Star Wars: The Rise of Skywalker.

Review #1311: Star Wars: The Rise of Skywalker.

Cast: 
Carrie Fisher (Leia Organa), Mark Hamill (Luke Skywalker), Adam Driver (Ben Solo / Kylo Ren), Daisy Ridley (Rey), John Boyega (Finn), Oscar Isaac (Poe Dameron), Anthony Daniels (C-3PO), Naomi Ackie (Jannah), Domhnall Gleeson (General Hux), Richard E. Grant (Allegiant General Pryde), Lupita Nyong'o (Maz Kanata), Keri Russell (Zorri Bliss), Joonas Suotamo (Chewbacca), Kelly Marie Tran (Rose Tico), Ian McDiarmid (Palpatine / Darth Sidious), and Billy Dee Williams (Lando Calrissian) Directed by J. J. Abrams (#009 - Star Trek, #150 - Super 8, #665 - Star Trek Into Darkness, and #769 - Star Wars: The Force Awakens)

Review: 
Well, isn't this an interesting day. Nine years of Movie Night in written form, and I celebrate it with the ninth (and last) film of the Skywalker Saga (alongside being #98 in the Theater Saga). It sure has been quite a ride over these 3,287 days - basically a review every 2.5 days. The best is yet to come ahead for Movie Night 2020 (or Season X, if you will). If I am not mistaken, this may actually be the longest review yet. May the force be with you. 

How did you picture the last Star Wars movie in a trilogy was going to end? That's a question you can now ask three times and get three different answers. One trilogy conclusion had the burden of closing the loop on what was thought to be a six film saga while also sealing up loose ends of its own. Another trilogy conclusion had the burden of ending its story with its beloved characters that made for a worthy space fantasy adventure worth telling again and again. This trilogy conclusion has the burden of sealing a trilogy of trilogies once and for all - 42 years and nine main films with various actors tasked with interesting (for the most part) characters and worlds. Some landed better than others, but there are plenty of people who can say they grew up with a Star Wars trilogy, for better or worse. It is the journey that counts in the end when it comes to Star Wars, really, where George Lucas used his imagination alongside inspiration to cultivate a film all those years ago. He loved his comic books, his fairy tales, his Saturday morning serials, and he loved creating a mythology for a new generation. Everything gets picked apart in the age we live in nowadays, but it doesn't diminish the basic core of what made this series endure for so long. It will be nice to have a rest from these films for a little while, I must admit. After five films in five years, one can appreciate something else taking over the landscape for a bit (for those who refer to television, I have my own things to cycle through). This may seem like an elegy for Star Wars, but it really isn't. I am trying to express my train of thought when it comes to the realization of seeing a saga come to a close yet again and how it ended up following up not just its "polarizing" predecessor film (The Last Jedi, which I ran out of time in regards to re-watching it before doing this) but the others as a whole. Look, the last film had Leia pull herself out of space through the Force and then decided to kill off its big bad villain suddenly (complete with a jump to lightspeed to obliterate a ship because...[BLANK]) and wrote itself into a corner with mawkish sentiment. An intriguing corner, but still a corner that is not easy to pull out from without some sort of effort.

Could it really do a better job at closing a saga that Return of the Jedi did three decades prior? Honestly, it didn't. It sure tries hard to seal it all into a big ball of entertainment, and I applaud the effort - but the film is a mess. However, I enjoy big messes when there is enough positivity to go around (or camp), and this has that in spades. It becomes evident right from the very opening, where text crawls say the dead rise and get things rolling with quick editing and plenty of shots to go around. This is a 142 minute movie (somehow being ten minutes shorter than its predecessor), yet it sure feels like a big roller coaster ride that doesn't want to end. It tries to please everyone and may very well have a different kind of result. That doesn't mean it will go down as a monumental thing to ridicule, it just means it will go down as something to argue for/against when it comes to imagination for a space opera about laser swords and space beliefs. At a certain point, one has to wonder if this is meant to be a comeback on the scale of Elvis, where fan service deliver greatest hits very much like Abrams' previous work in this trilogy - wrapped with a tinge of bittersweet fervor. You know it is the end, I know it is the end - but it wants to throw everything at the void to make sure the end doesn't come easy. If the last one was inherently too ham-handed to stick to its principles in the face of the past, this one is inherently determined to glue everything together to land certain twists down without making too much laughter come out than needed. Allow me to use one pop culture analogy here: this is essentially the equivalent of when Homer Simpson tries to build his own barbecue pit and frantically tries to build it before the wet cement makes it stick permanently, just replace the grill with story toolbox and Homer with...you get the idea. Seriously, the film has four credited writers: Abrams and Chris Terrio for the screenplay while the story credit went to Derek Connolly, Colin Trevorrow (the initial director slated to direct this film before leaving production due to creative differences), Abrams and Terrio.

