July 26, 2017
Deliverance.
Review #975: Deliverance.
Cast:
Jon Voight (Ed Gentry), Burt Reynolds (Lewis Medlock), Ned Beatty (Bobby Trippe), Ronny Cox (Drew Ballinger), Ed Ramey (the Old Man), Billy Redden (Lonnie, AKA the Banjo Boy), Bill McKinney (Mountain Man), Herbert 'Cowboy' Coward (Toothless Man), James Dickey (Sheriff Bullard), and Macon McCalman (Deputy Sheriff Arthur Queen) Directed by John Boorman (#565 - Zardoz)
Review:
It's interesting that the film (released 45 years ago this month) was adapted onto the screen by the writer of the novel himself, James Dickey, who also has a minor role in the film as well. Notably, the stunts were done by the actors themselves, with insurance not being given in order to cut costs. It is evident early on how rough the film looks and feels, and there is a haunting sort of tone to the environment and atmosphere of the movie, right down to the river. The use of Dueling Banjos (arranged and recorded by Eric Weissberg and Steve Mandel though without the permission of the original writer, Arthur "Guitar Boogie" Smith) in the beginning of the film is incredibly fitting. This is a brutal film that manages to be consistent in its pace once it gets the ball rolling by the first hour, with its run-time of 110 minutes being an acceptable length.
The core four cast (Voight, Reynolds, Beatty, and Cox) do a fine job in how well they play off each other, particularly during the beginning parts and the scenes in the rapids; there is never a moment where their actions feel fake or unnatural, with their fear seeming quite real, with the most famous scene involving the group and the people they find in the mountains. Coward and McKinney are fine villains; stereotype or not, they definitely evoke a good sense of realistic fear. The rest of the cast doesn't have much time on screen, but they certainly do leave an impression, such as Redden and his banjo performance along with Dickey and his appearance near the end. The ending of the film is poignant in how it goes in line with the rest of the film in terms of its shock and awe, with the final shot of the film reflecting that. For some, the film likely detracts from its theme with the amount of violence it has, but I found that the movie was fairly focused enough with its characters and sense of timing that it falls as a classic.
Overall, I give it 9 out of 10 stars.
Labels:
1970s,
1972,
Bill McKinney,
Billy Redden,
Burt Reynolds,
Ed Ramey,
Herbert 'Cowboy' Coward,
James Dickey,
John Boorman,
Jon Voight,
Macon McCalman,
Ned Beatty,
Ronny Cox
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