Cast:
Daniel Craig (XXXX), Colm Meaney (Gene), George Harris (Morty), Sienna Miller (Tammy), Tamer Hassan (Terry), Jamie Foreman (the Duke), Kenneth Cranham (Jimmy Price), Michael Gambon (Eddie Temple), Ben Whishaw (Sidney), Tom Hardy (Clarkie), Dexter Fletcher (Cody), Steve John Shepherd (Tiptoes), Burn Gorman (Gazza), and Sally Hawkins (Slasher) Directed by Matthew Vaughn (#042 - X-Men: First Class, #993 - Kingsman: The Secret Service, #994 - Kingsman: The Golden Circle)
Review:
"The problem is that every gangster film's been full of all this gore-blimey-cockney-mate-I'm-a-*******-hard-guy nonsense and that's what Layer Cake isn't. Lots of people in the test screenings complained that the drug dealers in the movie were middle class. But that's how life is! The idea that every drug dealer is a cockney or a scouser is just a cliché. My aspiration was to make Heat but set in Britain. That was the goal."
Twenty years ago in October of 2004, Matthew Vaughn directed his first feature film with Layer Cake, which actually was an adaptation of the 2000 novel of the same name by J. J. Connolly, who had described himself as formerly being "an end-user, a punter." He wrote the novel with a handful of it being based on anecdotes by people he knew while noting that when he wrote the book, it was a time when "smart criminals" (as he put it) getting to find the idea of having a public profile abhorrent. The interest that the book generated in the public found its way to Vaughn. The son of a banker, he had worked as a film director assistant before trying (and dropping) to attend university in London for history. He produced his first film (at the age of 25) with The Innocent Sleep (1996). His next two features were with Guy Ritchie as a director that attracted attention in Lock, Stock and Two Smoking Barrels (1998) and Snatch (2000). He happened to encounter Connolly on a train ride and found himself wrapped up in directing the film, complete with Connolly writing the script for the film. A neat hit with audiences, Vaughn has managed to direct (and produce) a handful of features over the next two decades. Connolly wrote a follow-up novel eleven years later with Viva La Madness, which has yet to be adapted in any form.
Really one could say this is a skewed look at "the process", only now in the view of a criminal. It ends up wracked with twists and layers that end up doing a few favors in the art of clever engagement for a solid feature. Of course, it happens to be the film associated with Daniel Craig getting to play James Bond in Casino Royale (2005), and it probably goes without saying that this is a pretty good showcase for him. Sure, it is a familiar feature but being hip and spry for 105 minutes is not a hard thing to accomplish, and the commitment works when you have a cast that is worthwhile to follow with. Craig just has that "it factor" here, which is interesting considering he had been around for a handful of film roles of varying prominence (after honing his craft on the stage, naturally), but he has a way with words that draws you in how direct he is in the art of not wanting to be a career guy with such suave confidence. One wonders exactly what our unnamed lead would actually have ended up pursuing as a "gentleman of leisure", but I think you can see that whatever it could have been in terms of a pursuit, he sure would've made a killing at it. His pursuit of dancing in and out of the inane web set upon him is a fun one for him to show his charm while blood gets drawn around him, and it probably helps to have Meaney around, because the occasional humorous moments that occur (amid the violence and the situations that arise from that) are mostly because of him and his piercing qualities. Others come and go to varying effect, whether that involves Miller and a few alluring glances or the stark differences in Cranham and Gambon when it comes to established figures in the "layer cake" of crime (Gambon in particular is quite amusing). Evidently, there were a few endings shot for the film before Vaughn maneuvered it so the one used was the one he wanted (one that apparently is distinct from the book, but they share the same last line). It is a startling ending to the film but worthwhile when you really get down to it, at least when compared to the usual fare. As a whole, it is a pretty good feature with entertaining execution from all involved in the art of process within the criminal underworld that cuts like a knife on butter for solid results.
Overall, I give it 8 out of 10 stars.
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