Ocean's Eleven.

Review #1889: Ocean's Eleven.

Cast: 

George Clooney (Danny Ocean), Matt Damon (Linus Caldwell), Andy Garcia (Terry Benedict), Brad Pitt (Rusty Ryan), Julia Roberts (Tess Ocean), Bernie Mac (Frank Catton), Elliott Gould (Reuben Tishkoff), Casey Affleck (Virgil Malloy), Scott Caan (Turk Malloy), Eddie Jemison (Livingston Dell), Don Cheadle (Basher Tarr), Shaobo Qin (The Amazing Yen), and Carl Reiner (Saul Bloom) Directed by Steven Soderbergh (#984 - Logan Lucky and #1526 - Traffic)

Review: 

"I wanted to see if I could combine two types of films, one that had this elegant, elaborate, technical side but also this casual off-hand quality to the performances – a film that wasn't aggressive."

The thing to remember about Ocean's 11 (1960) is that it sucked. It was a mediocre, bland movie that begged for a more involving script when it came to making a star vehicle heist movie that did only one thing right: making the idea of stealing money from Vegas with an intricate plan sounded cool. So yes, I would understand why someone would think they could do a remake of a 40-year old movie with a new array of talented name actors. Ted Griffin serves as the screenwriter for this film, which takes the loosest of inspiration from the original film and its screenplay by Harry Brown, Charles Lederer, George Clayton Johnson & Jack Golden Russell. Soderbergh, who went from indie classics such as Sex, Lies, and Videotape (1989) to mainstream success with Erin Brockovich and Traffic (both 2001), was recruited to direct, and he directed both of the subsequent sequels (released in 2004 and 2007), which were all commercial successes.

The easiest thing to say is that the remake is better than the original. In fact, it runs laps around the original, doing so despite perhaps being just a good feature rather than the possible great caper it could have been. It is not particularly outstanding in any one area, but it manages to do just enough in being good in most of the core aspects to make it a solid piece of entertainment. It is a movie that wants you have a good time and that's about it, doing so with casual energy and expertise that would make anyone favorable to a machine-type of film (i.e. a movie that is mechanical but solid for a rental) where the heist is a heist you might see coming but enjoy anyway, complete with assembling its key eleven pretty quickly in the 116-minute run-time. Clooney glides through the adventure with casual charm, maneuvering through the machinations of what comes with heists and people, which mainly consists of a few amusing moments when it comes to the setup and his key part of the climax. Pitt maneuvers as the second man with casual coolness that also lends for a few little neat moments, such as pretending to be a doctor to move his way forward. Damon has the self-effacing qualities one might see from other films with him, which more or less means that he makes the best of playing a quiet pickpocket. Granted, some of the supporting cast sticks out better than others. Cheadle tries his best to play the charade of having a Cockney accent in a manner that would make Dick van Dyke proud. Oh right, I hadn't actually seen Julia Roberts in a movie before. Eh, she's okay, but watching the chemistry between her and Clooney is merely passable in bittersweet zippiness, which either means I should watch more films with Roberts or just go on my merry way. Besides, Garcia is the real presence among the others, odious and calculating in all the right ways as the targeted heavy. Mac and Reiner make quality relief in the "comedians turned con men" roles, as is the case with Gould and his loose charisma. Disappointing that Jemison and Qin kind of fall by the wayside, since Jemison's panicky characterization is at least semi-interesting as opposed to Caan and Affleck trying to play siblings for what you'd expect in very loose amusement. Each half could be seen coming in terms of general "know where it's going" quality, but they work out in not dragging the obvious points down, and the eventual endpoint is a nice way to go out. As a whole, the movie is a glossy and familiar work, but it is a well-executed familiar work that does everything you would expect from it with plenty to like that fulfills its reasonable expectations just fine. Whether one has seen the original or the subsequent sequels to the remake, you can't really go wrong here.

Overall, I give it 8 out of 10 stars.

Friday (1995).

Review #1806: Friday.

Cast: 

Ice Cube (Craig Jones), Chris Tucker (Smokey), Nia Long (Debbie), Bernie Mac (Pastor Clever), Tom Lister Jr (Deebo), John Witherspoon (Willie Jones), Anna Maria Horsford (Betty Jones), Regina King (Dana Jones), Paula Jai Parker (Joi), Faizon Love (Big Worm), DJ Pooh (Red), Anthony Johnson (Ezal), Tony Cox (Mr. Parker), Kathleen Bradley (Mrs. Parker), Yvette Wilson (Rita), and Angela Means (Felisha) Directed by F. Gary Gray (#517 - Be Cool)

Review: 

"I didn’t grow up studying Orson Welles. All the greats, I learned about them after the fact, because I had already started making movies, and I was embarrassed to do interviews where they would bring up these great filmmakers and I wouldn’t know any of them."

