3 Godfathers (1948).

Review #1778: 3 Godfathers.

Cast: 

John Wayne (Robert Marmaduke Hightower), Pedro Armendáriz (Pedro Encarnación Escalante y Rocafuerte), Harry Carey Jr. (William "The Abilene Kid" Kearney), Mildred Natwick (Dying Mother), Ward Bond (Sheriff Buck Sweet), Mae Marsh (Mrs. Sweet), Jane Darwell (Miss Florie), Guy Kibbee (Judge), Hank Worden (Deputy Curly), Dorothy Ford (Ruby Latham), Charles Halton (Oliver Latham), Jack Pennick (Luke), Fred Libby (Deputy), Ben Johnson (Posseman #1), Michael Dugan (Posseman #2), and Francis Ford (Drunken Old-Timer at Bar) Directed by John Ford (#398 - The Last Hurrah, #1324 - 3 Bad Men, #1349 - Stagecoach, #1372 - Fort Apache, #1392 - The Searchers, #1409 - The Man Who Shot Liberty Valance) 

Review: 

Well, if you need a Western with a Christmas bent, here you go? Of course, this also happens to be yet another John Ford and John Wayne collaboration, albeit one that is probably not as well-noted as the others (such as Fort Apache, released around the same time). The film is adapted from the 1913 novel The Three Godfathers, which was written by Peter B. Kyne. That novel had been adapted into a film five times: The Three Godfathers (1916), Marked Men (1919), Action (1921), Hell's Heroes (1930, directed by William Wyler), and Three Godfathers (1936); Ford had directed the 1919 and 1921 films, while Harry Carey Sr had starred in the first two adaptations (I'm sure you are all familiar with the next adaptation of the book in Tokyo Godfathers (2003)). As such, when Ford decided to do another version of this tale, he dedicated it to Carey (who had died in 1947), with the opening title card describing him as the "Bright Star of the early western sky..."). At any rate, this was the fifth starring role for Wayne in a John Ford film, coming off the heels of Fort Apache (1948) that would be followed by She Wore a Yellow Ribbon (1949) and a handful of others, although this might be the lightest of the Westerns they did together. This was the third and final collaboration of Ford and Armendariz (who decided to take on roles besides Mexican cinema in the mid 1940s), while Harry Carey Jr is given an "introduction" despite having done a handful of appearances in film prior to this one, which would be part of a solid run in character roles. The film had three screenwriters in Laurence Stallings, Frank S. Nugent, and Robert Nathan.

You have to understand that the tale is basically a re-telling of the religious tale of the Three Wise Men, so it shouldn't be surprising that there were varying levels of sentimentality in those feature films I just mentioned. The result is a movie that turns out to be just fine, one that will give a fair smile to one's face without turning it into a gloppy mess. For the most part, anyway (106 minutes), since it is sort of a family film that has a bit more chuckles than action (case in point about the adaptation differences, earlier versions featured a bloody gunfight). Well, that and plenty of sand (for Death Valley...doubling as Arizona, anyway), which means that this results in a nice-looking feature that you would expect from Ford. Wayne does fine with what is required from the role in stiff chiseling, one that isn't meant to toe too much into the sentimentality pool that is mostly believable in the long run. Armendariz and Carey Jr make worthy supporting presences in terms of snappy charm that make a useful triangle of pseudo-wise men in a makeshift family feature. Bond is the other key presence, doing exactly what is needed in light casual charm. The sacrifice at the end can only work if one believes it. In two of the previous adaptations (i.e. the 1930/1936 versions), attempts to find suitable water were a key part. Here, it is a bit more tied down, syrupy and curious at the same time. Well, since this is one of the John Wayne features where he isn't engaged in a duel at the end, that shouldn't be too surprising. As long as one stomachs where it goes, all should work out. As a whole, it is a light and charming Western that serves itself well in adapting familiar material with a useful spin and a solid trio that make for a curious Ford selection that follows the holiday tradition well enough without becoming stuck in comparisons. Instead, one takes its message of hope and cheer and runs with it.

Overall, I give it 8 out of 10 stars.