Cast:
Will Forte (MacGruber), Kristen Wiig (Vicki Gloria St. Elmo), Ryan Phillippe (Lieutenant Dixon Piper), Val Kilmer (Dieter Von Cunth), Maya Rudolph (Casey Janine Fitzpatrick), Powers Boothe (Colonel Jim Faith), Timothy V. Murphy (Constantine Bach), Chris Jericho (Frank Korver), and Montel Vontavious Porter (Vernon Freedom) Directed by Jorma Taccone.
Review:
"What you see with this movie is exactly what we wanted to do. It's the three of us having a bunch of fun writing it, then having fun making it with a bunch of our friends—old friends and new friends. I think that fun comes across when you watch it. It's rare that you get that kind of creative freedom."
I suppose there really should be a line that prefaces any review of a movie based on a sketch from Saturday Night Live, because really there is one easy statement to make: the level of humor to expect from a film like this depends on just what era of the show you grew up watching (so if you stop watching and come back to it like five or ten years later, you get to say that it wasn't as funny as the era you grew up with). Technically this is a bit unfair, because I did like The Blues Brothers (1980) and the Wayne's World (1992-93) movies. But one probably wouldn't be surprised to see that this was the first one of these SNL films to be released in theaters since The Ladies Man (2000) and it is currently the last one, although it is only now that the idea to develop MacGruber into television is happening. But you probably need some detail before we get into the quality of the movie, so what is exactly MacGruber? Well, believe it or not, I do remember this series of sketches, because even ten year old kids like me need something to do on Saturday nights. The series of sketches ran on-and-off for three years as a parody of the television series MacGyver (1985-1992), where the parody character (after a song extolling the talents of said character that can get stuck in your head) would try to escape a dangerous situation with little time remaining in a control room with some sort of random material while he is plagued by some sort of internal issue (such as say...growing bald or his grandmother) before the bomb explodes. The star of the actual show (Richard Dean Anderson) even made an appearance, for which child-me would have been pretty surprised by (insert reference to Stargate SG1 here). For what its worth, the only other recurring short I remember from the time was something involving cats with lasers, so one wonders where the time has gone. At any rate, the idea for MacGruber came from Jorma Taccone, who had joined SNL in 2005 that was known for his work in the comedy troupe The Lonely Island, which would create numerous digital shorts for the series until 2014 (the next film that Taccone would direct featured the troupe with Popstar: Never Stop Never Stopping in 2016). He pitched the original idea to Forte and John Solomon for a month before finally convincing them to conceive a series of brief films (as opposed to one sketch). SNL creator Lorne Michaels eventually suggested that they should develop a script for a film (if one can do a commercial with Pepsi and make it stick, truly a movie isn't too far off). Taccone, Solomon, and Forte would set out to make a movie that looked like an action movie (in the vein of stuff like Die Hard and First Blood) while honing to a cheap budget ($10 million, with less than 1/50th of it being used for special effects) while shooting it in the course of a month.
So yes, one can credit the filmmakers for having the freedom to do what they wanted with a comic relief lead that has to balance the line between insanely flawed and likeable enough to see all the way through for 91 minutes. The film was a flop, but it has certainly developed a small cult following in the decade since its release (one notable fan: Christopher Nolan). Take this anyway you wish: It might be the Freddy Got Fingered of its decade, where it just isn't my kind of thing, but I can at least understand the appeal for it despite finding it below quality. In other words, you can misunderstand all you want, but it can't hide the fact that it isn't even as clever in trying to have fun with the action genre as Last Action Hero (1993). Honestly, there isn't anything here that is remotely interesting when it comes to its supposed unpredictability or its attempts at balancing strait-laced folks like Kilmer and Boothe (the highlights of the movie) with the wackos in Forte and Wiig that seems more useful in less does on television. I think it is the brief time one spent with the sketches that made them more effective than what happens when you try to extend something that should have stayed at a minute. But hey, someone might think of it as akin to those parody movies like Airplane! (1980), or maybe an offshoot of other attempts at making fun of action movies like Hot Shots! Part Deux (1993, which I should probably re-watch at some point), or maybe even Big Trouble in Little China (1986), although I should mention that each actually have a real third act. Or maybe it will touch those who are familiar with an insecure lead in action with Archer, although that is funny for its own reasons. For me, the main joke doesn't stick at any point long enough to keep my interest, one that drags itself in the guise of edge with the depth of a shallow pool. One knows Forte can be funny, because one doesn't stay on a series for a decade without having some staying power, but here it just seems like a fun time for Forte and little else for those who think the character needs to take a trip to the trimmers. One can only tolerate insecurity for so long before a stick of celery gets involved, so this little game of buildup and humiliation rides on the viewer's patience for it. Wiig is used for a bit of singing and doing disguises that has the energy of a hit-or-miss gag, which is up to your preferences (meh is the only word I can find). Phillippe plays the straight man to this trio, one that has to put some sort of gravitas to the stuff around him, which hits with the power of a defective broomstick. It is Kilmer that actually shines over these folks, mostly because his dry delivery seems more prescient for what one could see in an overblown action movie in actually seeming funny for what is needed that might have deserved even more time on screen. Boothe plays it as one might see in a cheap 80s movie, which is collected but worth your time. There is a group of wrestlers used for a cameo that goes exactly the way you might see coming a minute before it happens in the gag, which is rather disappointing. Look, if you find it to be a funny movie, all power to you. But it begs for a polish in its lead presence, racked with gags that are very hit or miss that makes it quite niche and cliché at the same time. The only thing that offends me more is something unbearably bland, one that is only for a particular audience that probably likes some of the stuff I prefer when it comes to jokes that land that clearly could have been said in less than a thousand words that could have been said in seven: It just isn't my kind of comedy.
Overall, I give it 5 out of 10 stars.
