April 29, 2019

2 Days in the Valley.


Review #1212: 2 Days in the Valley.

Cast: 
Danny Aiello (Dosmo Pizzo), Greg Cruttwell (Allan Hopper), Jeff Daniels (Alvin Strayer), Teri Hatcher (Becky Foxx), Glenne Headly (Susan Parish), Peter Horton (Roy Foxx), Marsha Mason (Audrey Hopper), Paul Mazursky (Teddy Peppers), James Spader (Lee Woods), Eric Stoltz (Wes Taylor), Charlize Theron (Helga Svelgen), and Keith Carradine (Detective Creighton) Directed by John Herzfeld.

Review: 
Sometimes you just need a crime movie about people who share in common the fact that they are just a bunch of weirdos - whether you have seen this type of movie before or not. They aren't exactly winners, but they have some sort of "unrealized potential" (as described by writer/director Herzfeld) - and it all comes together to make an okay film. Herzfeld's previous experience with direction of films was primarily television specials and movies (such as his two works with ABC Afterschool Special in 1980 and 1981), with one theatrical release with Two of a Kind in 1983. Admittedly, the cast listing is likely to prove more interesting, since you have a movie that can say it has scenes with key highlight stars such as Aiello, Headly, Mazursky, Spader, Stoltz, and Theron making for a feature that probably should have been better. It won't serve as anyone's favorite film to watch for anyone's marathon, but at least there is enough here in terms of charm and occasional action to make it a fair use of 105 minutes. It sure tries to move itself swiftly with tricks and twists, some of which that work and others that mostly feel like a tap on the door rather than a big blast. It is at least sometimes present with a sense of dark humor that rolls alongside a plot connecting its dots together across people in the San Fernando Valley, which goes well enough. Its the interactions that can come from it that make this roll through the bumps, such as Aiello and Headly, or Mazursky (a director who can't go through ending it all in a cemetery because his yapping dog is with him) with Mason. Easily, the one who I revel in watching is Spader, who walks right through playing a slimy creep like this without struggle, whether acting with Aiello and a clock or with Theron. Aiello is also pretty fun to be with, wry and useful to be around with, such as when having to interact with these other nuts (including the one he thought would work fine as his other hitman partner). The time spent with Daniels and Stoltz isn't too particularly long, but it is fine to see how they act within the lines of the cop angle of the film - one with cynicism, one with ambition. Hatcher falls as the weak point, not being as interesting to follow with, minus one fight with Theron that actually is pretty amusing to see go down. Cruttwell is somewhat amusing, but he doesn't really have much to do for the second half. The best that can be said for the film is that it doesn't overstay its welcome, bookending itself with some charm and decent entertainment (with a worthy enough climax) - it isn't perfect, but there is something here worth curiosity, due to its assembled cast and where they go from there. It is a movie that finds itself on a road going 76 on a 70 limit, having a bit of movement without going off the rails or all the way still.

Overall, I give it 7 out of 10 stars.

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