Showing posts with label Gavan O'Herlihy. Show all posts
Showing posts with label Gavan O'Herlihy. Show all posts

May 21, 2018

Willow.

Review #1085: Willow.

Cast: 
Warwick Davis (Willow Ufgood), Val Kilmer (Madmartigan), Joanne Whalley (Sorsha), Jean Marsh (Queen Bavmorda), Patricia Hayes (Fin Raziel), Billy Barty (The High Aldwin), Pat Roach (General Kael), Gavan O'Herlihy (Airk Thaughbaer), Maria Holvöe (Cherlindrea), with Kevin Pollak and Rick Overton (Rool and Franjean), and Kate & Ruth Greenfield and Rebecca Bearman (Elora Danan) Directed by Ron Howard (#301 - How the Grinch Stole Christmas, #546 - Cinderella Man)

Review: 
It is strange to see this film 30 years after it came out, a high fantasy movie that certainly has its fans and detractors after all this time. The story was done by George Lucas, notable for his work on the original Star Wars trilogy, with the screenplay being done by Bob Dolman, who had done work in television such as SCTV Network 90 (for which he won two Primetime Emmy Awards for Outstanding Writing for a Variety Series). In any case, the idea for the movie was conceived by Lucas in the 1970s that had mythical qualities that was in some of the same vein as had been done with Star Wars, with Lucas once stating, "It was an idea that came to me in reading a lot of mythology and a lot of fairy tales and I realized that there hadn’t been very many feature films in that genre of just pure fantasy."

In any case, it is evident that there was a great deal of effort to really try to make something worthwhile as entertainment with this movie, but I don't think that it quite succeeds in its pursuit. By the time that this film came out, there had been numerous fantasy films that came and went in the decade, and I have covered a few of those in other reviews, such as Clash of the Titans, Conan the Barbarian, and Krull, but I think that the problem with this movie is that it isn't particularly on the level of either of those films in terms of adventure. There isn't much in its story elements that hasn't been done in other movies, such as its quest and prophecy elements, but I will admit that it isn't an excruciating adventure, just one that isn't as fun as it thinks it is. Davis does a fine job with this title role, giving it some passion and usefulness that helps keep the movie on some sort of track. Kilmer, in a role that likely reminds viewers of other films with rogues, does a decent job with what he's given, having a few moments of amusement and action that come off convincing enough times. Whalley leaves a faint impression, but nothing too particularly inspiring. Marsh does an okay job as the villain, but it isn't anything too particularly notable. The others are alright, although Pollak and Overton's characters prove to a bit grating at times. The film's best highlight might be its effects, done by Industrial Light & Magic (ILM), with the most notable one being when Hayes' character is changed from being an animal to human, done by digital morphing. It's an interesting effect to see the gradual change to the end result (aided by computer programs) that has a fine payoff. The film certainly has a decent look and cinematography (as done by Adrian Biddle), but I find that there just isn't enough in what the movie is trying to push in its action or its story to really make big entertainment. It feels a bit slow at times, such as in its middle portion, punctuated by its 126-minute run-time and a story that feels a bit by the numbers at times. It isn't anything too unique, but it also isn't anything that merits much passion beyond a mild interest. I can understand its cult status and why some may find it enjoyable, but I can't particularly give it a ringing endorsement. Take it for what it is worth.

Overall, I give it 6 out of 10 stars.

March 24, 2016

Superman III.


Review #786: Superman III.

Cast
Christopher Reeve (Clark Kent / Superman), Richard Pryor (Gus Gorman), Robert Vaughn (Ross Webster), Annette O'Toole (Lana Lang), Annie Ross (Vera Webster), Pamela Stephenson (Lorelei Ambrosia), Jackie Cooper (Perry White), Margot Kidder (Lois Lane), Marc McClure as (Jimmy Olsen), and Gavan O'Herlihy (Brad Wilson) Directed by Richard Lester (#541 - A Hard Day's Night, #594 - A Funny Thing Happened on the Way to the Forum, and #785 - Superman II)

