Cast:
Michael Cera (Scott Pilgrim and Nega Scott), Mary Elizabeth Winstead (Ramona Flowers), Kieran Culkin (Wallace Wells), Anna Kendrick (Stacey Pilgrim), Brie Larson (Natalie V. "Envy" Adams), Alison Pill (Kim Pine), Aubrey Plaza (Julie Powers), Johnny Simmons ("Young" Neil Nordegraf), Mark Webber (Stephen Stills), Ellen Wong (Knives Chau), with Satya Bhabha (Matthew Patel), Chris Evans (Lucas Lee), Brandon Routh (Todd Ingram), Mae Whitman (Roxanne "Roxy" Richter), Keita Saito (Ken Katayanagi), Shota Saito (Kyle Katayanagi), and Jason Schwartzman (Gideon "G-Man" Graves) Directed by Edgar Wright (#971 - Baby Driver, #1537 - Shaun of the Dead)
Review:
"We thought it should play out like a musical in a way in terms of the fights are not dissimilar to the songs. I always thought there were a lot of martial arts films that were like musicals, so we wanted to take that further. Ya know, in a Gene Kelly film when he performs an amazing routine, at the end of the scene no one goes, 'Oh my god, that was fucking amazing!' The song is about something, and then there might be some dialogue at the end that is also about that theme. And that's kind of how this works where people have these huge fights – and it's kind of like how it is in the books – where everything goes back to normal, and there's a little reaction to what just happened, but there's no sort of mourn the dead."
Yes, it is weird to see how time flies by to say a movie from the 2010s is now 15 years old. It serves as an adaptation of the series of graphic novels of the same name that had been published in six volumes from 2004 to 2010, as written and drawn by Bryan Lee O'Malley, who had been inspired by various works ranging from Ranma 1/2, Koudelka (layouts) and other manga. Around the time after the publication of the first volume came the inklings of maybe adapting it to film, and Edgar Wright (of the then-released Shaun of the Dead, which naturally was followed up with Hot Fuzz [2007]) was approached and he liked the idea because he liked the books, with one factor being that he noted that with a few exceptions*, there hadn't been a "bigger film that dealt in sort of like a comedy comic book film...combining the mundane with the fantastical.". Wright and Michael Bacall wrote the screenplay for the film while O'Malley was involved with "bits and pieces" of the process (in particular, the ending had influence by O'Malley over the original planned ending, since the movie was coming out in the wake of the release of the last volume in July of 2010). The movie was inspired by a litany of movies ranging from Danger: Diabolik [1968] to Phantom of the Paradise [1974] (particularly with its villain, consider that). Apparently, Universal Pictures didn't know how to market the movie to audiences; the movie was first screened in July of 2010 before being released in theaters starting with America on August 13, 2010 and it was not a major success at the time. However, as one probably guessed, it has developed a following. The entire cast reprised their roles for an animated TV show (Scott Pilgrim Takes Off) that had a handful of episodes in 2023.
It probably is a movie that gets better and better for those who really like what the movie is selling in terms of light fun in an era where people still wondered what the hell was the difference between "geek" and "nerd" anymore. It probably helps that there was a pretty talented cast involved* who happens to be pretty enjoyable to view on screen. For me...it was fine. It rides a good deal of highs and a few lows for 112 minutes that generally has the enthusiasm to make one at least see themselves somewhere in the entertaining ensemble and visual sequences. You might as well call it a distinct comic or also video game movie with the fact that it actually takes the time to look like a comic (i.e. sound effect onomatopoeia) to go along with its video game logic with, well, handling action sequences. You either roll with its punches (some visual and some in jokes such as tricking a vegan into drinking half-and-half) or, well, you don't. Call it silly, but it does take a bit of time to really, truly, root for that title character. At least his hang-ups are more interesting to think about in everyman weirdness than say, Woody Allen*. Actually, I take that back, it does take a bit of time to also appreciate Ramona beyond calling her a flake (and in turn, calling Scott a little worm)*. But I like Cera and Winstead just fine, so there's that. It's an interesting push-and-pull thing where one is juggling seeing the life of our guy and the folks around him, and I think it works out pretty well in the fact that there isn't a weak spot amongst the folks. In particular, it is fun to see Culkin and Plaza every now and then because of their natural timing that just is really funny in snappy charm (look, how many folks have lines where they are censored with a black box on purpose). Chau actually is a bit funny in her own path of realization beyond just hanging around in the ides of youth and so on. Of the group of "Evil Exes", Evans and Schwartzman do stick out the best, namely because there are a handful of laughs in bravado from the former and the Phil Spector imitation in the latter that keep the movie rolling along just right. It is a movie that has a boundless charm that with the right mindset in mind for the viewer would be enough to deflect any lingering quibbles with the movie. Lack of stakes? Eh, its a movie about a guy getting a hold of himself beyond just having the same expectations of oneself that happens to need to turn opponents into pixels, stakes are for "suspense" movies. It just happens to be a movie fit for casual enjoyment, and it likely developed a cult following because people really did come around to viewing the movie for all of its little quirks that is admirable to see in commitment. Fifteen years later, we may very well see further people get latched onto the movie and its grabbing of the times it was made in a further interesting light fifteen further years down the line.
Overall, I give it 8 out of 10 stars.
*Specifically, Ghost World and American Splendor, as noted here.
**Imagine saying a film had two future Academy Award winners in its cast and it is located in the supporting cast with Culkin and Larson.
***I will state that I did know exactly one person who liked changing their hair color to blue. She liked women and even shacked up with a married person. It's too bad she was a flake, she seemed like a friend at one point in time.
****Speaking of people with an "interesting" attraction to young women. Okay, I stretched that joke, but I don't like that little cretin.
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