February 16, 2019
Gor.
Review #1189: Gor.
Cast:
Urbano Barberini (Tarl Cabot), Rebecca Ferratti (Talena), Jack Palance (Xenos), Paul L. Smith (Surbus), Oliver Reed (Sarm), Larry Taylor (King Marlenus), Graham Clarke (Drusus), and Janine Denison (Brandy) Directed by Fritz Kiersch.
Review:
You may be wondering what exactly is Gor? Well, it refers a planet on the other side of Earth's orbit from the Earth that serves as the setting for sword and planet adventure novels written by John Norman, the pen name of John Frederick Lange, Jr (who serves as a professor of philosophy. Since writing the first installment of the series with Tarnsman of Gor in 1966, there have been 34 books that Norman has written and had published. In a decade with fantasy films like Conan the Barbarian, Willow, and several others, this manages to be just as laughable as one would expect from something that manages to make Red Sonja (1985) seem tolerable by comparison. Simply put, this is a miserable little movie to sit through, flailing around with ridiculous production value and actors that aren't too particularly interesting to follow along with, particularly with its lead. This is especially apparent in the first scene with a cheap-looking ring that serves important to the plot (for the beginning and ending, anyway) while having a socially awkward professor make his way to Gor by a car crash and lightning strike. Barberini would at first seem like the kind of guy suited more for action sequences than anything dealing with plot. This is erased by the fact that no one really is too particularly good with making convincing (or at least interesting) fight scenes. The character type of him having to learn to become a hero is done pretty silly, since he gets his training in one quick sequence. I barely noticed that he was supposed to have chemistry with Ferratti, honestly. The only one worth looking at is Reed, who mostly understates his lines (for better or worse) while having to wear a ridiculously framed costume that doesn't help him at all; his flailing for his death scene with an arrow to the neck is amusing, and he's the only sort of highlight in this clunker. Palance is given a high billing despite being in the film for less than five minutes in an attempt at sequel-bait (there was a sequel the following year named Outlaw of Gor released on video). The screenplay from Rick Marx and Harry Alan Towers (under the pseudonym Peter Welbeck) never feels epic in any sort of way, particularly when faced with a low budget and locations in South Africa that has a bunch of sand to it and not much else. It has the cliches from other, better movies, but it is a tiresome kind of movie that makes one aspire for any other kind of film, whether released by Cannon Films or someone else.
You would actually be better off watching plastic sword fighting in the neighborhood jungle gym (complete with sand doubling as fire) with a bunch of random music blaring in the background than this. There are movies that can use a low budget or modest cast to make an interesting adventure, but this is not one of them. It fails people looking for fantasy and it fails people looking for something daring with adventure.
Overall, I give it 3 out of 10 stars.
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