It's interesting to consider the trajectory of a film director when it comes their debut features, black or white. Of course, this is a bit of window dressing to demonstrate the interesting lines one can take with showing the talents of a fresh director that made their debut in their mid-twenties about growing up in Los Angeles. Last year we covered John Singleton and his debut with Boyz n the Hood (1991), but now we turn our eyes to another side of a film set in the neighborhoods of Los Angeles and the debut of F. Gary Gray. He had been born in New York City, but he was raised in South Los Angeles. Strangely enough, when he planned to become a filmmaker at the age of 16, he thought it would take him until he was 45 to make his first feature. He started work as a camera operator right out of high school (he also had a bit role in Major League (1989)) before getting his chance to hone directing skills with music videos, most notably directing the 1993 video for "It Was a Good Day" (sung by Ice Cube). Friday would be the first of ten films that Gray has directed, ones with varying genres (on purpose) that have generally been audience favorites, such as Set It Off (1996) and Straight Outta Compton (2015). The film was written by Ice Cube and DJ Pooh, both natives of Los Angeles. Pooh was a record producer and mixing engineer, producing albums with several legendary rappers (such as LL Cool J and 2Pac). Cube had starred in Boyz n the Hood (1991), and he wanted to make what he called a "hood classic", one that would take experiences he had growing up in his block that would serve as a counter-act to the perception of South Central as just a violent place to live in, depicted in films such as the aforementioned Boyz and Menace II Society (1993). Cube, who grew up with films such as the Cheech and Chong films, Car Wash (1976) and Hollywood Shuffle (1987), had his choices of inspiration when it came to wanting to make a comedy (incidentally, Singleton was the one who encouraged him to take up writing scripts), and Gray expressed interest before the script was even done; New Line Cinema was interested in making the film with Cube as a star, although they wanted someone with more experience for the second lead role (Pooh was initially slated to play the role) - Chris Rock and Tommy Davidson were initially considered the role before Tucker (who had exactly one film credit with House Party 3 and performances on Def Comedy Jam) was tapped to do the film.

The twenty-day shoot for $3.5 million turned out a hit on release. It would inspire two sequels: Next Friday (2000) and Friday After Next (2002) alongside an animated series that ran for a couple of months in 2007. Gray and Cube managed to make a buddy film of the hood with 91 minutes of casual warmth that has a resourceful cast (either experienced in film or not) and the right type of atmosphere fit for a coming-of-age movie. It lounges around without becoming a shell for cheap jokes (i.e. saying vulgar words is fun, but it isn't just one roll of them for a movie), which works well for a film with a majority of improvisation. Cube and Tucker make a capable pair together, since they match each other well when it comes to repertoire that is free-flowing, with Cube's casual engagement mixing in with the high-laced energy from Tucker (who elected not to star in the sequels for religious reasons). Lister (nicknamed "Tiny" but also known as "Zeus" when dabbling in wrestling) had been a shot-put champion in college before turning to acting, primarily as a "heavy", with this being his most noted role, and he makes the most of it with an imposing goon nature that can draw a chuckle or a curious eye. Long provides the soothing contrast to some of the proceedings. Even the folks with one or two scenes are still interesting. Bernie Mac plays a pastor with the right sense of flighty hypocrisy, while Cox chases him with zippy energy to go with a briefly electric Bradley to make one amusing triangle for a scene. Witherspoon pulls in the eccentric angle with the right touch of familiarity that makes his moments with Cube just right. The climax is a bit sudden, for which Gray reflected grounds the film but done with "inelegant" execution, but the movie manages to stay on the level when it comes to showing the different degrees of what one defines is a man when it comes to confronting a challenge with a choice that doesn't need a soapbox. Whether one is interested in the sequels or not is fine, because the film holds well on its own. As a whole, Friday is an engaging comedy with plenty of interesting moments spent in a neighborhood that Cube and Gray have re-created from their memories to result in a casual classic. 

Overall, I give it 8 out of 10 stars.

Next Time: Baby Boy.

Bad Santa.

Review #1030: Bad Santa.

Cast: 
Billy Bob Thornton (Willie T. Soke), Tony Cox (Marcus Skidmore), Lauren Graham (Sue), Brett Kelly (Thurman Merman), Lauren Tom (Lois Skidmore), John Ritter (Bob Chipeska), Bernie Mac (Gin Slagel), Cloris Leachman (Granny), and Octavia Spencer (Opal) Directed by Terry Zwigoff.

Review: 
Admittedly, this is a movie that is not for everyone, but then again how many Christmas films need to be cheerful? This is a movie that basks itself in being cheerful in its rudeness and cynicism, and it sure does a fine job at keeping itself together with laughs. Thornton does a pretty good job in the main role, having a crude kind of soul with this character that keeps itself consistent with the film while never springing towards any kind of force sentimentality. He reflects the movie pretty well in that if you like his performance (or get some sort of kick out of it), you'll probably find the movie pretty enjoyable as a black comedy. The film's tone may seem like a novelty for some, but it definitely has a good share of amusing moments along with some fairly amusing performances. Cox proves to be a fairly entertaining partner as well, being fairly sharp. Kelly proves to be a fairly amusing kid, with a degree of intensity that you don't really see in other movies with kids in films like these. There is just something about how he acts around Thornton that makes for some particularly good scenes. Graham and Tom each don't have too much time on screen, but they do decent jobs. Ritter (in his last live-action role) does a fine job with what it given, staid but useful. Mac is also pretty amusing in an adversarial role that serves for a few odd moments that work well. This is a film with a bunch of oddballs for characters, and it is a movie that takes the risks head on and has a ball with all of its rude but amusing moments. Naturally, there exist numerous versions of the film, with one called "Badder Santa", which has a few more scenes added to it (for a movie that was already only 91 minutes long), and a director's cut that is three minutes shorter than the original release. No matter which version one picks, I'm sure that the film will work for anybody in the mood for some dark but fairly entertaining fare, whether around the holidays or not.

Overall, I give it 8 out of 10 stars.