Training Day.

Review #1529: Training Day.

Cast: 
Denzel Washington (Detective Sergeant Alonzo Harris), Ethan Hawke (Officer Jake Hoyt), Scott Glenn (Roger), Eva Mendes (Sara), Cliff Curtis (Smiley), Raymond Cruz (Sniper), Noel Gugliemi (Moreno), Dr. Dre (Paul), with Harris Yulin (Detective Doug Rosselli), Tom Berenger (Stan Gursky), Raymond J. Barry (Captain Lou Jacobs), Peter Greene (Jeff), Nick Chinlund (Tim), and Snoop Dogg (Blue) Directed by Antoine Fuqua.

Review: 
"Being a kid growing up with Kurosawa films and watching Sergio Leone movies just made me love what it could do to you, and how it could influence you - make you dream."

What we have here is a film comprised of two unifying visions in writing and directing when it comes to shades of gray in the streets and the people that live in it. Fuqua grew up in Pittsburgh, Pennsylvania and described himself as living a rough area that nevertheless found inspiration from films of his youth that affected him such as Seven Samurai and The Magnificent Seven in watching people struggle through their own fight for justice. He studied engineering and fine arts at West Virginia University with the intent to join the military before deciding to enter into filming with music video directing, which he started in 1992 for performers such as Chanté Moore and moved into film directing with The Replacement Killers (1998). The writer of this film was David Ayer, who while born in Champaign, Illinois lived with his cousin in South Central Los Angeles before serving in the United States Navy for two years as a Submarine Sonar Technician (with those experiences inspiring him to write his first published screenplay, U-571). The script for this film had been developed over the course of a few years by Ayer (who would later become a director in his own right) and he spent considerable time observing with people who resided in that area for their perspective on law enforcement, with the 24-hour setting coming through his fascination with seeing a person entirely transformed through one particular day. Fuqua would also do his part in maintaining a realistic atmosphere through shooting on location all around Los Angeles (whether that meant South Central or the Imperial Courts) that meant consultation with undercover cops and gang experts (which extended to the stars of the film).

Perhaps it shouldn't be surprising that Washington does a great job with this role, because it clearly is a challenging role well-suited for a great actor to show nuance with. The film seems to take its lead from films like The French Connection and Dog Day Afternoon in a gritted-teeth telling about police action how it pertains to the community at large with a pace that works itself to fair standards with a solid duo wrapped around a world of brutality involving crooked cops and gangsters that still seems relevant today (the C.R.A.S.H. scandal involving the Los Angeles Police Department occurred by 1998, which was after the development of the screenplay but still prescient by the time of filming). Washington does a great job in depicting the logical next step of trying to take on the pressure-cooker type streets in going over the line and becoming an intimidator of the neighborhood. With a lesser actor, it might have just been an opportunity to go over-the-top in the guise of street justice, but Washington reins in a captivating performance filled with aggressive precision that isn't easy to pin down scene-to-scene. Hawke holds his ground on the other side of authority in ambition choked by underlying darkness, one that does just as well in driving the material forward with patience and an electric rapport with Washington that makes for good drama. Others do just fine in filling the details of a grayish world, such as Glenn with slimy calm, or an unassuming Mendes, though of course the best scene with others is one involving Yulin, Berenger, and Barry as "wise men" in their understanding with Washington when it comes to what's on/off the table. On the whole, one will find a decent experience to be had here through 122 minutes, as it has a general patience and understanding of a time and place that still adheres to how might makes right, with credible pacing and buildup to go with a well-paired duo and capable support to deliver a good thriller.

Overall, I give it 8 out of 10 stars.

The Silence of the Lambs.

Review #1498: The Silence of the Lambs.

