Star Wars: The Clone Wars.

Review #2540: Star Wars: The Clone Wars.

Cast: 

Matt Lanter (Anakin Skywalker), Ashley Eckstein (Ahsoka Tano), James Arnold Taylor (Obi-Wan Kenobi / 4A-7 / Medical Droid), Dee Bradley Baker (Captain Rex / Commander Cody), Tom Kane (Yoda / The Narrator / Admiral Yularen), Nika Futterman (Asajj Ventress / TC-70), Ian Abercrombie (Chancellor Palpatine / Darth Sidious), Corey Burton (Ziro the Hutt / General Loathsom / KRONOS-327), Catherine Taber (Padmé Amidala), Matthew Wood (Battle Droids), Kevin Michael Richardson (Jabba the Hutt), David Acord (Rotta the Huttlet), with Samuel L. Jackson (Mace Windu), Anthony Daniels (C-3PO), and Christopher Lee (Count Dooku) Directed by Dave Filoni.

Review: 

Imagine, it is the year 2008, for a moment. All you've got with Star Wars is six theatrical movies (and a bunch of television that, what, twelve people cared about?)...and a new film coming out, one that's animated. Then you ask what the hell is The Clone Wars? Well, your immersion has expired, but I might as well run it down anyway. Well, there are two shows under that title, with the first coming around in 2003 via animated shorts that was developed by Genndy Tartakovsky with digital 2D animation (and select cel-shaded 3D). Then you've got the 2008 animated series (now with "The" in there because, well, why not?) that came around because of George Lucas. Lucas had thought about doing this as early as 2002, once stating that Star Wars was "a sandbox I love to play in"; Lucasfilm Animation was created in 2005*. Dave Filoni was among the team of people (described by The New York Times as "young Star Wars-obsessed artists") hired by Lucas. The Mt. Lebanon native had studied animation at Edinboro University of Pennsylvania prior to serving as a storyboard artist/assistant director on a variety of television such as King of the Hill and also directed/wrote a number of the first season episodes of Avatar: The Last Airbender. The first season was pitched around to TV networks in 2007, but nobody initially went with it. Regardless of this, encouraged by the animation results he saw, Lucas decided to produce a theatrical Clone Wars movie, which only then got Warner Bros. interested in the show. Essentially, a couple of episodes were stitched into what you see for a 98-minute movie, with Henry Gilroy, Steven Melching, and Scott Murphy being credited as writers for this film. Released in August 2008 (the first and so far, only, Star Wars movie released in that month) with a reported budget of $8.5 million, the movie was a light success with audiences. Two months later, Star Wars: The Clone Wars aired on Cartoon Network and ran for five years (before returning for stints on Netflix and Disney+ because, well, why not?). 

It may actually be the most vacant Star Wars film of its ilk, managing to do the bare minimum in "space battles" and plot that probably does make one appreciate the live-action filmmaking of Attack of the Clones [2002] (especially when one realizes that the war is basically window dressing for one guy acquiring further power anyway). Things happen in a vacuum that probably are explored in televised form, but it all feels like the paint has rusted off a familiar format with little to really back it up. The animation was deliberately meant to be "a little bit of anime, a little bit of feature animation", one that basically was inspired by the Gerry Anderson Thunderbirds as opposed to say, Beowulf. With that understanding in mind, I can't stand the animation in the same way that I just couldn't stand Thunderbirds in all of its off-putting ways (but with no strings). There are moments when it looks like something you could create with a bunch of foam cups, honestly. The voice cast is in that odd spot where going from folks such as Hayden Christensen/Natalie Portman/Ewan McGregor can only go so far in a movie that doesn't really give them much to actually show off anything beyond the most perfunctory of things (this is a fetch quest movie to save a gassy aged soccer ball looking kid, after all, and I totally will never hear the phrase "Rotta the Hutt" ever again)...to contrast with the bit moments of Jackson and Lee (paycheck time). The banter between Lanter and Eckstein is, well, not exactly endearing, mainly because it feels like a workshopped encounter between siblings more than anything. I remember having basically one question about this film as a person who didn't see the show as either a teenager or an adult: what exactly is the point of Ahsoka Tano? Okay, sure, there were other questions (namely if the animation ever looked better), but really, what is the big fascination about this character that they have their own show nearly 20 years after this film? (going as someone who just watches the films, anyway, since this character never showed up physically in any of the movies, which suggests they were somehow important for the show, but not the main saga*). All I got from this film was a bunch of chuckles at the banter and that was about it. With such sluggish amusement all the way around, it only seems appropriate to call it a middle-of-road misfire, one that did not exceed my expectations in mediocrity.

Overall, I give it 5 out of 10 stars.

Song of the day!

*Incidentally, the only other feature film Lucasfilm Animation has been involved with came with Strange Magic seven years later.

*What the hell is The Mandalorian? Also, I fudged a bit, there is one Clone Wars "bit" I did see: "I am coming back from my ten minute ban.."

