Showing posts with label Frank Faylen. Show all posts
Showing posts with label Frank Faylen. Show all posts

April 21, 2020

Gunfight at the O.K. Corral.

Review #1395: Gunfight at the O.K. Corral.

Cast:
Burt Lancaster (Marshal Wyatt Earp), Kirk Douglas (Doc Holliday), Rhonda Fleming (Laura Denbow), Jo Van Fleet (Kate Fisher), John Ireland (Johnny Ringo), Lyle Bettger (Ike Clanton), Frank Faylen (Sheriff Cotton Wilson), Earl Holliman (Deputy Sheriff Charlie Bassett), Ted de Corsia (Shanghai Pierce), Dennis Hopper (Billy Clanton), Whit Bissell (John Clum), George Mathews (John Shanssey), John Hudson (Virgil Earp), DeForest Kelley (Morgan Earp), Martin Milner (James 'Jimmy' Earp), Lee Van Cleef (Ed Bailey), and Jack Elam (Tom McLowery) Directed by John Sturges (#427 - The Magnificent Seven)

Review: 
"Take one for spontaneity."

Everyone needs an entertaining picture. John Sturges could do an entertaining picture when given the chance to do so. He had started in the film business with RKO through a connection to his brother in their Art department, gradually rising from bluebrints to editor in a period of seven years. He subsequently served in World War II under the US Army Air Corps (where he did direction on training films and documentaries with William Wyler such as Thunderbolt) before returning to Hollywood with Columbia Pictures, who gave him his shot at directing with The Man Who Dared (1946), the first of a bunch of b-movies for them, with The Walking Hills (1949) being his first Western. A move to MGM in 1949 led to films with a bit more prominence, where he continued to make dramas, noirs, and Westerns. His most significant film through the studio before he turned independent was Bad Day at Black Rock (1955). Ultimately, Sturges (who favored just one take to get a scene done) would direct over 40 films in a 30-year career before his death in 1992 at 82 years old.

Making a film about the Old West can be an interesting time when there is some historical precedent to it, which has been the case for numerous Westerns about the legend of Tombstone, although most of those films probably didn't have a ballad to them. Of course one isn't going to particularly learn all there is to know about a famed gunfight in a movie like this (particularly an event that in reality lasted less than a minute and had just three people killed), where even an acclaimed Western on the subject like My Darling Clementine (1946) had tinges of inaccuracy (which also featured Ireland), with the formerly considered factual novel Wyatt Earp: Frontier Marshal having risen the late Earp into a famed Old West icon. While this film is not as particularly good on the subject as say Tombstone (1993), this is a solid Western for its era, building itself with quiet ambition and a capable duo in Lancaster and Douglas for a useful climax. Lancaster, the circus performer-turned-war veteran-turned actor (along with occasional producer) resonates with calm authority, which goes well when acting alongside Douglas, as they worked together on several films together. Douglas (another fellow war veteran turned actor, albeit with a rough childhood) commands attention each time he is on screen, a forceful presence even when coughing as the film goes on that showcases plenty of discipline that he was known for. They click the most together, with scenes of the Earp family together being second and everything else being okay at best. Fleming (who had "Queen of Technicolor" as a nickname by others) does okay, but a film with a fictional character to make a romance (Earp married three times, each common-law) doesn't prove to have much structure anyway since she doesn't have as much screen-time anyway, while Van Fleet delivers a few weary wicked moments. Ireland and the other adversaries do fine with stoking tension, which includes a young Dennis Hopper in just his fourth film role. On the whole, while the film can sometimes seem a bit too pedestrian at 122 minutes, there is a fine quality to follow along with its two leads and the conflict which work to serve an action-stuffed climax just the same. It isn't a great Western by any means, but it will serve its purpose of entertainment just the same with its own particular grip of a legend of the Old West for its time.

Overall, I give it 7 out of 10 stars.

December 25, 2012

Movie Night: It's a Wonderful Life.


Review #319: It's a Wonderful Life.

Cast
James Stewart (George Bailey), Donna Reed (Mary Bailey), Henry Travers (Clarence Odbody), Lionel Barrymore (Henry F. Potter), Thomas Mitchell (Billy Bailey), Beulah Bondi (Ma Bailey), Frank Faylen (Ernie Bishop), Ward Bond (Bert), Gloria Grahame (Violet Bick), and H. B. Warner (Mr. Gower) Directed by Frank Capra (#102 -  Mr. Smith Goes to Washington)

Review
I know it sounds incredibly cliche to review this film, that it sounds all cheerful (The word Wonderful is in the title after all) and all that Christmas spirit and such (which either ends on December 26th or keeps on going until January for some reason). But as it turns out, it's a strangely depressing yet strangely useful film. Capra and Stewart are a good pair, and it works in this film extremely well. I actually thought this would be that film that would be extremely overrated, and that their was another Christmas classic everyone was talking about. I was wrong. Stewart and Travers are the main standouts (though Travers doesn't play a big role till about the last hour), with Bailey not just being a goody goody boy scout, Stewart also convey the darkness that is believable to the end. While it might sound caramel sweet at times, it has some good acting combined with humanity and good will. And isn't that what Christmas needs? Classics to watch, and goodwill toward men and women. While this film wasn't a success in its original release, it would later gain a reputation as one of the Christmas classics. Merry Christmas.

Overall, I give it 10 out of 10 stars.