Cast:
Tom Cruise (Sergeant Ron Kovic; Bryan Larkin as Young Ron), Willem Dafoe (Charlie), Kyra Sedgwick (Donna; Jessica Prunell as Young Donna), Raymond J. Barry (Mr. Kovic), Jerry Levine (Steve Boyer), Frank Whaley (Timmy), Caroline Kava (Mrs. Kovic), Cordelia Gonzalez (Maria Elena - Villa Dulce), Ed Lauter (Legion Commander), John Getz (Marine Major - Vietnam), Beau Starr (Man #2 - Arthur's Bar), and Michael Wincott (Vet #3 - Villa Dulce) Directed by Oliver Stone (#095 - Wall Street, #1090 - Platoon, #1265 - Natural Born Killers, #1523 - Any Given Sunday, and #1595 - Wall Street: Money Never Sleeps)
Review:
“I’m puzzled by life, horrified by the daily newspaper. The only sane response is re-creation, drama . . . an ordered series of events that arouse pity and terror, to paraphrase Aristotle. Making movies is my way of exorcising demons, of creating an ethos, a philosophy of life. I’d go crazy without fantasy.”
Every so often, I am reminded that my father was a war veteran. I don't have many memories of him talking about his service in Vietnam, aside from once seeing his dog tags and remembering his burial a couple of years ago at a cemetery for veterans. But men are not defined only by if they served for their country or not, they are served by who they are for those who end up alive to talk about it. One such man who found meaning in the (difficult) time that came after his service was Ron Kovic. After he graduated from Massapequa High School in New York (where he was raised to a family of Croatian & Irish ancestry), he quickly volunteered to serve in Vietnam in 1965. He was a member of the United States Marines, for which he made two tours of duty. It was on January 20, 1968, that he was shot and severely wounded that resulted in him being paralyzed from the waist down. After intensive recovery led to his arrival back home, Kovic found curiosity within peace demonstrations, starting in 1970. This happened not long after the events of May 1970 that had seen numerous student protests in universities such as Kent State University and Jackson State University, for which each saw anti-war demonstrators killed (the former by Ohio National Guard, the latter by local patrolmen). Kovic wrote Born on the Fourth of July in the span of over a month in 1974 that was published in 1976 that he stated was written to show people about the "hospitals and the enema room, about why I had become opposed to the war, why I had grown more and more committed to peace and nonviolence." Not long after, Kovic gave a speech at the Democratic National Convention, four years after him and other members of the Vietnam Veterans Against the War had protested the Republican Convention (the war did not end until 1975). Even now, with his 77th birthday, Kovic serves as a constant anti-war presence. Cruise, Stone, and Kovic were each nominated for Academy Awards that year for this film (Best Actor, Best Director, Best Screenplay, Best Picture), with Stone winning for his efforts in direction (don't ask who won Best Picture). Stone would do one further film in what was later called his trilogy of Vietnam War films with Heaven & Earth (1993).
Relating to all of this is the production struggle to get things moving, as there had been interest in doing a film from the very moment Kovic spoke at the DNC, specifically Al Pacino. Oliver Stone, who had served in the United States Army with service from 1967-68, was brought in to try and write for the screenplay in 1977. Incidentally, Kovic served as a consultant on Coming Home (1978), a film involving a disillusioned Vietnam War veteran left in a wheelchair. It was not until the success of Platoon (1986) that Stone could get the chance to write (alongside Kovic) and direct this film. With Platoon, one would find that it argued most that the first casualty in war was innocence. With this film, now one finds how it goes for those who have arrived home after said innocence was lost, not to a hero's welcome but a state of indifference. The illusion of going off to a just war to fight for your country has been shattered into one of unimaginable agony, one where a love of country is warped by some into the idea that they somehow don't love it just because they want to speak up (of course, there are many perspectives when it comes to returning home from war that would shudder at folks who seem to toil in "self-pity" or other characteristics, but that is a different can of worms). As Kovic once said, you aren't meant to avoid conflict and pain in life but instead shape it into something beneficial. So, one minute you may be on the side of wanting to yell folks to "love it or leave it" and the next you may find yourself looking along with Abbie Hoffman (he appears in the film for a moment in a film released months after his suicide at the age of 52). This is conveyed in a mostly factual tale (the character played by Sedgwick is a composite, for example) that is carried near wholesale by the performance of Cruise. The 145-minute runtime is his to carry alone in the odyssey from idealism to the road back from hell, one that requires an actor who can convey the gravity of the situation, and he does a tremendous job here, never striking a false note in those human moments. The burrowing of idealism is handled with honesty with such commitment that Kovic gave Cruise his Bronze Star Medal after filming. The rest of the cast do reasonably well in support from the bits and pieces that arise from before and after time of war, whether that involves protest in Sedgwick or familiarity with Whaley and vulnerable parenting in Barry and Kava. Dafoe actually doesn't show up in the film until the last third of the film (set in Mexico with prostitutes), but he is on point in those moments of animus that only he could bring in a scene where he and Cruise are bickering on a dirt road. As a whole, the movie is a general triumph in communicating what it means to see a person go through the fight of their lives in terms of withering innocence and conscience for what it all means when back home and not "out there". There is no one solution fit for all, but a level of understanding for who one is a virtue that all people can see as worthwhile, American or not. As such, it is a tough sit for audiences in the ways that matter, thanks to the efforts of Cruise, Stone & Kovic.
Overall, I give it 9 out of 10 stars.
Happy Independence Day, folks.
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