Army of Darkness.

Review #2141: Army of Darkness.

Cast: 

Bruce Campbell (Ash Williams / "Evil Ash"), Embeth Davidtz (Sheila), Marcus Gilbert (Lord Arthur), Ian Abercrombie (Wise Man), Richard Grove (Duke Henry the Red), Timothy Patrick Quill (Blacksmith), Michael Earl Reid (Gold Tooth), Bridget Fonda (Linda), Bill Moseley (Deadite captain), Patricia Tallman (Possessed witch), and Ted Raimi (Cowardly warrior/Second supportive villager/Anthony, the S-Mart clerk/Skeleton voices) Directed by Sam Raimi (#611 - Spider-Man, #1296 - The Evil Dead, #1483 - Evil Dead II, #1495 - Darkman, #1695 - Spider-Man 2, and #1779 - Spider-Man 3, and #1840 - Doctor Strange in the Multiverse of Madness)

Review: 

Sure, it is easy to say that the third film of a series just can't compare to the first two films. And you would be right in a variety of those scenarios, even with something as curious as the Evil Dead series, which retained the same director in Sam Raimi and lead presence in Bruce Campbell for each of them that had a sense of evolution from film to film. The gory mayhem of the original film (1981) that was shot for a low budget in a cabin in Tennessee, combined with the efforts of producer Irvin Shapiro, resulted in a cult classic. Six years later, Evil Dead II, basically a "re-quel", came under the hands of Dino De Laurentiis to a cult hit that may or may not be better than the previous film within its comedy-horror aspects. Now, in 1992, here we have a medieval-themed film that actually was proposed and rejected for the second film due to cost. There were various influences that came into the script as done by Sam and Ivan Raimi, such as A Connecticut Yankee in King Arthur's Court and Jason and the Argonauts. The film was made in a deal that saw De Laurentiis fund the film while Universal Pictures serve as distributor.  This is the kind of film that somehow has more than two versions: the original theatrical cut runs at 81 minutes (those studio yokels actually thought they could get a cut for PG-13 and failed anyway), while Raimi's preferred version, with the original intended ending, runs at 96. Other versions were done to go with International audiences and television viewers that each went 88 minutes. The four-disc Blu-ray I purchased included three of these versions, but I went with the director's cut for the sole reason that edits are no fun. A "re-imagining" feature of the series that shared the name of the original came out in 2013 before a continuation series of the third film came out with Ash vs. Evil Dead in 2015.

Sure, it's easy to say that the first two films shine more than this one when it comes to horror. But so what? I actually found this one to be a pretty good movie on its own goal of injecting action comedy into the mix to make a distinct venture that is quite entertaining. We are talking about a film following the lead of the last one in a lead character who had a chainsaw for a right hand, nothing surprises me here. Why would I be mad that the film goes in its own direction with Ash when it is evident the filmmakers want to go this way? (okay, maybe the theatrical cut might not have been coherently focused but screw the editor). This is basically the Return of the Jedi of the series, are you surprised by this? Of course, it's such a funny time with this oddball lead character that has to run the gamut of growth as a hero even when confronting the horrors of being stuck in the Dark Ages (with Deadites and other odd things, no less). When it comes to quips and goofy humor, I think Campbell handles it with good gusto that is interesting for those who like some slapstick humor. The lines of parody and spectacle are enjoyable in his hands because, well, that is what I am here for, particularly with the little Ashes sequence. Having to do cues and fight beings that would be added in as stop motion is no small feat. The other actors play it mostly to form (you've got some Deadite goofiness, of course), but again, the films are lifted mostly with Campbell up there first. If one is to go out with a bang, going out with stop motion and gusto is ideal. Personally, I'm fine with either ending of the film (after checking the obvious choice of the director's cut, I looked over the other disc for a moment). You either get a darkly amusing punchline or a heroically amusing punchline, it really is up to you. As a whole, the last two Evil Dead films are like sides of the same coin in horror misery that would've made it hard for any follow-up to top, but Army of Darkness, now with the passage of time and the availability of a director's cut, proves that even a third-best effort can still be a really good time anyway.

Overall, I give it 9 out of 10 stars.

This ends Halloween The Week After, Year Five. Over the course of October 1 to today, a grand total of 48 horror films (and one other exception) were covered by Movie Night. It only seemed funny to close November 7th the same way that I ended the first of the Week Afters with an Evil Dead film, much in the same way that a Ring film has been there the last three years. There were a handful of films that just missed the cut for timing or other reasons, such as: I Know What You Did Last Summer, The Return of the Vampire, Trog, The Old Dark House (1963), Color Out of Space, The Student of Prague (1926), The Monster, Quartermass 2, Frankenstein 1970, Misery, Beau is Afraid, The Fog, The Fly II, you get the idea. Next year probably won't be all-out like this year, but one never knows where the Month of Horror takes you. Now then, onto other things.