Showing posts with label Brie Larson. Show all posts
Showing posts with label Brie Larson. Show all posts

May 1, 2019

Avengers: Endgame.


Review #1213: Avengers: Endgame.

Cast: 
Robert Downey Jr. (Tony Stark / Iron Man), Chris Evans (Steve Rogers / Captain America), Mark Ruffalo (Bruce Banner / Hulk), Chris Hemsworth (Thor), Scarlett Johansson (Natasha Romanoff / Black Widow), Jeremy Renner (Clint Barton / Hawkeye), Don Cheadle (James Rhodes / War Machine), Paul Rudd (Scott Lang / Ant-Man), Brie Larson (Carol Danvers / Captain Marvel), Karen Gillan (Nebula), Danai Gurira (Okoye), Bradley Cooper (Rocket), Josh Brolin (Thanos), Benedict Cumberbatch (Doctor Strange), Chadwick Boseman (T'Challa / Black Panther), Tom Holland (Peter Parker / Spider-Man), Zoe Saldana (Gamora), Evangeline Lilly (Hope van Dyne / The Wasp), Tessa Thompson (Valkyrie), Rene Russo (Frigga), Elizabeth Olsen (Wanda Maximoff / Scarlet Witch), Anthony Mackie (Sam Wilson / Falcon), Sebastian Stan (Bucky Barnes / Winter Soldier), Tom Hiddleston (Loki), Benedict Wong (Wong), Pom Klementieff (Mantis), Dave Bautista (Drax), Letitia Wright (Shuri), John Slattery (Howard Stark), Tilda Swinton (The Ancient One), Jon Favreau (Happy Hogan), Hayley Atwell (Peggy Carter), Marisa Tomei (Aunt May), Angela Bassett (Ramonda), Michael Douglas (Hank Pym), Michelle Pfeiffer (Janet Van Dyne), William Hurt (Secretary of State Thaddeus Ross), Cobie Smulders (Maria Hill), Winston Duke (M'Baku), Hiroyuki Sanada (Akihiko), Tom Vaughan-Lawlor (Ebony Maw), Vin Diesel (Groot), Chris Pratt (Peter Quill / Star-Lord), and Samuel L. Jackson (Nick Fury) Directed by Anthony and Joe Russo (#571 - Captain America: The Winter Soldier#796 - Captain America: Civil War, and #1079 - Avengers: Infinity War)

Review: 
It is a strange thing to reach the end of a film saga like this one, with 22 films in eleven years that showcased numerous heroes onto the big screen while making a cinematic universe unrivaled at this moment by any other sort of studio. There will be more comic book films in the future from Marvel Studios that one would hope will continue to make interesting hero stories that work well as entertainment. As I recall from Infinity War last year, I thought that it was a pretty good experience that went for spectacle and succeeded in packing in each moment it wants to for a 149 minute run-time. Endgame decides to build on the model with a 181 minute run-time, which makes it longer than any comic book film - which is likely for the best, since at least it does try to be thorough with where it wants to go. This is a film that has a big task on its hands - it has to follow the previous Avengers film and its big punch at the end from its main threat: half of the universe is eliminated on a snap of the fingers of its big space device, the Infinity Gauntlet. It was pretty shocking to see that actually occur in that film, but I admit that it had to happen, mostly because there had to be a way to put big stakes for the inevitable sequel - so why not just have some of your heroes actually vanish? Of course, we live in an age where rumors and sequel reports are rampant, so seeing a hero die does tend to feel a bit hollow if you figure that they'll just return for their own batch of sequels (although explaining that to a kid would probably be a bit cynical at first). In any case, this is a film that has fun with some of its greatest hits by going back to the past, which works itself out just fine without becoming too stupid with its use of time travel as a plot device - for the most part. For me, I thought that the film was pretty good. It is probably as good as the last film, and it will probably rank up as a top ten favorite of this "Infinity Saga", which is for the best. It lives up to the expectations set from before and fulfills its destiny as an ending that proves satisfactory in closing things out with its own set of twists and action pulls. It has a bit of emotional weight to it at least, with its opening scene being a pretty fine highlight in actually showcasing some consequences along with the only Avenger actor given nothing to do over the years in Renner, so that works out. Finales are hard to land, particularly with trying to cover its bases and hooking its audience with excitement and rewarding the ones who have watched these films for over a decade with a real ending. Suffice to say, this works out well.

