Showing posts with label Gladys Blake. Show all posts
Showing posts with label Gladys Blake. Show all posts

March 4, 2017

Woman of the Year.


Review #911: Woman of the Year.

Cast:
Spencer Tracy (Sam Craig), Katharine Hepburn (Tess Harding), Fay Bainter (Ellen Whitcomb), Reginald Owen (Clayton), Minor Watson (William J. Harding), William Bendix ("Pinkie" Peters), Gladys Blake (Flo Peters), Dan Tobin (Gerald Howe), Roscoe Karns (Phil Whittaker), William Tannen (Ellis), and Ludwig Stössel (Dr. Lubbeck) Directed by George Stevens.

Review:
It has been a long time since I covered a Tracy-Hepburn film. In fact, the one I covered (#139 - Guess Who's Coming to Dinner) was the last one, so it only seems fitting that after over 800 reviews, I cover the first movie to pair the two actors together. As it turned out, the two would make nine films together in 25 years of work, while this film won the Oscar for Best Original Screenplay, and it is easy to see why. Almost immediately, the chemistry between Tracy and Hepburn comes out beautifully on screen, with Tracy's no-nonsense attitude and levelheadedness meshing with Hepburn's wit and tenderness that is always interesting. Whether by acting or how it was written (done by Ring Lardner Jr. and Michael Kanin), they just click. There's a good amount of lines (both romantic and comedic), in part due to the execution by Stevens and a pretty good cast as well. Bainter and Watson are pretty good together, and Bendix provides a good chuckle or two along with Blake. This is just a movie that has a good time with its main two actors controlling the show with grace and charm, with an acceptable pace of 114 minutes. The movie earns a good payoff, and it does that for the most part, with the conflicts being believable, and the climax being somewhat serviceable. The ending was one that came about due to the reaction to the original ending shown to test audiences, in order to give Tess her "comeuppance". The ending (done over the objection of the screenwriters along with Hepburn) doesn't derail the movie, though this bit of irony (if you want to call it that, though I can't make waffles either) I guess makes the movie go full circle in a weird way. Regardless, the movie is a fine classic that I can recommend without any doubt in my mind due to the way that it is crafted.

Overall, I give it 9 out of 10 stars.

January 29, 2014

Movie Night: Scared to Death.


Review #534: Scared to Death.

Cast
Bela Lugosi (Prof. Leonide), George Zucco (Dr. Joseph Van Ee), Nat Pendleton (Bill Raymond), Molly Lamont (Laura Van Ee / Laurette La Valle), Joyce Compton (Jane Cornell), Gladys Blake (Lilybeth), Roland Varno (Ward Van Ee), and Douglas Fowley (Terry Lee) Directed by Christy Cabanne.

Review
The movie claims to be filmed in "natural color", and while it may seem utterly ridiculous to market especially in the title card, the movie doesn't look that bad, though even if it was in black in white, this would still be a mediocre film. The movie has a premise that could either be seen as creative or entirely useless. And what's the premise? The character that was scared to death narrates (I put that one loosely, given that all is speaking brief lines while just lying on the table) over the film, complete with really silly screamy music that occurs every time the corpse narrates (The narration lasting about 30 seconds)...and after it ends, which makes me wonder why didn't they just have narration over the film itself, and not these stupid interruptions that aren't long enough to be called interruptions. Lugosi is hamming up to the max, and hey, he's not the villain here, though he does have a short sidekick, which is really bizarre because it doesn't really add anything to this shoe string plot. The actors look like they don't care, and the film's plot is so ludicrous that you'll be begging for it to end by the half way mark. It's a strange, but ultimately useless film that shows its age, and it's lack of scares. It actually would work better as a comedy, but even that sounds too generous. For the next film on Bela Lugosi Week, we'll be dwelling into...the 1950's.

Overall, I give it 4 out of 10 stars.