May 30, 2019
Mothra vs. Godzilla (1964).
Review #1225: Mothra vs. Godzilla.
Cast:
Akira Takarada (Ichiro Sakai), Yuriko Hoshi (Junko Nakanishi), Hiroshi Koizumi (Professor Shunsuke Miura), Yū Fujiki (Jiro Nakamura), Emi and Yumi Ito (The Shobijin), Kenji Sahara (Jiro Torahata), Jun Tazaki (Maruta, Chief Editor), Yoshifumi Tajima (Kumayama), with Haruo Nakajima (Godzilla) Directed by Ishirō Honda (#167 - Godzilla, #711 - Mothra, #1092 - Gorath, #1223 - Godzilla, King of the Monsters!, and #1224 - King Kong vs. Godzilla)
Review:
It is easy to see where the Godzilla films started to make their next step of evolution when it comes to this film. Oh sure, Godzilla had significant shift in tone (alongside being in color and widescreen) with the previous film, and its success led to further Godzilla films, but this was the first one to make a monster mashup between Toho properties. The film shares the same director, screenwriter and even the same cinematographer and effects director (Honda, Shinichi Sekizawa, Hajime Koizumi and Eiji Tsuburaya, respectively) from both Mothra and King Kong vs. Godzilla, while certain actors make repeat appearances playing different characters - except for The Peanuts (a vocal group consisting of the twin Ito sisters, who had similar timbre), of course. The stories between the films do have a few similar beats to them as well with regard to parts involving a mysterious island and some fairy guardians, so it's more of a sequel to Mothra than to Godzilla but expecting a grip on continuity between movies can prove a bit silly when faced with monster mashing each other like presented here. The original intent was to have Godzilla be the one to wash ashore instead of Mothra's egg, but it was scrapped in part because of the logistics of a character trying to exploit a huge radioactive body for any sort of money (as opposed to just doing an enterprise about a big egg). It holds itself better story-wise when compared to the previous Godzilla movie, holding off on its headline battle long enough to make a worthwhile 88-minute movie seem like a breeze. It makes a kaiju (giant monster) fight between Godzilla and a colossal moth like Mothra seem actually feasible and not completely ludicrous - watching the former try to stave off two big larvae with spray is amusing and fairly satisfying for a climax that leaves the door open for further ideas (with a sequel released eight months later after release). In American releases, it was distributed as Godzilla vs. the Thing (as ridiculous as that sounds) by American International Pictures, including footage shot by Toho specifically for its release while shortening or removing certain sequences (such as cutting out the use of a gun by one of the characters on the other). In any case Mothra vs. Godzilla is a nicely done installment in the Godzilla series, taking the entertainment levels to comfortable heights with a serviceable foundation in story and a well-earned climax to go alongside its predecessors without trouble. It delivers with excitement for the audiences it aims for with no sense of wanting to stop giving treats of folks in rubber suits beating each other down.
Overall, I give it 7 out of 10 stars.
Labels:
1960s,
1964,
Akira Takarada,
Emi and Yumi Ito,
Haruo Nakajima,
Hiroshi Koizumi,
Ishirō Honda,
Jun Tazaki,
Kenji Sahara,
World cinema,
Yoshifumi Tajima,
Yū Fujiki,
Yuriko Hoshi
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