Cast:
Dan Aykroyd (Detective Sergeant Joe Friday), Tom Hanks (Detective Pep Streebek), Christopher Plummer (the Reverend Jonathan Whirley), Harry Morgan (Captain Bill Gannon), Alexandra Paul ("the Virgin" Connie Swail), Jack O'Halloran (Emil Muzz), Elizabeth Ashley (Commissioner Jane Kirkpatrick), and Dabney Coleman (Jerry Caesar) Directed by Tom Mankiewicz.
Review:
Maybe you know what Dragnet is, but your dad or grandfather probably know it quite well in some way or form. Apparently, Webb was inspired by what he saw when filming his role in He Walked by Night (1948), specifically what he heard from technical consultant Marty Wynn involving the actual procedures and activities of police officers that he got Wynn to cooperate on what became one of the big procedurals of its time. In 1949, Dragnet was born on radio with the NBC radio network, as featuring Jack Webb and a handful of partners. Two years later went by before it went to television (now with Webb and Ben Alexander), running for eight years and also having a film version in 1954. And then of course there was the new thing for its time: a revival years later, with Webb now starring with Harry Morgan that ran from 1967 to 1970. There were plenty of routines to be had in those shows, whether that involved LSD or other types of rackets. Webb would continue to busy with making television shows involving authority such as Adam-12 (1968-75), O'Hara, U.S. Treasury (1971-72), and Emergency! (1972-77) before he died in 1982 at the age of 62.* Apparently, Tom Mankiewicz was brought in to work on a re-write of a film script that had been done by Dan Aykroyd and Alan Zweibel (who had worked together on Saturday Night Live) involving Dragnet and was then asked to direct it himself, which was his directing debut, having famously done work as just a writer with Superman and an assortment of James Bond movies; he directed just one other movie with Delirious (1991)
I do remember, very vaguely, seeing my dad watch this movie on a VHS tape once, specifically the part where the name P.A.G.A.N is revealed (People Against Goodness and Normalcy, ha, get it). That was what, nearly 15 years ago, so I suppose it is better late than never to actually watch this movie. You get a buddy cop movie (complete with a tank and jet) that happens to have a very by-the-book person at the helm that is sometimes funny and altogether a bit stuffed at 106 minutes long. As a semi-spoof, it at least looks like it cared about the original material, although it definitely shows a bit too much willingness for the "let's put a pop song in it" idea. You can probably tell that Aykroyd had a fascination with Jack Webb in actually getting the jargon down with the calm and collected feel of someone who rolls with the punches. Of course, Aykroyd actually did work as a reserve officer with multiple police departments (no I'm not joking), so this isn't merely just a case of a long-winded bit, he just thought it would be an honor to do a Jack Webb homage, to a certain type of mixed result. According to Aykroyd, Hanks (who was cast in the film because Albert Brooks said no and Jim Belushi wasn't available) was not big on the final result of the film. Hanks (in the period between Splash [1984] and, well, Big [1989]) does fine here, maneuvering through the proceedings with a good dose of charm and you do eventually get a sense of connection between him and Aykroyd as hard (okay, maybe sometimes hardly) working cops on the beat as a team. Morgan might have been winding down in his seventies (this was his penultimate film appearance), but at least he looks happy to be around for a few scenes in experiencing some jargon said at him again. Plummer is calm enough to work as the wolf in sheep's clothing, for the most part. The rest is here and there, mainly because the movie comes up with a few softball ideas to corral the procedural (so a Playboy knockoff and a totally not evil Reverend to go with uniting them for a common goal) that probably came out of at least one too many re-writes. Sure, you can't make it all a sketch, but the movie does have most of its steam in the first half when trying to play setup rather than the inevitable sequences of action, for better or worse. I enjoyed it just enough to roll with its general pacing. As a whole, Dragnet (1987) is a fine little movie that at least doesn't come off as merely an overextended sketch idea and has a few moments worth watching. It definitely is hit-or-miss, but if you are looking for a bit of fun, you might find it here.
Overall, I give it 7 out of 10 stars.
*To tie this to movies a tiny bit, Webb was actually approached about playing Dean Wormer in Animal House (1979). Go figure, he turned it down.
Tomorrow: the horror season begins.