Cast:
Jodie Foster (Clarice Starling), Anthony Hopkins (Dr. Hannibal Lecter), Scott Glenn (Jack Crawford), Ted Levine (Jame "Buffalo Bill" Gumb), Anthony Heald (Dr. Frederick Chilton), Brooke Smith (Catherine Martin), Diane Baker (U.S. Senator Ruth Martin), Kasi Lemmons (Ardelia Mapp), Frankie Faison (Barney Matthews), Tracey Walter (Lamar), Charles Napier (Lt. Boyle), Danny Darst (Sgt. Tate), Alex Coleman (Sgt. Jim Pembry), Dan Butler (Roden), Paul Lazar (Pilcher), Ron Vawter (Paul Krendler), and Roger Corman (FBI Director Hayden Burke) Directed by Jonathan Demme (#1254 - The Manchurian Candidate (2004))

Review:
"I realized the actual bottom line truth of doing Silence of the Lambs, something I felt when I read that book. I thought, this could be the scariest movie ever, and I wanted to make that movie. I wanted to make a Psycho caliber fucking terrifying movie."

As the first (and so far only) horror film to win an Academy Award for Best Picture, the inevitability for covering this film was high, particularly since the character of Hannibal Lecter is particularly well-known across film and novels over the years. This is adapted from Thomas Harris' novel of the same name, originally published in 1988 as the follow-up work to Red Dragon, which had been adapted into a film by Michael Mann under the name Manhunter (1986). The follow-up book Hannibal (1999) and the other book would be turned into films with Hopkins as Lecter, while the prequel Hannibal Rising (2006) would be turned to a film with Harris as screenwriter, and a Hannibal series followed a decade after that. Fitting that a horror film like this would come from an acolyte of Roger Corman (who even cameos in the film) with Jonathan Demme. He met Corman while doing publicity for Von Richthofen and Brown, and Corman was interested in Demme to do work for him at New World Pictures. The result was Angels Hard as They Come, which Demme produced and co-wrote with Joe Viola. He then directed his first work with the studio as director with Caged Heat (1974). Over the years he had a steady career of films, such as Melvin and Howard (1980), Something Wild (1986), and Married to the Mob (1988).

Despite the failure with audiences at the time of Manhunter (now regarded as a cult classic), there was still interest in turning the next Harris novel into a film, although the initial plans was apparently going to have Gene Hackman directing/starring in it (various others were considered for both lead roles, such as Sean Connery and Michelle Pfeiffer). Hopkins came about in interest because of his doctor role in The Elephant Man (1980). With a dark sense of gravitas and two killer performances from Hopkins and Foster, it is no wonder why this proves to be a great classic. It finds a balance between suspense and horror that drives through every beat and procedure with relish and entertainment. It is amazing to think about how solid of a performance Hopkins draws from such an unsavory but relentlessly fascinating presence, particularly since he only occupies a certain amount of time in the film that doesn't even run to thirty minutes. And yet here we are, still captivated and engrossed by what we see of him (such as in the numerous close-up shots of his face) as the calmest and most brilliant terrors of the human mind. On the other side of such interesting conversations is Foster, who proves quite dedicated and useful in focus of the drive for curiosity with regards to the dark parts of the human mind. She makes a resourceful presence that never seems lost within the madness. Glenn proves just as sharp in reasoned authority, while Levine rounds out the main group with creeping finesse in his lurking moments, and the others prove worthy in keeping the stakes level. On the whole, while the sequences with Hopkins and Foster are easily the most memorable of the film, the film holds up just as well in driving one in pursuit and skin-crawling with no pretensions whatsoever. The thrills can be quite entertaining like any other movie, but it is in that chase that really gives one a good jolt in their seat, and it is easy to see why this became imitated and well-known. It has a capable director in staging scenes with useful impact to go with a game cast that makes the most of their surroundings for a good time of carefully executed thrills that prove as effective nearly three decades later.

Overall, I give it 10 out of 10 stars.

Silverado.

Review #1102: Silverado.