Undeniably, the best part of the film for me was the interactions of the heroes together with each other, with a key emphasis on the original cast-mates from the earlier films, while pairing off certain heroes with each other like the previous Avengers film did, such as Downey and Evans, Johansson and Renner, or Hemsworth with Cooper. These work out pretty well, with Downey being the most entertaining part of the film, as one would expect from someone doing a role once again over the past eleven years while serving as the heart of these films with his journey, which works out as well as one should expect. Evans and his earnest nature shine through just as well, persistent and well-natured with his own story. It makes sense to pair these two together for their own little story, which makes for a neat team-up when it comes together. Ruffalo is pretty fun to be around with, working this character to a brilliant balance that lets him not get lost in the effects while giving him time to shine. Hemsworth is fine, representing the one most changed by the events from before, which works fine - minus the parts when he is just used as comic relief for the first half, which can feel a bit tiring given his character over the past few years, even if isn't completely permanent, and I do look forward to seeing him again in other films. Johansson does well for herself here again, resilient as expected. Renner does a good job here as well, particularly with a well-done sequence in Japan that makes for quick but fun action. Among the other parts of the main group of heroes to shine is Gillan, Rudd and Cooper, who help contribute to giving the film some weight and humor, respectively. The ones to not get much to really do is Cheadle and Larson, honestly. Brolin plays the inevitability of his villain fairly well when he is on screen (although I did chuckle a bit at his "Farmer Thanos" getup for a moment). He doesn't really have as much to go on as before, but going from a pursuit for powerful stones to trying to keep his power does make him still seem dangerous without diminishing him too much. The key moments that drive the film aren't necessarily just big action pieces (of which there are enough for any action hound) but instead moments smaller on scale, such as Downey with Slattery sharing a scene together or Hemsworth with Russo at respective key points of time. It isn't so much because the moments just help to drive the plot at each point as it the fact that it resonates with what viewers have seen from these heroes and parents that shape them that resonate far more than a simple quip. The film's plot tries to juggle these characters and its destinations with an assortment of set pieces and time travel gobbledygook (which makes sense if one really doesn't think about it severely) that builds up to a big climax battle - which I found to be fairly satisfactory. I felt it made the right choices of where to go more often than not without simply devolving itself into complete overload of fan-service. It will make people really emotionally invested in these characters probably have some sort of release of emotion (which for me are just movies) and it will work out well for occasional viewers without bashing their head in with a insulting plot. It is grandiose and consuming for those who seek it, pure and simple. It may inspire a bunch of debate over how it handles certain characters (or how things ultimately ends up), but it is clear that there was a great deal of effort to pull things together to make a winning end without having a creaky foundation.

One will leave the theater probably with a sense of relief that the film worked out as well as it did within the big amount of time it had to do so, likely reflecting on how things go from there. I will probably stick around to see how some of the next few films turn out in trying to build adapt new heroes on screen and what interesting things could happen next while probably looking back on these films on occasion. This has been the best and strangest ride of entertainment that transformed comic book movies into something more, turning heroes only just known in comic circles and elevating it into the mainstream. None of these films are perfect, but they each have had their own vision and purpose, with this one being a fine gem amongst other shining features, with this being a moment of triumph.

Overall, I give it 8 out of 10 stars.

March 18, 2019

Captain Marvel.



Review #1200: Captain Marvel.

Cast: 
Brie Larson (Carol Danvers / Vers / Captain Marvel), Samuel L. Jackson (Nick Fury), Ben Mendelsohn (Talos / Keller), Djimon Hounsou (Korath), Lee Pace (Ronan the Accuser), Lashana Lynch (Maria Rambeau), Gemma Chan (Minn-Erva), Annette Bening (Supreme Intelligence / Mar-Vell / Dr. Wendy Lawson), Clark Gregg (Phil Coulson), and Jude Law (Yon-Rogg) Directed by Anna Boden and Ryan Fleck.

Review: 
There have now been 21 films produced by Marvel Studios that is part of their cinematic universe, for which they have managed to set stages for the rise of numerous heroes for the past decade. Just as the era seems to possibly reach its peak with the final Avengers film comes another hero to join the fray, barely a month before said release. The film has certainly taken its time to get to the finish line, moving from an initial script done in 2013 to eventually enlisting a director/writer duo in Fleck and Boden in 2017, who had previously done films such as Mississippi Grind (2015) along with work on television programs. How many times can one make a superhero origin movie full of effects and action held together through a formula that seems as familiar as ever? I find myself liking these type of films just fine, but there is likely a point where the product doesn't resonate as entertainment, and it will likely be when the story and themes can't be held up from its main hero, when one just doesn't care about the stakes. I don't usually re-watch films often, and I can't particularly say that I really go back to these comic book films too much either (regardless of what brand is behind it). Perhaps it would be best to say that while I did find the film to be just fine, I would hope that a future installment manages to give its lead character a bit more conflict, particularly with its main threat.

