Demolition Man.

Review #1504: Demolition Man.

Cast: 
Sylvester Stallone (Sergeant John Spartan), Wesley Snipes (Simon Phoenix), Sandra Bullock (Lieutenant Lenina Huxley), Nigel Hawthorne (Doctor Raymond Cocteau), Benjamin Bratt (Officer Alfredo Garcia), Denis Leary (Edgar Friendly), Bill Cobbs (Zachary Lamb), Bob Gunton (Chief George Earle), and Glenn Shadix (Associate Bob) Directed by Marco Brambilla.

Review: 
"I'm not handsome in the classical sense. The eyes droop, the mouth is crooked, the teeth aren't straight, the voice sounds like a Mafioso pallbearer, but somehow it all works."

There is a strange undeniable appeal to the films of Sylvester Stallone, one must admit. No matter how good or bad the material is (star or director/writer), there is a certain appeal to how he handles himself that has made him an interesting presence in film for over four decades, with Rocky (1976) and First Blood (1982) proving to be highlights that hold iconic status that stand well for themselves despite varying quality of further sequels. To accompany him as the second lead is Wesley Snipes, who had first expressed an interest in theatre and dance before being discovered for acting, which led to his debut in Wildcats (1986) and an eventual breakthrough in Major League (1989). The genesis of the film came from first-time writer Peter M. Lenkov, who took inspiration from the Lethal Weapon films along with an interest in cryogenics to make a spec script that was originally just a straight action film pitch. Several other writers would come in to do re-writes (with three credited in Lenkov, Robert Reneau, and Daniel Waters, as the former two did the story and the screenplay alongside Waters), while others such as Fred Dekker did un-credited re-writes (such as suggesting the opening scene in the past); Waters (writer of the considerably inferior satire Heathers) worked a span of roughly over two weeks to shift it from straight-action to one with attempt at humor, and Brambilla joined in helping with the script after being brought in as director, which would be his first directorial effort in film after a career spent doing television commercials (although this is his only major production, he is generally known for his video art installations).

It figures that a film involving peace without expression could prove so amusing. We aren't exactly living in a society like the one presented in the film, but there sure are a few itching similarities, particularly when it comes to the way we treat expression and government overreach (thankfully we have not done something as drastic and possibly ill-advised as trying to defund the police-I mean reduce them to not deal with violent crime), although at least spicy foods being banned is something I can live with. How could I resist such a strange little action film like this? It might prove as one of the best dumbest films one could ever watch, making a spectacle of itself within the confines of interesting action films from the era that work far better than it should because of its cast and execution. Stallone seems quite at home within the confines of a macho fish-out-of-water hero that rises above what might have been a leaded block of wood with a lesser actor (after all, Steven Seagal was originally thought of for the role) with a decent sense of timing and energy that one could expect from him. Snipes proves just as worthy as the other side of the coin, confident in madcap anarchy that is given time to let himself out of control with zippy lines. Bullock proves worthy in a early prominent role that lends a bit of cheeriness as the nostalgia-struck counterpart to Stallone that lends a hand for a few amusing moments. Hawthorne is adequate as the carefully-controlled peace man for the film while Leary proves exactly what one could expect of a cynic with the world on his mind. It has a decent pace of 115 minute that balances a wry sense of the future with some fun action moments that never seems dated or out-of-step with delivering entertainment worthy of curiosity as a feature of the time for another time.

Overall, I give it 8 out of 10 stars.

Coco (2017).

Review #1016: Coco.

Cast: 
Anthony Gonzalez (Miguel Rivera), Gael García Bernal (Héctor), Benjamin Bratt (Ernesto de la Cruz), Alanna Ubach (Mamá Imelda Rivera), Renée Victor (Abuelita Elena Rivera), Ana Ofelia Murguía (Mamá Coco Rivera), Edward James Olmos (Chicharrón), Alfonso Arau (Papá Julio Rivera), Selene Luna (Tía Rosita Rivera), Dyana Ortellí (Tía Victoria Rivera), Herbert Siguenza (Tío Felipe Rivera and Tío Oscar Rivera), Jaime Camil (Papá Enrique Rivera), Sofía Espinosa (Mamá Luisa Rivera), and Luis Valdez (Tío Berto Rivera) Directed by Lee Unkrich (#074 - Monsters, Inc, #155 - Finding Nemo, #382 - Toy Story 3, and #441 - Toy Story 2) and Adrian Molina.

