Cast:
Tom Cruise (Ethan Hunt), Hayley Atwell (Grace), Ving Rhames (Luther Stickell), Simon Pegg (Benji Dunn), Rebecca Ferguson (Ilsa Faust), Vanessa Kirby (Alanna Mitsopolis), Esai Morales (Gabriel), Henry Czerny (Eugene Kittridge), Pom Klementieff (Paris), Cary Elwes (Director of National Intelligence Denlinger), and Shea Whigham (Jasper Briggs) Directed by Christopher McQuarrie (#1117 - Mission: Impossible – Rogue Nation and #1119 - Mission: Impossible – Fallout)
Review:
I know it sounds absurd, but it really is something to look upon a long running film series reach a seventh film that has not lost a step despite the passage of over 25 years since the very first one in 1996. Granted, Mission: Impossible had bumps in the road as an offshoot adaptation that took loose inspiration from the original series as devised by Bruce Geller, but one can see the lingering consistency that became most apparent with Ghost Protocol, the first one of the series that had Christopher McQuarrie involved (albeit as an uncredited writer). This time around, McQuarrie is listed as co-writer with Erik Jendresen on what is part one of a two-part adventure that evidently will not be the end of the series (of course, "Dead Reckoning" is also a term involving how to find one's position in sea by direction and distance rather than other means). Presumably, Part Two will be in 2024, but one never knows considering how "2020" caused the delay of this film to the point where it has nearly been five years since Fallout. The runtime of the film is the longest of the series at 163 minutes.
Well, if you want to see a man rid a motorcycle off a cliff and parachute to the ground or deal with a grand train sequence, here is your chance. Honestly, I am conflicted on just how good the film is, mostly because Fallout was apparently so good that I labeled it the best of the series five years ago. One can only remember certain things within these films (hell, remember when Jeremy Renner was in two of them?). I would say that this film is about the second or third best in the franchise (they all play second to Fallout), depending on one's mood goes. The key threat here is a bit more of a challenge for the series than usual, if only because it deals with something that lurks within modern society: rogue AI. Granted, it isn't exactly on the level of say, Skynet from The Terminator (1984), but I think you can see where it seems pretty timely to talk about AI and the weird people that could use it for their own gain. In that sense, with a fairly game cast and plenty of spectacle to back up most of its narrative stepping points, Mission: Impossible – Dead Reckoning Part One is a solid reminder that it is the one of the best film franchises running today because of how it handles the expectations laid upon it. The viewer is enchanted with where the film can go in thrills within its leaps that keep them right in check without insulting the craft. The journey for any good film is valuable, and the filmmakers know how to use your time wisely. Cruise, in that sense, is the ideal standard-bearer for a franchise like this, one that shows a cipher of a man that we nevertheless love because he is the thrill-seeker in us. He and Rhames may be the only two people to be in every one of these films, but it doesn't mean we like them any less by seeing these folks again and again when they are clearly game for whatever they have to bring to the conundrum. Of course, that isn't selling other regulars like Pegg or Ferguson short, because they don't get lost in the hubbub. The thrill is in seeing new people make their mark on the series more than wondering what surprises might lie ahead (like Czerny, returning for the first time since the first film 27 years ago), which benefits Atwell and her cheerful timing for chaos. It will be neat to enjoy the return of folks like her in the next film, that is for sure. Morales and his act as essentially a religious disciple (the AI might as well be some sort of God) is a bit opaque as a threat, but a decent threat is still a threat to watch nonetheless, mostly because Klementieff is at least a useful adversary to watch within pieces of the spectacle, such as a fight in a really tight space or a chase scene with a neat little yellow car. Kirby is the huckster in the middle that is delightful in charm, obviously. I do think the overall threat within an AI that has managed to calculate many possibilities of whatever it wants to plan (and the folks would rather control it rather than destroy the crap out of it) is at least a useful change to the general threats presented in the action thriller series, if only because it doesn't plod itself with too many leaps in logic. The stakes still matter because the mission still seems impossible to all but one group. Generally, one would wonder just how many films are needed to keep a franchise going, but with Mission: Impossible, the seventh film is just as captivating as what had happened way back in the first while setting itself up for the audience to eagerly await another quality sequel.
Overall, I give it 8 out of 10 stars.
