, I find that the end result is a movie that is just fine. It isn't anything great, and it doesn't really have too much reason to exist, but it is ultimately a decent piece of entertainment that will prove itself to the audience it is trying to reach without too much struggle. It loves to do callbacks to previous films and hark back to the days of yesteryear from the series (particularly with flashbacks of scenes with Talia Shire), and it comes off more poignant than over-reaching in the final result. It is the kind of movie that perseveres just as much as the other films in part because of the pull from Stallone in the title role. With the pull of having to play a role now filled with loneliness and the search for having meaning, he steps up just fine to the task of making this character as compelling and believable as he can, being as entertaining as ever. The film does sometimes teeter on the edge of collapsing to the problem of self-parody, but it does manage to steady itself enough with some fine supporting performances. There are a few returning actors from the previous films, such as Young, Burton, and Lovell, and they are fine for the brief time they show up on screen. Ventimiglia and Hughes also do decent with their roles, being people worth following for short bursts with their interactions with Stallone while not being clunky or too cliche. Tarver (an actual boxer) is okay for the parts required of him; obviously he does better in the boxing sequences than the parts involving trying to pull a bit of drama with his character, but he at least isn't too wooden for the film nor does he make you wish someone else was in the role, for the most part. Much like before, the fight sequence proves to be the biggest punch the film has going for it, and it certainly comes out well, executed with a look and feel that reaches levels that the other films hadn't dared to try - namely, realistic sound effects and a fight that certainly feels up to the task. At 100 minutes, the film doesn't overstay its welcome too much, having a decent pace that builds to its final fight without leaving too much at the door. On the whole, it may have been a bit strange to have a sixth film to begin with for this aging series, but the end product justifies itself enough to make for a fine installment without too much objection or regrets.

Overall, I give it 7 out of 10 stars.