Review: 
You are likely wondering if there was anything before or after the film. In this case, Olaf's Frozen Adventure, a 21-minute "short" played before the main feature. Long story short, it is a finely animated piece, but I don't see the point of playing this before Coco. Sure, it is a Disney production for a film released by Walt Disney Pictures, but this is something you would see as a television special, not on a big screen. Long story short, it doesn't detract from Coco, but it isn't really anything you absolutely need to see, unless of course you're a huge fan of Frozen. Hopefully you enjoy the following review.

I will admit that I had a fair amount of expectations from this film, likely because Pixar does have a fair (but not perfect) record with their movies, but also because it seemed particularly interesting. Admittedly, there are likely some comparisons that could be made to The Book of Life (2014), but there isn't much point in doing so in my view seeing as I hadn't seen the other film before this (one can likely search the web all they want for the comparisons they desire). In any case, Coco is a wonderful movie, achieving a great look with tremendous animation and a riveting story and cast of characters that surely makes for great entertainment for all audiences. Gonzalez does a fine job as the lead, never approaching the lines of annoyance or unlikeability, while also making his character fairly interesting to follow for the film, and he also does a fairly decent jobs for times when he sings as well. Bernal does a pretty commendable job, having some fine moments of amusements, but he also proves to be an interesting character to follow as well, with him and Gonzalez having pretty good chemistry together. Bratt is enjoyable to watch as well, having a fine amount of charisma that certainly seems believable. The rest of the cast is also fairly pretty good at their roles, each having at least one good moment throughout the film, most of the time having a pretty good effect. The animation is wonderful to watch, having a dazzling colorful effect at times that shows a good deal of creativity and imagination while not distracting one from the story itself. The movie has a fairly cohesive narrative that sticks well enough while also making sure to cover its bases splendidly. Although it has its amusing moments, the movie does manage to create some emotion without feeling fabricated nor overly sentimental. At 110 minutes, it feels like the right kind of run-time for a film like this, although some could find it to be a bit dragged in the beginning, but I'd say that the film is never boring on any level, whether on the eyes or for what the film wants to be about, saying some fairly interesting things about culture and family along with other things that should be watched and not spoiled in a review. This is an easy film for me to recommend because of the elements that make this a clear winner, from its animation to its heart.

Overall, I give it 9 out of 10 stars.

Cloudy with a Chance of Meatballs.

Review #940: Cloudy with a Chance of Meatballs.

Cast: 
Bill Hader (Flint Lockwood), Anna Faris (Sam Sparks), James Caan (Tim Lockwood), Neil Patrick Harris (Steve the Monkey), Bruce Campbell (Mayor Shelbourne), Andy Samberg (Brent McHale), Mr. T (Officer Earl Devereaux), Bobb'e J. Thompson (Calvin "Cal" Devereaux), Benjamin Bratt (Manny), and Al Roker (Patrick Patrickson) Directed by Phil Lord and Christopher Miller (#540 - The Lego Movie and #568 - 21 Jump Street)

Review: 
The last time that I had reviewed an animated movie was back in December (with Beauty and the Beast - #891), so it is welcome to review a film that is from a different animation studio - Sony Pictures Animation. This is based off the children's book of the same name, which I remember reading quite fondly when I was a child; obviously the movie takes liberties with the source material (with the food falling from the sky being from a machine being one example), but can it manage to pull off delicious entertainment (pardon the pun)? To put it lightly, it works just fine. Hader and Faris shine just fine as leads, having a fair amount of chemistry while also being fairly interesting in their own ways; Hader's character treads on familiar grounds, but he manages to give the character enough likability and charm, especially when on screen with Faris' character, who is equally engaging to watch. The father-son dynamic between Hader and Caan goes around the same lines that you'd expect from these kind of movies, though at least it isn't broadly annoying. Campbell does a fine job at showing the gluttony of the de facto antagonist of the movie (unless you count an abundance of food as an adversary); the supporting cast is pretty likable, with Harris, Samberg and Mr. T being capable highlights. The highlight of the film is the animation, which is bright and colorful but it fits for the movie; seeing burgers come out of the sky while the sky becomes a shade of purple is quite nice to look at (alongside other shots of fun foods, like ice cream). It isn't a movie without much emotional punch, but there is enough entertainment and moments of charm and food (so much food) within its 90 minute run-time to make a capable movie. Is it something to the caliber up something like Up (#288, released months before this film)? Not quite, but not everything needs to be that kind of gem; sometimes the best thing to watch (or eat) is a nice tasty digestible burger (or movie). Bottom line, this is a capable little film worth at least checking out.

