Showing posts with label Mack Swain. Show all posts
Showing posts with label Mack Swain. Show all posts

April 11, 2017

The Pilgrim (1923).


Review #923: The Pilgrim.

Cast:
Charlie Chaplin (The Pilgrim), Edna Purviance (Miss Brown), Sydney Chaplin (Eloper / Train Conductor / Little Boy's Father), Mack Swain (Deacon Jones), Loyal Underwood (Small Deacon), Dean Riesner (Little Boy), Charles Reisner (Howard Huntington), and Tom Murray (Sheriff Bryan) Directed by Charlie Chaplin (#353 - Monsieur Verdoux, #599 - The Kid, #600 - City Lights, #759 - The Gold Rush, #775 - Shoulder Arms, and #820 - Modern Times)

Review:
At just under 47 minutes, this was Chaplin's second shortest feature length film (next to Shoulder Arms, which is just a few minutes less than this film), and this was also the last film he made for First National Pictures (which he had done since 1918). It definitely isn't one of his finest pieces of works, but The Pilgrim is at least a serviceable good time. Chaplin does a fine job as usual, playing a crafty convict who impersonates a preacher. One particular highlight is when he delivers an improvised sermon revolving around "David and Goliath", which goes as well as you'd expect. Chaplin can do any sort of stranger role (whether it be a stranger in military action or as The Tramp) with an easy kind of finesse. Purviance (in her last appearance with Chaplin in a feature film) is fairly decent, and the rest of the cast (some familiar to anyone who sees enough silent film) is pretty satisfactory in the roles that they play; Murray is part of a particular good part during the end of the film, with Chaplin "escaping" near the border. The movie goes at a fine pace, owing to its short length, but it is a decent enough movie to recommend because of the serviceable amount of gags it uses, with Chaplin being the key link. In a sea of great Chaplin films, this is a little gem that is fairly useful at being entertainment and sometimes that's all that matters.

Overall, I give it 8 out of 10 stars.

December 1, 2016

Tillie's Punctured Romance.


Review #880: Tillie's Punctured Romance.

Cast:
Marie Dressler (Tillie Banks, Country Girl), Mabel Normand (Mabel, Charlie's Girl Friend), Charles Chaplin (Charlie, City Slicker), Mack Swain (John Banks, Tillie's Father), Charles Bennett (Uncle Banks, Tillie's millionaire uncle), and Chester Conklin (Mr. Whoozis/Singing Waitor) Directed by Mack Sennett.

Review:
I figured that there really needed to be something unique to begin the month of December, and it happens to be my birthday today as well. As such, it only make sense to do the first feature-length comedy, released nearly 102 years ago. This is the earliest film covered on Movie Night (one year earlier than #763 - A Fool There Was), based off a play called Tillie's Nightmare. The film certainly seems a bit stagey at times, though that's not necessarily a bad thing. It was made by Keystone Studios, with Mack Sennett, a legendary comedic innovator (known as "The King of Comedy" during his lifetime) of the time in the form of slapstick, which is present heavily in this film. The movie runs from 74 to 82 minutes, depending on what version you are watching, though it runs smoothly enough regardless of the cut. Dressler manages to have a fair amount of screen presence, and she handles the slapstick quite well, while expressing herself quite a bit with a fine amount of grace. Chaplin (in a role not like The Tramp, for once) is also pretty good, in part because he handles the slapstick and action with enough cleverness and his own kind of charm. Normand is also pretty good, handling the situations that go on with a fine bit of presence while having some decent chemistry with Chaplin, with Swain and Bennett also doing fair jobs as well. The Keystone Cops make an appearance in the film as well, and they are pretty funny in the scenes they show up in. The slapstick presented in the movie manages to work most of the time, in part because of how quick it is, without any sort of cartoonishly overplayed comedic element. The trips and falls (and hits) are conveyed well, even in silent form. The story is pretty efficient at accompanying the comedy as well. The climax is one to behold, with lots of falls and a large set to open up many sort of gags, one involving a falling bed. On the whole, this is a neat movie that is more than just a historical footnote, with a good deal of comedy that works on numerous levels that make for good entertainment.

Happy Birthday to all the people on December 1, such as Bette Midler, Woody Allen, Sarah Silverman, and...me, too.

Overall, I give it 8 out of 10 stars.

December 1, 2015

The Gold Rush.


Review #759: The Gold Rush.

Cast
Charlie Chaplin (The Tramp - The Lone Prospector), Georgia Hale (Georgia), Mack Swain (Big Jim McKay), Tom Murray (Black Larsen), Malcolm Waite (Jack Cameron), and Henry Bergman (Hank Curtis) Directed by Charlie Chaplin (#353 - Monsieur Verdoux, #599 - The Kid and #600 - City Lights)

Review
On my own birthday, I decided to review a movie I knew I might enjoy. In a way, I had built this up by reviewing a Keaton film on Saturday and a Lloyd film on Monday, so I decided to revisit another silent film star, especially such a character like The Tramp. The highlight among all the good gags in the movie is him eating his shoe, mainly because of his reaction to eating what is essentially cooked rubber. I especially love when (BIG JIM) McKay goes crazy and starts imagining Chaplin as a chicken, costume and all...and then telling him that he imagined him as one. The movie is so enjoyable, because the Tramp is such an interesting character to watch walk around the cold along with with the other characters, such as Swain and Murray's characters. Chaplin directed, wrote, produced, and edited this movie, which is really impressive. The cast is interesting, especially Swain as (BIG JIM) McKay, who certain looks and fits the role of second fiddle to Chaplin. It's interesting how the Klondike sets were really just sets on the back lot and stages at Chaplin's studio, because they look really impressive in terms of how ram-shackled they are. The movie has good laughs, tinges of suspense, and a fine balance of drama that make for a wholly compelling movie. I highly recommend it to everyone.

Now if you excuse me, I'm going to have some cake.

Overall, I give it 10 out of 10 stars.