January 21, 2020

3 Bad Men.


Review #1324: 3 Bad Men.

Cast: 
George O'Brien (Dan O'Malley), Olive Borden (Lee Carlton), Lou Tellegen (Sheriff Layne Hunter), Tom Santschi ("Bull" Stanley), J. Farrell MacDonald (Mike Costigan), Frank Campeau ("Spade" Allen), Priscilla Bonner (Millie Stanley), Otis Harlan (Editor Zach Little), Phyllis Haver (Lily), Georgie Harris (Joe Minsk), Alec B. Francis (Rev. Calvin Benson), and Jay Hunt (Nat Lucas) Directed by John Ford (#398 - The Last Hurrah)

Review: 
When it comes to making a classic Western, John Ford as director certainly comes to mind. Ford had a lengthy career that spanned nearly 50 years from his first in The Tornado (1917) to his last with 7 Women (1966). He could direct any sort of genre, whether a Western, drama, war documentary, romance or some sort of drama. In any case, it seems appropriate to pick a film like this from Ford, seeing as a great deal of his silent films are now lost, alongside the fact that it was also his last Western until another classic thirteen years later with Stagecoach. This also ties in to the film's main star in O'Brien, who starred in ten films for Ford (such as The Iron Horse (1924), Ford's first epic) while becoming a popular star for this decade in his own right. It is nice to see a Western that likes to try and play with other genres and succeeds in doing so, having highlights of comedy and romance that gel pretty well with a solid cast. It is a pretty riveting film that comes from Fox Film Corporation (who you might recognize from their subsequent merger with 20th Century Studios in 1935), juggling its plot and numerous characters with careful ambition, where its episodic nature plays out nicely for 92 minutes without overstaying its welcome. It is a film "suggested" by Herman Whitaker's 1916 novel Over the Border, with the scenario and adaptation being done by John Stone while Ralph Spence and Malcolm Stuart Boylan did the titles. There are quite a few Western tropes to spot here, such as bad guys gone good, a last stand for prominent characters, some sort of historical element (in this case, a land rush in the Dakotas), and so on. But it never seems like a cliche waiting to be made fun of because of how interesting Ford can make the landscape seem. Stock characters can still make for great entertainment if one has the right sense of direction to let the actors deliver some effort to them, and Ford does that well. O'Brien and Borden prove to be pretty watchable, having decent chemistry together, compelling to watch when faced with each other or when with the rascally "bad men". Tellegen proves to be a capably ruthless adversary, whose fierce eyes and disposition gel pretty well when needed for a showdown or just being rude to someone who wants to marry him. The highlight proves to be the outlaw group, headlined by a soulful Santschi, who carries this group to redemption with charm and tenderness. MacDonald and Campeau are also pretty good in giving some chuckles (as set up by the title cards). The rest of the cast prove just fine, particularly when it comes to a good ol' bar fight or the land rush. It is a curiosity worth checking out, where one can see a game cast work with equally sturdy foundations for a fun adventure along with seeing an early example of a memorable film by John Ford when it came to delivering capable entertainment that served him well over the course of the next few decades with sound and Westerns.

Next Time: Tribute to the Decades approaches a year of awards and sound first with Underworld.

Overall, I give it 8 out of 10 stars.

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