Granted, there is plenty of galactic action to go around, but it doesn't have as many compelling levels as it probably should. There isn't a bad performance in the bunch, with Larson, Jackson, and Mendelsohn being keys to giving the film a steady balance. Larson does seem at first to be like a blank slate to fill details in gradually, which goes okay. As is the case with most heroes, it is nice to see her put a suit on and beat some enemies, even if the story that surrounds her is just alright for the course. It is nice to see Jackson (albeit with some digitally de-ageing that takes some time to get used to) deliver some enjoyment and a few laughs in a part that feels just fine for a buddy cop movie. Mendelsohn is also fairly amusing to stick around with, particularly when in his human disguise. The other members of the cast are okay, although they don't feel too particularly developed with much to do, such as Law or Bening. At least the 90s references are amusing without being obnoxiously self-aware. Comparing the film to more recent films of its ilk (such as Wonder Woman or Spider-Man: Into the Spider-Verse, for example) does tend to make the film seem a bit average. It is surprising to see how many films can persist on in showing people with their newly found heroic powers and the responsibility that comes with it - some do better with showing conflict and adventure than others. The film takes its 124 minute run-time and runs just fine with showing spectacle while trying to make sure its story has a few connections for its audiences without gasping for relevance, which delivers decent results. It may not be unique with its motivations (or its character types), but it sure pushes itself amiably. This one will check the boxes for people already in line for these kind of movies, and while it may not be as interesting as it could have been (in terms of its story and pace), it is at least something you can take without many regrets.

Overall, I give it 7 out of 10 stars.

March 25, 2017

Kong: Skull Island.


Review #919: Kong: Skull Island.

Cast:
Tom Hiddleston (James Conrad), Samuel L. Jackson (Preston Packard), John Goodman (Bill Randa), Brie Larson (Mason Weaver), John C. Reilly (Hank Marlow), Corey Hawkins (Houston Brooks), John Ortiz (Victor Nieves), Tian Jing (San Lin), Toby Kebbell (Jack Chapman), John Ortiz (Victor Nieves), Corey Hawkins (Houston Brooks), Jason Mitchell (Glenn Mills), Shea Whigham (Earl Cole), Thomas Mann (Reg Slivko), and Terry Notary (King Kong, motion capture performance) Directed by Jordan Vogt-Roberts.

Review:
It's easy to admit that the idea of doing a Kong reboot could be regarded as unneeded, if put in the wrong hands. Having the film be set in 1973 (one could almost nickname the movie "VietKong", actually) is certainly an interesting choice. For me, I thoroughly enjoyed this film and everything that it wanted to be: a fun good time. It's easy to admit that this is a popcorn movie, with a great amount of entertainment and characters that would be right at home in a explorer movie. For me, this might've been just a bit better than the 2014 Godzilla film (#582), as this film definitely lets one see more of Kong - right from the beginning, in fact. Obviously there is more to the movie than just Kong (with some fine CGI and some fine motion capture from Notary), there's also the fine effects of the Skullcrawlers and enough eye-candy (with regards to how the movie is shot) and cinematography that I appreciated. There isn't any kind of cop-outs nor teasing, it flat out goes for the thrill and chills - and it succeeds. Hiddleston is a fair enough lead, but obviously the big standout is Jackson, who just hams it up in such an adversarial manner that just clicks. Larson is also a fair lead as well, with Goodman being as gruff and relatable as ever. Reilly is also pretty fun, having an eccentric but likable presence. The rest of the cast does a fine job, being useful enough. Honestly the best kind of lead are leads who act and move convincingly without just being screamers/stilted glory hogs. They aren't too developed, but they also aren't too one dimensional either. There is a good mode of pace and design, with monster fights that manage to be riveting. Obviously this is a movie that works as fun entertainment (and something to try and get one ready for a Godzilla/Kong matchup a few years down the line), and there's nothing wrong with that. It achieves what it wants to accomplish without derailing itself at any point, while letting Kong be Kong.

Overall, I give it 9 out of 10 stars.

April 7, 2014

Movie Night: 21 Jump Street.


Review #568: 21 Jump Street.

Cast
Jonah Hill (Morton Schmid), Channing Tatum (Greg Jenko), Dave Franco (Eric Molsen), Brie Larson (Molly), Rob Riggle (Mr. Walter), DeRay Davis (Domingo), Ice Cube (Capt. Dickson), Dax Flame (Zack), and Chris Parnell (Mr. Gordon) Directed by Phil Lord and Christopher Miller (#540 - The Lego Movie)

Review
21 Jump Street is based off the television series of the same name, and is not a remake this time, so at least that's going in the movie's favor. The movie even features cameos from Johnny Depp and Peter DeLuise, the two original stars from the show, trying to connect the two together, and it works. But how is the movie? It works pretty good. Hill and Tatum are a good duo together, both with their own characteristics, neither getting more screentime than the other, they have good scenes together (Such as the scene where they both try to jump a car, also the scene where they celebrate their first arrest), and they make a good team, they're funny to watch and they never get on your nerves. The movie is a deconstruction of cliches, it has a good deal of bite and a good deal of fun with the source material, never wearing its welcome. It's a movie with a good supporting cast (Ice Cube is a pretty decent actor who can be funny at times with the right material, such as this movie) and just the right amount of fun to make this tolerable and fun to watch.

Overall, I give it 8 out of 10 stars.