Showing posts with label Leon Ames. Show all posts
Showing posts with label Leon Ames. Show all posts

December 28, 2017

Meet Me in St. Louis.


Review #1031: Meet Me in St. Louis.

Cast: 
Judy Garland (Esther Smith), Margaret O'Brien ('Tootie' Smith), Mary Astor (Mrs. Anna Smith), Leon Ames (Mr. Alonzo Smith), Lucille Bremer (Rose Smith), Tom Drake (John Truett), Marjorie Main (Katie the maid), Harry Davenport (Grandpa), Henry H. Daniels Jr. (Alonzo "Lon" Smith Jr.), Joan Carroll (Agnes Smith), and June Lockhart (Lucille Ballard) Directed by Vincente Minnelli (#405 - The Reluctant Debutante, #510 - Father of the Bride, #620 - Lust for Life, #878 - The Long, Long Trailer, and #986 - An American in Paris)

Review: 
Admittedly, musical films can tend to feel a bit familiar, particularly if the setting or the characters aren't too interesting to go with the songs. Meet Me in St. Louis manages to be an interesting musical in part due to its charm along with its performances that make for a relatively engaging movie. The movie basks itself in nostalgia with its setting, but it definitely doesn't feel too off-putting, coming off as fairly welcome. Each member in the family of Smiths have their own moment to shine or make an impact, and no one does it better than Garland, who radiates charm and a wholesomeness that also extends to her songs, with "Have Yourself a Merry Little Christmas" being a particular standout, having a tone that is moving along with effective due to her way of singing it. She manages to have fine chemistry with the others, such as O'Brien and Drake as well. O'Brien also does a fine job as well, being a fine child actress; in fact, she won an Academy Juvenile Award for her work for her films of 1944 (this award was given eleven other times from 1935 to 1961, with Garland herself winning one for her work in 1939). Astor and Ames prove to be fairly useful parents for the household, with Main and Davenport also proving themselves well. It should be mentioned that the songs in the film are charming, from the opening song of "Meet Me in St. Louis, Louis" to "The Trolley Song", with the movie keeping itself with enough steam and energy to make for a riveting experience. The film runs finely enough at 113 minutes, with numerous story-lines that surround the movie revolving around the family that work alright, with the end featuring the St. Louis World's Fair (also known as the Louisiana Purchase Exposition) that is a brief but fitting treat, with nothing in the film that comes off as condescending nor too ridiculous for the movie. Musicals may not be everyone's cup of tea, but I'm sure that this one will work wonders for people looking for a fun time.

Overall, I give it 9 out of 10 stars.

January 26, 2014

Movie Night: Murders in the Rue Morgue.


Review #531: Murders in the Rue Morgue.

Cast
Bela Lugosi (Doctor Mirakle), Sidney Fox (Mademoiselle Camille L'Espanaye), Leon Ames (Pierre Dupin), Bert Roach (Paul), Betty Ross Clarke (Mademoiselle L'Espanaye), Brandon Hurst (Prefect of Police), D'Arcy Corrigan (Morgue Keeper), Noble Johnson (Janos), and Arlene Francis (Streetwalker) Directed by Robert Florey.

Review
I'm very familiar with Bela Lugosi already, with his work in (#071) Dracula, (#183) Plan 9 from Outer Space, (#260) The Wolf Man, (#274) White Zombie, and (#470) Mark of the Vampire. A theme week is 7 reviews of a subject in 7 days (Such as Robot Week with #086-#092, Harry Potter Week with 8 reviews from #117-#124, and the last one until this, Dreamworks Animation Week, from #160-#166), and I'm starting with the earliest Lugosi film I could find on short notice, and end...with his last speaking role. Murders in the Rue Morgue was (loosely) based off a short story by Edgar Allen Poe (notable for being the first detective story), with a few more of his works being adapted by Universal in the following years as part of their Universal Monsters line. Lugosi doesn't do that bad of a job, he certainly has a level of lunacy for this character, and it works well. The rest of the cast do fine and all, they aren't too overdramatic, and while Lugosi nearly steals the show, the cast don't do that bad. This film was sadly butchered upon original release from 80 minutes to 61 minutes by the studio, the deleted scenes apparently being cut due to being deemed too disturbing, and while the film does feel hacked off, the camera angles and the way of filming make up for it just enough. This is a disturbing, but entertaining film that lets Lugosi have his moment. Tune in next time for another one of Lugosi's films from 1932.

Overall, I give it 8 out of 10 stars.