A Quiet Place Part II.

Review #1683: A Quiet Place Part II.

Cast: 

Emily Blunt (Evelyn Abbott), Cillian Murphy (Emmett), Millicent Simmonds (Regan Abbott), Noah Jupe (Marcus Abbott), Djimon Hounsou (Man On Island), John Krasinski (Lee Abbott), and Scoot McNairy (Marina Man) Directed by John Krasinski (#1073 - A Quiet Place)

Review: 

Honestly, I don't really think much about a sequel to a modern movie. Really, think about this for a second here from a guy who still likes to look upon what interesting movie can sit on the shelf for the next time being. I had to wonder just how weird that might seem from looking in my archives about the ratio of original to "adaptation" in the films I saw in the last big year for movies in the theater: 2019. That year saw 31 movies seen mostly in theater-form but ended up having just half that was actually based on original material. Ah but one really wants to think about the year before that with 2018, and that is how we get to A Quiet Place, which was one of the few original ideas to really sit on my "conventional" radar, and it might have actually been the best horror flick I saw that year (with a year for Hereditary and Halloween, the argument could be a tough one for each). It shouldn't be forgotten that the original script had been done by Bryan Woods and Scott Beck, for which John Krasinski (who had two comedy-dramas to his credit with Brief Interviews with Hideous Men (2009) and The Hollars (2016), incidentally) had read that script and found it appealing; he would end up enlisted by Paramount Pictures to re-write the script and direct the movie. A Quiet Place ended up as an interesting movie because it wasn't quite a gimmick movie that one might think of it (besides, there are quite a few movies that don't have much dialogue if one wants to spur their memory, such as All is Lost (2013)). Sure, the creatures are ones that rely on sound to stalk their prey (with a loud bustling modern world, good luck), but it was also a deep family movie. With the success of the film, rumblings for a sequel did not take too long to bubble to the surface, for which Krasinski would write and direct that had its premiere on March 8 of 2020 that was meant to be released into theaters twelve days after that, two years after the original release (the reason for this recap is mostly for my memory, but also because I can re-iterate my one pet peeve for any horror movie that is released in the spring. Simply put, get your horror priorities in the fall where it belongs, but 2020 has some stretching grounds). Fourteen months later, here we are with a sequel.

Did I mention my surprise about a sequel? Honestly, does every horror movie need a follow-up movie? I remember the ending of the first movie just fine, one that had a character with a weapon ready to aim at the creature, having figured out what one figures out in a time of silence and hearing aids. It might be a good omen or a mild harbinger that the opening scene involves a brief glimpse into what the world was before the noise-monsters came, and Krasinski certainly does well with setting the stage for what was and what is to come within the family angle and the key addition of Murphy to the cast. It reminds me of the dubious question one has when it comes to seeing it in a big theater or not, in that a movie depending on folks getting away unheard is best seen in a big screen but without paying too much attention to too much crowd noise (such as...popcorn?). But hey, one can watch movies with subtitles from around the world, so why stop now? I think most of this paragraph is trying to hide the easiest point: it just isn't as good as the first film. It is not so much that it isn't scarier than before, or even so much because the acting isn't as good, because on a technical level it works pretty good. But really, think hard about this: it has the same problem in rhythm of continuation that seems comparable to Halloween II (1981). Roll with me on this for a moment. Both movies take off right from where the last one ended with the bare hint of a follow-up, and both find themselves with a narrative that splits the characters up, and both probably try to one-up the level of terror from before a bit too much (sure, one movie has a needle jabbed into a sensitive spot, but this movie has someone get their foot into a bear trap, so am I really pulling your goat too much?). Ah, but here's the problem: At least Halloween II didn't feel like it was begging for more at the end, and it seemed to have more stakes involved with its climax for the characters left at the end (I doubt that A Quiet Place will turn into a movieblob of a franchise like Halloween, but apparently a spin-off is in development). Weird twists may reign true with the older movie, but at least I appreciate its schlock factor more so than a movie that could be thought of as half-hearted with actually being a sequel. With a run-time of 97 minutes, one can wonder exactly how A Quiet Place Part II will do with the passage of time, or at least when considered in the context of the wait that befell it when really the best way to describe it is just "okay". It's an okay movie, filled with a decent cast and some level of terror within the idea of monsters that will just charge and destroy your world like that...and maybe there is still some room for folks to eke out a living. But hey, let's start with the cast and go from there. Murphy certainly plays it exactly to the bone for what is needed in a bleary movie that hints at cynicism, and it is refreshing to see him there and be paired with Simmons. In that regard, Simmons continues well with her performance (done mostly in American Sign Language, as one remembers from before), which serves for a fairly useful time, showing a bit more maturity that is expected - the dynamic between them is almost engaging enough to carry the film. Alas, one doesn't find as much engaging balance on the other side, because Blunt manages an okay performance that can't quite react to the terror as well this time around. Let me put it this way: monsters seem to lose a bit of their effectiveness the more you see them in a sequel, so one has to find a way to make the stakes and drama count, or they will end up seeming as concerned as being in Jaws 2 (1978). Jupe's best scene involves him having a visceral scream after being bear-trapped, really. Hounsou and McNairy make momentary impressions on the coin of societies made after the disaster that relates to water (get it, because the creatures not only are blind but can't swim). They are okay, but inevitability always seems to strike at the points you think will happen but not as many times as possible. Think about it: each movie has six actors (Krasinski is technically seven, but can you count a flashback?), and this doesn't even count the baby (don't get me started on babies in horror movies). I feel that the first film did a better job in handling the bleakness of trying to hold together as a family in a nightmare better than a film that doesn't do much with the idea of trying to expand beyond that, and the climax only seems to serve as a hard nudge for another movie (sure, it closes the narratives similarly, but...), and in general I feel that the movie only has moved narrowly in trying to maintain the scares of creatures that rely on you not talking. It might not fall into the realm of gimmick-making, that is for sure. Inevitability is a tough thing to accept, but the film ultimately proves that it can be okay to be average enough if the attention is built enough to hold it for the masses, for better or worse. If you really want to know what happens when you pull the covers all the way through the bed for the monster, you could do okay here, but just don't be disappointed at where that goes from there.

Overall, I give it 7 out of 10 stars.