November 26, 2021

Foodfight!

Review #1766: Foodfight!

Cast: 
Charlie Sheen (Dex Dogtective), Wayne Brady (Daredevil Dan), Hilary Duff (Sunshine Goodness), Eva Longoria (Lady X / Priscilla), Larry Miller (Vlad Chocool), Christopher Lloyd (Mr. Clipboard), Robert Costanzo (Maximillus Moose), Chris Kattan (Polar Penguin), Ed Asner (Mr. Leonard), Jerry Stiller (General X), Christine Baranski (Hedda Shopper), Lawrence Kasanoff (Cheasel T. Weasel), Harvey Fierstein (Fat Cat Burglar), Cloris Leachman (Brand X Lunch Lady), Haylie Duff (Sweetcakes), Shelley Morrison (Lola Fruitola), and Edie McClurg (Mrs. Butterworth) Directed by Lawrence Kasanoff.

Review:
“We’ve got the movie, we’ve got the property, the place, the equipment, the talent, we’re there. Do we believe our next movie, Foodfight! is going to be a huge hit? Of course we do!”

Why don't we just do a whole review of short sentences that will sum up this film's sad history? I'll start: In development for a decade. Managed to lose the hard drive of assets that resulted in a restart. Directed by a guy who produced movies like Mortal Kombat while responsible for a Live Tour edition...with no other directing projects since. Managed to be sold off by debt collectors for at least $2.5 million after being made for roughly $45-60 million. Released in a theater for exactly one week in the United Kingdom, while everyone else "received" it on DVD or video-on-demand. Meant to aim for a cartoonish animation like the Looney Tunes shorts but ended up requiring motion capture animation (you thought The Polar Express was odd? Try this for ten minutes). A hodgepodge attempt at making a studio like Pixar with a cross between Who Framed Roger Rabbit? (1988) and Toy Story (1995). Kasanoff planned a variety of media to tie-in with the film, including an ice show. Made by a director who was described by his crew as "idiosyncratic" that thought animation is the only part of film production where quality is on the rise while costs are going down. Filled with an assortment of brand names for supporting characters. Manages to have worse (unfinished) animation than Hoodwinked! (2005). Made by Threshold Entertainment, whose next animation venture was Bobbleheads: The Movie (2020). Written by Sean Catherine Derek, Lawrence Kasanoff, Brent Friedman, Rebecca Swanson with a story by Joshua Wexler & Kasanoff (who also co-produced the movie).

Inept. Irritating. Incoherent. Inconceivable. Trainwreck. Embarrassment. Need I go on with one-word sentences? How much can one really say about this movie? The very idea of brand names as lead characters for a film is cynically embarrassing on its own, but the very fact that this is the most embarrassing animated film I have ever seen is the saddest thing about the whole experience. 91 minutes of pain, pure and simple. You can laugh at the animation, true. To an extent, you can also laugh at the inexplicable innuendo and crass attempts at humor presented here. But one just seems downright sad at recognizing the various voices present to be in such a travesty. Sheen being here isn't exactly a surprise, because I can equally believe he would stoop to something for a paycheck regardless if it was the mid 2000s or 2012, mostly because one has to breeze a middling collection of cliches and not clap their hands in anticipation. Brady is obviously better to view on television, as I think anybody who is familiar with the medium will tell you, because heaven help the next person to say that cartoon sidekicks are the best thing ever. Duff doesn't even have to try when she spends half of her time off screen, so there is that. There are no winners in the cast, but at least Longoria seems to have a go at playing sultry and adversary in the same length. The less said about Miller, the better. Lloyd obviously likes to keep busy with roles (because this was the same year as The Oogieloves movie), and since he only has a handful of lines to go with a character that is jerkily animated, it sure makes an amusing sight more than a performance. Pairing Kattan and Sheen for a gag is probably better than eating year-old brand cereal. Asner (rest in peace) has less lines than one would expect, because clearly more time needed to be on the market and not the bare attempts at whatever "Brand X" is supposed to do with "Marketopolis". Kasanoff playing a weasel is a sentence that writes itself. As a whole, you don't need 1,000 words to say that the movie has no fundamental story worth investing in, because you can also look at the movie and hear its crass jokes and puns that confirm what a colossal waste one could have here. This is one of the worst films made with a substantial budget and likely one of the all-time worst animated films ever made. Might be good if you take certain substances or if you want to know what not finishing all of your work looks like.

Overall, I give it 0 out of 10 stars.

Next Time: Once more, because everyone deserves an eighth piece of awfulness. Fateful Findings.

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