Review
There is nothing wrong with a bit of humor and/or slapstick. Some comic book movies even excel at moments of lightness in otherwise good films. Superman III is not one of those movies. It's a sad, desperate attempt of trying so hard to be both that it manages to fail at every turn. It's hard to tell when the first cracks appear, but it could be argued that it's either when Richard Pryor first appears, or when the title sequence is shamelessly put on the bottom of the screen so we can all see some slapstick immediately after Pryor shows up. Afterwards, the movie goes up and down from there. Reeve is the best part of the movie, carrying the movie even when you know it's already past the point of no return. He even gets to play a Superman who (briefly) becomes weakened by synthetic kryptonite (just go with it) and becomes...a Superman who fixes the Tower of Pisa and even drinks some alcohol (while flicking peanuts at beer bottles). It's a ridiculous aspect of the movie, but it gives Reeve something to do amidst the Pryor parts that really take up nearly 45% of the film. There's even a scene where the two "Supermans" fight each other, which while being ridiculous (especially in how it ends), is actually pretty interesting to watch.

The new villain this time around is played by Robert Vaughn, but he doesn't really stick out too much, coming off as a Lex Luthor stand-in. O'Toole is the new leading lady (by that I mean for only this film), and while she is relatively decent, she isn't given much to do, as compared to Kidder...who is essentially put on a bus early on. And then of course there's Richard Pryor. He's not inherently terrible, and he is somewhat funny, but he doesn't really feel like he should be in a Superman film. For most of the movie he is on the side of the villain(s), but the second that Superman is in actual danger, he switches sides, and it comes off as a dull surprise. The only thing that surprised me is the computer "robotizing" one of the characters near the end, but of course it's not permanent, so whatever (by the way, how does a computer who is supposed to know Superman's weaknesses not realize how a certain acid gets volatile under intense heat? Actually, forget it, the movie still stinks). The movie's biggest flaw is that there really is no spectacle to any of it. You never really care about anything that goes on, and nothing sticks out in this movie that you truly remember as a good thing. The main idea behind the movie isn't terrible, but the execution falls flat on its face.

Overall, I give it 5 out of 10 stars.

June 16, 2014

Movie Night: Never Say Never Again.


Review #595: Never Say Never Again.

Cast
Sean Connery (James Bond), Kim Basinger (Domino Petachi), Klaus Maria Brandauer (Maximillian Largo), Barbara Carrera (Fatima Blush), Bernie Casey (Felix Leiter), Max von Sydow (Ernst Stavro Blofeld), Edward Fox (M), Rowan Atkinson (Nigel Small-Fawcett), Gavan O'Herlihy (Jack Petachi), and Alec McCowen (Q) Directed by Irvin Kershner (#004 - RoboCop 2 and #114 - The Empire Strikes Back)

Review
Due to Kevin McClory's lawsuit over the rights of the novel Thunderball, he gained the filming rights of the novel, even after the movie was released, despite EON's attempts to stop it, and McClory would help produce a new version on the Thunderball story, with Lorenzo Semple, Jr (notable for developing the 1960's Batman TV show and Flash Gordon - #215) writing the screenplay. Connery was brought to play the role 12 years after he last played Bond in the spectacular disaster of a film Diamonds Are Forever (#280). The film was released 4 months after Octopussy (#360), the other Bond film from 1983. So which one is better? It's hard to discuss this movie. Of the six Bond films in the 1980's, this isn't the worst one, but it also isn't the best. Connery does good in his return to Bond, a little aged but a little more defined, and refined. The supporting cast isn't bad (though Atkinson is an exception), it's certainly better than Thunderball's cast, especially with Felix Leiter, who is more interesting to watch this time around. Basinger does well, she has at least some chemistry with Connery, and the dance scene is at least watchable. The villain is ever more interesting because he leaves an impression on you, though admittedly the scene where he plays against Bond in a video game is either an odd inclusion or just surprising, but then again the other Bond movie had Bond dress up as a clown, so pick your poison. The aquatic action isn't as annoying due to not there being as much of it, which is refreshing. The movie is actually pretty decent, not too bad, and it's a good way for Connery to have one last hurrah. There, I've reviewed all the Bond films, even the unofficial ones...for now.

Overall, I give it 8 out of 10 stars.