Review #1154: Dracula vs. Frankenstein.
Cast:
J. Carrol Naish (Dr. Frankenstein),
Lon Chaney, Jr. (Groton), Zandor Vorkov (Count Dracula), John Bloom (Frankenstein's monster), Jim Davis (Sergeant Martin), Regina Carrol (Judith Fontaine),
Russ Tamblyn (Rico), Anthony Eisley (Mike Howard), Anne Morrell (Samantha), Maria Lease (Joanie Fontaine), Angelo Rossitto (Grazbo the evil dwarf), Forrest J Ackerman (Dr. Beaumont), Greydon Clark (Strange), and Shelley Weiss (The Creature) Directed by Al Adamson.
Review:
It really is better sometimes to just not take your time making a movie. This film took two years to make, with working titles such as
Blood Freaks and
The Blood Seekers. You may wonder if this film (written by William Pugsley and Samuel M. Sherman) was haphazardly put together with all of the random plot elements thrown together. Well, we've got Chaney playing an axe-wielding maniac, a doctor trying to cure his paralysis with a serum made from some sort of chemical in the bloodstream through the trauma of death (along with somehow curing his assistant and his evil dwarf), a part with bikers and hippies, and then there's Dracula (with some sort of grease paint and eye-shadow for makeup) somehow mixed in, who suddenly gets the idea to use the serum to give him immunity to the sunlight while bringing back the monster of Frankenstein (with the passing of a comet, no less), who looks like rotted clay. You know how classic movies seem to get re-made or done over and over again? I'm surprised no one has had a focus on improving terrible movies such as this one instead, since this would probably be a good one to make again, whether as a student film or just something for fun. Given how the film looks like it takes place in a big dark room, you might as well film everything in one big room. This is a 90 minute movie that manages to perplex its viewer with such random bits of odd moments - such as an dwarf who eats a dollar, or Vorkov and his ring that vaporizes people to ash. However, the pinnacle of lunacy comes with the fight sequence between Dracula and Frankenstein, which takes place just as the sun is coming up - although you can't really tell due to how dark everything seems to look due to the fact that they are fighting in an area with so much tree leaves and branches. The amazing thing is that they made a fight sequence that lasted less than five minutes that also proves to be incredibly one-sided and dull at the same time. Believe it or not, this was not the original intended ending for the film, which was meant to end with the two main leads (Carrol and Eisley) survived without a fight from the main villains. Instead, we are shown Dracula vaporizing "Mike", played by Adamson from the back as this scene was filmed after production had ended. Honestly, the sequence showing Dracula being melted by the sun is the only effect that sort of works, as if decay is the only thing the movie is good at showing. You may be wondering if this is the only
Dracula vs. Frankenstein film out there. Technically, no. There exists a film called
Los Monstruos del Terror (1970), which was known under
Dracula vs. Frankenstein in the UK alongside other titles such as
The Monsters of Terror and
Assignment: Terror. There was also another film called
Dracula contra Frankenstein (1971) that had several other titles it went by, such as
Dracula, Prisoner of Frankenstein but also
Dracula vs. Dr. Frankenstein. In fact, this film had several titles of its own, depending on the country, with my particular favorite being the reissue title in the US of
Teenage Dracula - as if that makes Vorkov and his performance seem any less silly. In any case, always check your film titles, I suppose.
It should be mentioned that this was the last films for Naish and Chaney Jr, who both died two years after this film's release. It's pretty easy to see when Naish is reading off cue cards since you can see clear movement of said eyes at times when he is speaking, and the chattering of his false teeth can be heard at times - but at least he is somewhat amusingly hammy. Chaney doesn't have any lines, and he mostly just does a bunch of funny faces, but it definitely isn't him at his best. Vorkov (a pseydonym for his real name of Robert Engel, stockbroker thought of by Ackerman) is terribly wooden, invoking laughter instead of terror, particularly since there is an echo to the voice. None of the other castmates are too particularly memorable, aside from Tamblyn randomly showing up with no bearing on the plot. I do find the brief appearance of Ackerman (who serves as technical consultant) to be interesting, since he was a famed magazine editor (most notably
Famous Monsters of Filmland), sci-fi writer/editor along with being a literary agent and avid collector of film memorabilia. Searching about him is far more interesting to think about than the film itself, honestly. Bloom, who played the monster for most of the film, was an accountant, but Weiss is the one with the job of fighting Dracula, lumbering his share for the schlock scene for a movie that does not have much shame. What can you expect from a production company named Independent-International Pictures? This is a terrible movie, filled with ridiculous scenes that make it a mockery among other horror films, particularly ones involving Dracula or Frankenstein - but it certainly will prove entertaining for people wanting campy schlock and not much else.
Overall, I give it 3 out of 10 stars.
Review #1357: That Night in Rio.