Overall, I give it 8 out of 10 stars.

Doctor Strange.

Review #874: Doctor Strange.

Cast:
Benedict Cumberbatch (Dr. Stephen Strange), Chiwetel Ejiofor (Karl Mordo), Rachel McAdams (Christine Palmer), Benedict Wong (Wong), Michael Stuhlbarg (Dr. Nicodemus West), Benjamin Bratt (Jonathan Pangborn), Scott Adkins (Lucian), Mads Mikkelsen (Kaecilius), Tilda Swinton (the Ancient One), and Zara Phythian (Brunette Zealot) Directed by Scott Derrickson.

Review:
It's good to back in the theater again, and this time with friends to watch it with. When it comes to these Marvel films, it always seems that I can't not be surprised by the end product, no matter how good (or great) they usually are. There's always something to be surprised or amazed by, and the way that this movie universe is built makes for a diverse amount, and even if I don't know much about the comic book they usually end up being pretty good. The same can be said for Doctor Strange as well. It's an entertaining film, in part due to its cast and effects. Strange manages to change throughout the movie in terms of his manner, and Cumberbatch succeeds in conveying that, convincing in his mannerisms and timing, even getting time to say some quips. He's not as arrogant as Tony Stark for example, but he displays some sort of humility and some sort of charm. Ejiofor is also pretty good in portraying a character as rigid as the script allows him to be. McAdams isn't given too much to do, but at least she isn't meant to just be a love interest this time around, having a bit more independence and some sort of grace in the role Any movie that begins with "Shining Star" and "Feels so Good" wins at least some vote by me. The rest of the cast is exceptional, with Mikkelsen playing a fairly entertaining villain (even if half the time he's wearing what looks like glitter...long story), and Swinton and Wong are also pretty good, achieving some sort of mystical allure. The climax is also pretty good, demonstrating some creativity, with two credits scenes at the end that are also pretty well done (par for the course). The effects are where the film excels at, whether during some action or when Strange first meets the Ancient One. It looks really stunning, along with having a good fit with a film as mind-bending as this one, having some fun with the weirdness that goes on. There isn't technically a big bad villain to beat, but this film manages to still go along with a winning formula with its own kind of flair and own kind of imagination to succeed.

Overall, I give it 8 out of 10 stars.

Movie Night: Catwoman.

Review #216: Catwoman.

Cast
Halle Berry (Patience Phillips / Catwoman), Benjamin Bratt (Detective Tom Lone), Lambert Wilson (George Hedare), Frances Conroy (Ophelia Powers), Alex Borstein (Sally), Sharon Stone (Laurel Hedare), Michael Massee (Armando), Byron Mann (Wesley), Kim Smith (Drina), and Peter Wingfield (Dr. Ivan Slavicky) Directed by Pitof.

Review
Catwoman has been one of Batman's long running adversaries, and she has been adapted to film before, being played by Julie Newmar, Lee Meriwether, Eartha Kitt, Michelle Pfeiffer, and most recently Anne Hathaway, so it shouldn't be hard to make a good Catwoman film. Shouldn't be. The first flaw is that it is severely dull at times, such as the beginning, where it trudges along slowly. Then the action comes in and it is...pretty boring. It isn't memorable by any means. The acting is meh, not really interesting, the only one who tries is Halle Berry, but not even she can save this film. The film is boring, undeveloped, and unsuccessful in its approach. After 8 years, it still is a big flop. One more question: Who names their kid Patience?

Overall, I give it 2 out of 10 stars.