Sky Captain and the World of Tomorrow.

Review #1273: Sky Captain and the World of Tomorrow.

Cast: 
Jude Law (Joseph Sullivan/Sky Captain), Gwyneth Paltrow (Polly Perkins), Angelina Jolie (Commander Francesca "Franky" Cook), Giovanni Ribisi (Dex), Michael Gambon (Editor Paley), Omid Djalili (Kaji), Bai Ling (The Mysterious Woman), Julian Curry (Dr. Jorge Vargas), Trevor Baxter (Dr. Walter Jennings), Peter Law (Dr. Kessler), and Laurence Olivier (Dr. Totenkopf) Written and Directed by Kerry Conran.

Review: 
Influences can be a wonderful thing. On the one hand, the film takes inspiration from films/comics of the 1930s like Flash Gordon, but on the other hand it also has inspiration from designers of the 1939 World's Fair like Norman Bel Geddes. A decade before the film's release, Conran had started work on making a teaser trailer for his idea in his living room with a bluescreen, spending four years on the project. Eventually, there was enough interest to make the film come to life, albeit as an independent film with plenty of producers for $70 million (or at least that is the reported figure for it, but regardless the film was not a success with audiences upon release). There are numerous things to be said for the film when it comes to its effects, since it is mostly done on a digital backlot. If anything shines, it is likely the digital artists and the crew tasked with making this world come alive. This is a film being sketched out via storyboards (hand-drawn) to be re-created as an 3D animatic by computer. This is a sibling type of contribution, with Kerry serving as writer and director, his brother Kevin serving as concept artist, production designer, and costume designer while his sister Kirsten served as art director. I can certainly applaud the efforts done here for a film that is very ambitious but also a pretty average one. It isn't a laughable experience, in part because one does find some time to gaze at what is going on around the actors, such as giant robots, sky ships, and so on. There is certainly a wonderful look present here that springs to mind the styles of the past that even springs to the characters, which can be hit-and-miss. The story certainly seems like a blueprint for the modern movie era, where one can make a bunch of references that try to distract from its own familiar story; it at least isn't a self-aggrandizing kind of experience, goofy yet friendly to sit through its 106 minutes. Law is up to some of the tasks associated with an adventurer lead, having some charm that comes with the territory that makes him somewhat interesting to go around with. Perhaps the implied history he has with Paltrow's character should've been shown more (as opposed to sprinkling scenes where they talk about it throughout), since they barely have any kind of chemistry with each other. One could just describe their scenes as aloof, as if I need reasons for a reporter to come along to an investigation about missing scientists and giant robots that steal stuff. Paltrow is just okay. She is playing a mildly interesting but familiar type that she makes come out in bits and pieces.  It's amusing how mild these two are when it actually would be interesting to see the others more, such as a lingo-spewing, eye-patch wearing Jolie that proves useful for the five (or so) minutes she shows up, or the robot assassin in Ling that never speaks, or even just Ribisi with talking the tech of this odd world. One wonders what to say about the digitized appearance of Olivier (who had died in 1989) into the movie to serve as a hologram of someone who had (are you ready for this) died decades earlier. So yes, he is used to essentially play a ghost of a mad man, which is pretty amusing, really. It just means that there is no real villain to speak of, since all the other adversaries are just robots, all tasked to do a dastardly plan like this. Sometimes you really need a cackling over-the-top villain. I suppose at the end of the day one has to wonder if the film is worth spending time with. Does it serve as a fine experience with plenty of distractions fitting for sci-fi action/adventure films? In my mind, I shrug my shoulders and leave it up to you. Sometimes it proves good to say a movie is "fine", sometimes it doesn't. I guess that this works out in the movie's favor, playing well as a curiosity with mild expectations that won't be forgotten too hard among other sci-fi adventure films.

Overall, I give it 7 out of 10 stars.