Golly, there sure a whole bunch of actors and characters present. Some are given their time to shine, some are thrown in there all of a sudden, some are given a bit less to do from before, and some are somehow back in the thick of things (for better or worse). You really have to just roll the dice and see what works and what doesn't, honestly. I didn't so much see a bad performance as I saw actors trying their hardest to stick through a big sprawling adventure with plenty of skepticism and fear circling around. I find that the best ones to come out of it are Ridley and Driver, a duo with their odd own kind of bond of vulnerability and fear over who they think they are and what they must face to step forward beyond their doubts. They definitely do well when it comes to lightsaber fighting, graceful despite rocky environments like a bit of water to get in the way. Granted, their paths seem a bit easy to draw out, where I wonder if it had been better to have swapped the focus to Driver as the main focus (or perhaps better framing to have a trilogy that spans more than a year in movie time). Boyega and Isaac try to fend off being wooden with humor, which goes off okay. They felt better together four years prior with the seventh film, but I do find myself at least going along with them on essentially a scavenger hunt, where characters pop out to wedge their own part to play, because I suppose one needed to try and give some sort of backstory/shared thing for people we just met to people we barely know much of through three films. It is quite striking to see Fisher appear on screen for a few minutes (in the sense just as much as she did for the other two films), where the re-purposed footage of her works for what is needed and gives her a fair way to make farewell without going overboard. It is nice to see Daniels get a bit more scenes to chew upon for another trip down the lane for our favorite fussy golden robot, who delivers a chuckle or two that is welcome here. The sudden new blood of Ackie, Grant and Russell prove alright, moreso for the latter two in that one can seep right into an obvious villain trap without having to get outside and the other can just wear a mask and beat some nobodies for a bit. Gleeson, Nyong'o and Tran seem like they drew small straws when it comes to "Who gets to be in another Star Wars film but doesn't have much meaningful things to say?" (which proves amusing if thought as essentially being Jar-Jarred out of importance). McDiarmid and Williams return to their roles with ease, in that neither have to really move too much to deliver their lines to serve the plot, where it is nice to see them again, if not for the camp of the former and the smooth charm of the latter. Granted, it barely makes sense to see either come back - but why not? The film feels like a whole batch of why nots. One might wonder how much of this is a hand-wave of what happened before - the jokester in me is slightly delighted at the idea of shaking the head-turning predecessor, even if that means more predictability. A good adventure is all that it takes, and this does fine with that. It won't be the kind of thing that inspires navel gazing or anything when it comes to analysis, but always take to heart four words: It's just a movie. Turning off my brain a bit for some ridiculous things in a Star Wars film didn't give me a headache as it did just help my throat get some chuckles.

At least the effects work themselves out pretty good. Sometimes you really need a bunch of flashing lights on a stormy dark world to really make something ooze out well, really. You don't need spoilers to know that the film will fling whatever it takes to make things work - a Skywalker has to stand triumphant after all. It isn't like anyone actually thought this would end on a downbeat note (much like how Lucas liked his happy ending for VI) - by golly one has to sell this product somehow (besides, Rogue One wedged in hope even with its downbeat stuff). One does tend to get tired of saying "X was better than Y", so I'll try to refrain from said comparisons too much. What we have here is an okay sequel trilogy, packed firmly between what was done before through Lucas and others - and that's okay. I'll probably look at these films in retrospect as ones that had their moment in the sun and did what they thought made sense - churning some nostalgia and Internet frothing for better or worse. They aren't the best or worst things to happen to the franchise, that much is for sure (a statement one could even see someone saying about the previous trilogy). Everything moves in a flash to get to some sort of point that matters, and I liked more than what I shook my head at. If you want to see something with space action and a bunch of things that relate to the stuff of the past, go right on ahead. If you want something a bit deeper or perhaps more fitting for the end of a space opera, consult oneself first. In my heart I enjoyed this weird little film, but I know the rating it really does deserve - it's an average film, but at least it isn't a complete mediocre one for the books.

Overall, I give it 7 out of 10 stars.