Cast: 
Kevin Kline (Paden), Scott Glenn (Emmett), Kevin Costner (Jake), Danny Glover (Mal Johnson), Brian Dennehy (Sheriff Cobb), Rosanna Arquette (Hannah), John Cleese (Sheriff John Langston), Jeff Goldblum (Calvin "Slick" Stanhope), Linda Hunt (Stella), Joe Seneca (Ezra Johnson), Ray Baker (Ethan McKendrick), Thomas Wilson Brown (Augie Hollis), Jeff Fahey (Tyree), and Lynn Whitfield (Rae Johnson) Directed by Lawrence Kasdan (#1059 - The Big Chill)

Review: 
It is not hard to admit that Silverado is a fine Western, completely successful as an adventure (written by Lawrence and Mark Kasdan) that showcases a finely-tuned cast and capable action that shines fairly enough with its plot structuring to make a fair winner. It isn't anything that proves to be great entertainment, but it serves as good quality fun, with a spirit that makes it worth watching. With its 133 minute run-time, it certainly likes to take its time to build its characters and situations complete with everything you'd expect in a film involving cowboys, shootouts, and a variety of other things, but it does so without lingering in cliches, being something well accomplished for the tradition that you would expect for entertainment. The main four of Kline-Glenn-Costner-Glover manage to click fairly well, having a sort of watch-ability to them that makes for good adventure, and they each have their own interesting moments, whether with each other or others. Kline comes out the best in the sense that he exudes a certain energy and care that makes him interesting to view when engaged with the plot, whether with humor or charm. Glenn does just fine with his role, playing this reserved role without hesitation or any sense of dullness, playing this pretty handily. Costner (in only his tenth film appearance) plays this goofy if not immensely entertaining character pretty capably, never verging on becoming too silly for the film's taste while also proving to be a capable hero in his own right. Glover does a fine job with making this an interesting role to follow with and care for, being as sure and confident as one might expect from him. Dennehy plays his part with a fair degree of balance between his stated role and what ultimately comes on screen without becoming unsubtle or too obvious, having a quality that makes for an interesting performance. Arquette is okay, but she doesn't have too much to do within the story, particularly within the second half, where the adventure outweighs any sort of semblance of romance (whether that hurts the film at all is up to you). Cleese, Goldblum and Hunt fit their roles just fine with the narrative, each sticking well within the spirit of the film's intent in their own ways that have useful moments without seeming like sore thumbs sticking out. The action sequences are well done and capably executed, and the music by Bruce Broughton makes it all the more entertaining to sit through. The climax is fairly riveting, making up for a film that occasionally likes to build itself up with twisting its story to try and be mildly complex (for better or worse), complete with each of the main four getting their chance to shine. It won't stick out as adding anything particularly new to the genre in terms of its story quality, but what turns out on screen is something that is at the very least a finely tuned machine worth checking out once.

Overall, I give it 8 out of 10 stars.

The Right Stuff.

Review #892: The Right Stuff.

Cast: 
Fred Ward (Gus Grissom), Dennis Quaid (Gordon Cooper), Ed Harris (John Glenn), Scott Glenn (Alan Shepard), Sam Shepard (Chuck Yeager), Lance Henriksen (Wally Schirra), Scott Paulin (Deke Slayton), Barbara Hershey (Glennis Yeager), Veronica Cartwright (Betty Grissom), Jane Dornacker (Nurse Murch), Harry Shearer and Jeff Goldblum (NASA recruiters), Kim Stanley (Pancho Barnes), Pamela Reed (Trudy Cooper), Charles Frank (Scott Carpenter), Donald Moffat (Lyndon B. Johnson), Levon Helm (Jack Ridley and Narrator), and Mary Jo Deschanel (Annie Glenn) Directed by Philip Kaufman.

Review: 
Watching epic movies (especially historical ones) can be interesting, provided that that the pacing and the subject matter make for good entertainment, with this being adapted from the non-fiction book of the same name by Tom Wolfe, which covered both the story of the Project Mercury astronauts (also known as the Mercury Seven) along with the pilots dealing with high-speed aircraft such as Chuck Yeager, ranging from his breaking of the sound barrier in 1947 to the launch of Mercury-Atlas 9 in 1963. Even with a 192 minute (over three hour) run time, obviously some liberties had to be taken in order to tell a story like this, and the end result is certainly satisfying enough, with spectacle and cast to boot. Even after Project Mercury is introduced by the first hour, it doesn't merely become about the crew, as it also continues to give time to Yeager, while also not being just a technical story. The two stories run parallel with each other very smoothly, while showing some wonderful effects and costumes. By the time Yeager's story ends, there is a sense of triumph that carries on to the end of the other narrative that make for exquisite viewing and an ambitious movie.

