Cast:
Stellan Skarsgård (Father Lankester Merrin), Izabella Scorupco (Sarah), James D'Arcy (Father Francis), Remy Sweeney (Joseph), Julian Wadham (Major Granville), Andrew French (Chuma), Ralph Brown (Sergeant Major), Ben Cross (Semelier), David Bradley (Father Gionetti), Alan Ford (Jefferies), Antonie Kamerling (Lieutenant Kessel), with Eddie Osei (Emekwi), and Rupert Degas (Pazuzu) Directed by Renny Harlin (#016 - Die Hard 2, #670 - Cliffhanger, #745 - A Nightmare on Elm Street 4: The Dream Master, #2163 - The Adventures of Ford Fairlane, #2240 - Cutthroat Island)
Review:
"What I tried to do is set up a lot of those unanswered questions that we see in the original. There are a lot of open plotlines that are never explained, so I tried to make it so that if you watch this film and then watch the original 'Exorcist,' the original will seem like the sequel."
Hey, remember when people thought The Exorcist could be a franchise? Morgan Creek Productions, not content with their excessive tinkering of William Peter Blatty's The Exorcist III (1990), had started plans to make a prequel to, well, The Exorcist (1973) in the late 1990s. William Wisher Jr (co-writer of Terminator 2: Judgement Day) did a first draft, and there were already people hired to try and helm the project by 1999 with Tom McLoughlin, but he left because of issues with the script. Apparently, the 2000 re-release (and subsequent money made from it) of the Exorcist film helped to put The Beginning on the fast track. Caleb Carr (novelist of books such as The Alienist) revised the screenplay and there were plans to have John Frankenheimer direct with Liam Neeson as the star in the summer of 2002...but neither came to pass, as Frankenheimer fell ill; he died in July 2002. Instead, Paul Schrader (director of Cat People (1983) and writer of films such as Taxi Driver) was hired to direct, with "Exorcist: The Beginning" beginning filming in late 2002. Schrader did his rewrite of the script to trim certain things, and the film was first screened to studio executives in May of 2003...and they didn't even bother to give him notes, as he was dumped because they apparently wanted to "re-edit the movie to make it scarier". They tried to re-cut the movie with Schrader involved and then Morgan Creek said to hell with things and instead searched for a new director for the film. They landed on Renny Harlin, who went with re-writes (Skip Woods, Alexi Hawley, and even Harlin himself, although only Hawley was credited), a few new actors (all but Skarsgård, French, Kamerling, and Wadham left) and, well, "action". The new Beginning film was shot in late 2003 but apparently had a hell of a time actually finishing production (Schrader had his film ripped out from under him, Harlin got hit by a car during production and was on crutches). In total, a movie that wa meant to be done for $35 million ballooned to $90 million and wasn't even screened for critics. At least Schrader seemed positive about seeing his version come to the masses, albeit as a "there's a buck to be made" while Blatty (in seeing The Beginning with Schrader in a theater) called The Beginning "surely the most humiliating professional experience of my life, particularly the finale."
It is so funny that Morgan Creek wanted to make a "scarier" film and wasted so much money on a venture that was just going to be skewered no matter what because of the history that comes with trying to play off the "Exorcist" name. III was the only good follow-up, and that was the one where the studio forced an exorcism for the climax. Harlin's movie suffers from just feeling so routine in its execution to the point of exhaustion, mainly because it is a corny experience to actually see play out, at least when you consider buried churches, goofy climaxes with voices, and butterflies. Apparently, Skarsgård (cast as a young version originally played by Max Vox Sydow, who also happened to be from Sweden) had differing approaches for his performance in each movie, once being quoted as saying that he was "much darker" in the Schrader version and even changed his makeup for this version. Undeniably, he does at least manage to be the shining light in either version you watch, mainly because you buy him as Merrin without it seeming like someone just playing dress-up. It at least matters a tiny bit to see his progression beyond just moving away from religion and to step into the shoes that we know, suffice to say. Unfortunately, the rest of the cast does not fare as well, mainly because the movie is so confused about what it really wants to do besides cheap moments (one guy slashing himself, another guy confronting butterflies and shooting himself) that you don't get a feel for any of them. One guy has a bunch of boils on his face and that's about all you can really say as a character. I guess there's one neat line in talking about the spot where Lucifer fell when it comes to the spooky buried church. The movie tries to fake you out in the idea that the focus of the possessed is actually a kid when really it is a woman and honestly, I couldn't help but chuckle because it meant that you at least see a spider-walk from an adult (complete with a demon voice talking about mounting because get it, they did it in the first one) rather than having to see the image of a kid doing it. One doesn't care about the conflict of the people besides Merrin, this could've almost been set anywhere if you think about it, complete with a lack of mystery. In general, the movie is just kind of boring, not really doing anything that makes you think about the first film in a different light while being a general waste of everyone's time. As someone who does give slack on occasion to compromised movies and things*, this was just one of those movies that goes out one ear and through the other. Morgan Creek spent oodles of money but couldn't find anything for audiences to give a damn about, that's probably the scariest thing in the whole movie.
Overall, I give it 5 out of 10 stars.
*Exorcist III was probably better with the exorcism in it, change my mind. Or Rise of Skywalker. Or The Stupids. Or any other strange film that I at least have given credit to over the years.
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