X: The Man with the X-ray Eyes.

Review #1147: X: The Man with the X-ray Eyes.

Cast: 
Ray Milland (Dr. James Xavier), Diana Van der Vlis (Dr. Diane Fairfax), Harold J. Stone (Dr. Sam Brant), John Hoyt (Dr. Willard Benson), and Don Rickles (Crane) Directed by Roger Corman (#368 - The Little Shop of Horrors, #684 - It Conquered the World, #852 - The Terror, #931 - Not of This Earth, #1007 - Attack of the Crab Monsters, #1039 - Five Guns West, #1042 - War of the Satellites, and #1136 - Gas-s-s-s)

Review: 
Who else could make a movie about a scientist who invents eye-drops to increase the range of human vision to see things such as ultraviolet and x-ray wavelengths and uses it on himself than Roger Corman? X: The Man with the X-ray Eyes was made on a budget of under $300,000 in three weeks, with the vision effects (billed as "Spectarama") being done by John Howard. They were a combination of superimpositions, lens effects, and coloration, and they certainly leave an impact on the viewer upon first glance. For a movie that is just 79 minutes long, there is certainly an interesting film to behold in how weird and disturbing it can get within it's science fiction and horror roots, with a screenplay from Robert Dillon and Ray Russell (noted writer of material such as Mr. Sardonicus). Sure, it isn't a film with much of a body count or any big science fiction spectacles, but it makes up for it by having a compelling performance from Milland alongside a few standout moments from the small cast. He sticks out among the rest of the others in part because of how he slowly makes the main thread get more and more foreboding. Van der Vlis is decent in her moments on screen, having a fleeting but manageable presence on screen. Stone and Hoyt are decent counterparts for their fleeting moments on screen. Rickles, in a part not typical of his usual comedic forays on screen, does a pretty fine job with being unsettling with his avarice towards the situation presented to him. The movie is at its best when showcasing its crude but fairly effective X-ray shots, which only get more interesting as the film keeps going, with clever bits such as him using his powers to deal with a few hecklers of the carnival audience, played by Corman mainstays Jonathan Haze and Dick Miller. The climax has a few tense moments to it, especially when Milland shows his eyes, and the car chase is fairly riveting to build-up its resolution. While I do like where it ultimately ends up, I do find it to be a bit abrupt that doesn't give too much closure. Noted horror writer Stephen King claimed that there were rumors of a longer ending, involving out Milland crying out after the action he has done to himself and saying a few choice words, although Corman (who thought it was a better ending than the actual one) has denied that the ending was ever filmed. At any rate, X: The Man with the X-ray Eyes is a nimble and effective film that befits everything that make Corman's films interesting to encounter and watch.

Overall, I give it 7 out of 10 stars.