Ward does a fine job, along with Quaid, who make for entertaining scenes together. Harris (playing the recently departed John Glenn) stands out amongst the crew, likely due to his charm but also the determination he manages to show in someone as interesting as John Glenn was. Glenn (playing Alan Shepard) is pretty entertaining, having some quips along with some sort of charm. Shepard (playing Chuck Yeager) plays the role with a straight laced but ultimately interesting way.  The rest of the cast is also pretty good, with Moffat being quite entertaining as LBJ. As said earlier, the film takes liberties with certain events (such as the Mercury-Redstone 4's hatch cover blowing, with some implication toward Grissom being the cause and Jack Ridley being shown talking to Yeager after the former had died in 1957), but it does not detract too much from the story's flow. It never feels too long, nor out of its element in regards to showing these astronauts and their lives. One of the best scenes is them discussing with the scientists over installing a window, in part because you see how they see themselves more than just test subjects. On the whole, this is a movie that inspires curiosity along with excitement over an age long gone but not forgotten, with enough depth and skill to make for a tremendously entertaining experience.

On that note, I wish all of you readers at home a Happy New Year as we approach 2017, and in effect Season 7 of Movie Night. Season 6 had 116 reviews (with only one review in January to begin the season), as compared to the 90 in the previous season (2014). With any luck, Movie Night will keep trying to push the limit of the standard I hold myself when writing these reviews, along with trying to cover a diverse amount of movies, the good and the bad.

Thank you for reading, and I will see you in the new year. 10, 9, 8...

Overall, I give it 9 out of 10 stars.

Movie Night: Freedom Writers.

Review #145: Freedom Writers.

Cast
Hilary Swank (Erin Gruwell), Patrick Dempsey (Scott Casey), Scott Glenn (Steve Gruwell), Imelda Staunton (Margaret Campbell), John Benjamin Hickey (Brian Gelford), April Lee Hernández (Eva Benitez), Mario (Andre Bryant), Jason Finn (Marcus), and Vanetta Smith (Brandy Ross) Directed by Richard LaGravenese.

Review
At first, you wonder if this film is like other films of its kind, such as Dangerous Minds, Lean on Me and Stand and Deliver. But once you watch the film, you realize it is not. It's decently acted with the all of the relative unknowns you see, with Swank doing a good job (And if I wanted to take a shot at Dempsey, I would gladly decline due to it being too bored to do) The story is well-paced, with this film making sure it is keeping you interested with all the things that happened here and in real life. It's a good flick for something a little different. Countdown to 150 is now half over...10, 9, 8, 7, 6, 5...

Overall, I give it 8 out of 10 stars.

Movie Night: The Hunt for Red October.

Review #080: The Hunt for Red October.

Cast
Sean Connery (Captain 1st Rank Marko Aleksandrovich Ramius), Alec Baldwin (Dr. Jack Ryan), Scott Glenn (Commander Bart Mancuso), Sam Neill (Captain 2nd Rank Vasily Borodin), James Earl Jones (Vice Admiral James Greer, CIA Deputy Director - Intelligence (DDI), Jeffrey Jones (Skip Tyler), Joss Ackland (Ambassador Andrei Lysenko), Richard Jordan (Dr. Jeffrey Pelt, National Security Advisor), Tim Curry (Dr. Yevgeniy Petrov), Peter Firth (Senior Lieutenant Ivan Putin), Ronald Guttman (Senior Lieutenant Melekhin), Stellan Skarsgård (Captain 2nd Rank Viktor Tupolev), Fred Dalton Thompson (Rear Admiral (Lower Half) Joshua Painter), and Courtney B. Vance (Sonar Technician Submarines Second Class Ronald Jones) Directed by John McTiernan.

Review
This film is great. Simply put, it has everything someone needs to be entertained, but learn something at least. Sean Connery is the main lead, overshadowing Baldwin, and he does a great job. Connery makes the film more big by his prominent preformance, taking some if not at least 70% of the film. The plot is good, not messed up or too hard. The film is the parallel to Top Gun, bringing light to submarines, yet this one is a better film, that would inspire sequels, but played by a different actor...

Overall, I give it 9 out of 10 stars.