Showing posts with label Paul Landres. Show all posts
Showing posts with label Paul Landres. Show all posts

October 31, 2019

The Vampire (1957).


Review #1291: The Vampire.

Cast: 
John Beal (Dr. Paul Beecher), Coleen Gray (Carol Butler), Kenneth Tobey (Sheriff Buck Donnelly), Lydia Reed (Betsy Beecher), Dabbs Greer (Dr. Will Beaumont), Herb Vigran (George Ryan), Paul Brinegar (Willy Warner), Ann Staunton (Marion Wilkins), and James Griffith (Henry Winston) Directed by Paul Landres (#848 - The Return of Dracula)

Review: 
It does seem like a nice way to tie the month together with a generic-sounding horror film with a vampire, seeing how I started the month with another generic-sounding title film with a werewolf. The one thing that this film shares with that film (aside from being an independent movie) is its science-fiction take on a creature of the supernatural - in this case, a guy turned into a vampire because he accidentally took experimental pills dealing with vampire bat blood and regressing animal minds to a primitive state. The vampire himself doesn't show up for most of its 75 minute run-time (for good reason, as one might say), but at least it is somewhat compelling with its sci-fi/horror crossroad to make it a light curiosity. The acting does tend to do just fine, such as the vulnerable yet humble Beal, who one can at take at face value with his struggle, showing some anguish for a film that badly needs it. The other actors are okay, with Greer generally seeming the most interesting when interacting with our lead, especially when it comes to dealing with the possibility of a "vampire". It isn't so much that the film is boring or such, but it just doesn't have enough of a spark going consistently, particularly with scares. The addiction angle is at least an interesting take when it comes to vampires, but it is amusing to note that the same director, writer (Pat Fielder), and producers (Arthur Gardner and Jules V. Levy) would return to do another vampire film the following year with The Return of Dracula - that actually turned out a bit better when it came to handling its vampire lead, actually. The makeup for the vampire is a bit of a disappointment. It has a lumpy composition, where those big eyebrows and hands make it seem more of a take on Dr Jekyll and Mr. Hyde - of course it should be noted that this creature doesn't have any weaknesses that you would see in any other fictional vampires, where he gets taken down by bullets at the end. I suppose one can only do so much with a low budget (reported to around $110,000), but a tighter design would've gone a long way towards making this a bit more easy to take seriously. Actually, tighter pacing might have also been a big help as well, along with a better way to stage a climax that doesn't just have him just being shot in daylight (no, I am not saying a fight in a dark castle, although that amuses me more than suburban horror). On the whole, this is a film made on the cheap that will do the basic requirements needed that works best when found down the line on a dark cold night with not much else to do.

Happy Halloween. But the fun is not over yet...

Overall, I give it 6 out of 10 stars.

October 17, 2016

The Return of Dracula.


Review #848: The Return of Dracula.

Cast
Francis Lederer (Count Dracula / Bellac Gordal), Norma Eberhardt (Rachel Mayberry), Ray Stricklyn (Tim Hansen), John Wengraf (John Merriman), Virginia Vincent (Jennie Blake), Gage Clarke (Reverend Doctor Whitfield), Jimmy Baird (Mickey Mayberry), Greta Granstedt (Cora Mayberry), and Enid Yousen (Frieda) Directed by Paul Landres.

Review
Four years to the day since I reviewed Dracula (1958, #258), I decided it was time to review the other Dracula film released that same year, with this one produced by Gramercy Pictures (no relation to the current studio of that name) and released by United Artists. This was released in April of 1958, a month before the Hammer production of Dracula was released in America. The plot structure has some resemblance to Shadow of a Doubt, though I didn't think I'd see Dracula roaming the streets of a small town in California (one of my favorite lines is the mother suggesting her daughter to cut class in order to escort "Cousin Bellac" around town). While the movie is low budget, there is at least some fairly good camerawork and camera shots on Dracula are satisfying to look at. To be honest, I didn't really have kind of expectation for this film before seeing it. I hadn't heard of Francis Lederer, and I wondered how he would try to provide his own spin on the role. After all, the Dracula character is such an interesting one to see people try and carry their own flair, with the Lugosi and Lee ones being the most notable. Lederer does fine in the role, making a serviceable effort. He isn't inherently memorable, but he is at least better than a stage version of Dracula, one might say. It should be noted that he would play the role once more in an episode (named "The Devil Is Not Mocked") of Night Gallery (created by Rod Serling) thirteen years later. One thing I really didn't expect was that apparently Dracula can transform people he attacks into dogs (I guess it's better than just having them being zombie like). Then again I guess the mythos of Dracula always seems to have strange things included, so take it for what it is. The climax is fairly decent, with a surprise shot of color that certainly sticks out in a nice way, with a fairly decent way to have Dracula killed. It isn't anything monumental, but it is at least a serviceable horror film. It's not better than the Hammer Dracula film, but it is at least something one should at least consider watching around Halloween time, even if just for a look.

Overall, I give it 7 out of 10 stars.