October 13, 2020

Looper.

Review #1563: Looper.

Cast:

Joseph Gordon-Levitt (Joe), Bruce Willis (Old Joe), Emily Blunt (Sara), Paul Dano (Seth), Noah Segan (Kid Blue), Piper Perabo (Suzie), Jeff Daniels (Abe), Pierce Gagnon (Cid), Summer Qing (Joe's Wife), and Tracie Thoms (Beatrix) Written and Directed by Rian Johnson (#1027 - Star Wars: The Last Jedi and #1306 - Knives Out)

Review:

"For Looper, I very much wanted it to be a more character-based movie that is more about how these characters dealt with the situation time travel has brought about. So the biggest challenge was figuring out how to not spend the whole movie explaining the rules and figure out how to put it out there in a way that made sense on some intuitive level for the audience; then get past it and deal with the real meat of the story."

As long as there is a good story somewhere in the margins and people involved enough to keep it useful for entertainment or notice to keep attention, you can't go wrong. Born in Maryland but raised primarily in California, Rian Johnson had an developed an interest in film from a young age (noting inspirations such as Martin Scorsese and Annie Hall), graduating from the University of Southern California and its School of Cinematic Arts in 1996 (his first film was a short called Evil Demon Golf Ball From Hell!!!, a low-budget psychological thriller inspired by The Tell-Tale Heart). He would spend years developing and pitching what eventually turned out to be his first feature film in Brick (2005), which proved successful on a budget of less than $500,000. He has continued to keep himself invested in doing distinct movie as director and writer that tell stories in familiar genres that utilize the expectation of the audience at part of the storytelling, which have resulted in five feature films alongside work in television such as Breaking Bad that have been met with fair success.

What, a time travel movie that relies on character-based drama and not so much on time travel as a whole from the 2010s? Granted, Safety Not Guaranteed is a dubious film to compare this to, but the easiest thing that can be said about Looper is that it is an entertaining movie that maintains consistency and entertainment with dutiful direction and cast without shambling into cliché. It certainly seems familiar to those who who have seen the films that proved an inspiration to this feature that ranged from The Terminator (1984) to Witness (1985) to Akira (1988). It loops itself together with enough suitable enjoyment for where the story could unfold next that comes from making a living killing others from a time you have yet to see and then your future ends right by your own hand. It makes a suitable movie about the future and what can come from decisions made or ones that have yet to be made with interesting atmosphere that treats its sci-fi aspects equally with its drama that makes the challenge more about seeing two actors play the same person and how they play off with themselves and others. Gordon-Levitt (wearing make-up to more closely resemble Willis) does a pretty good job here, wry and efficient that comes off with similarity to a youthful Willis without becoming mere imitation, which goes well in tension with Blunt. Willis is given the task of doing his part to play without as much dialogue in general, but he does fairly well regardless, showing the anguish and efficiency that comes from a lifetime that required the latter but didn't see the former coming, and the diner scene where they confront each other (involving a clever way to get around detailing how time travel works without needing exposition) is the best scene with the two in general that lends an edge to the nature of what we're dealing with for a hunter/hunted kind of film. Blunt does well with her gradual role, showing conviction and care as the last key adult piece to the puzzle, going with Gagnon as an interesting family to see play out on screen that gravitates well to our attention from their first few moments on screen. Dano and the other supporting members (including a big-bearded Daniels) do well in lending out the layers of the world the film wants to show involving making a living through a hard and cheap life in the not-too distant future. On the whole what we have here is an intelligent film that rounds its bases with an interesting handle on human nature within time travel that utilizes its expectations from the audience into an engaging time with its own welcome surprises and efficient acting to make for an excellent time to go through 113 minutes with.

Overall, I give it 9 out of 10 stars.

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