February 25, 2025

I'm Gonna Git You Sucka.

Review #2349: I'm Gonna Git You Sucka.

Cast: 
Keenen Ivory Wayans (Jack Spade), Bernie Casey (John Slade), Ja'net Dubois (Belle Brown-Spade), Isaac Hayes ("Hammer"), Jim Brown ("Slammer"), Antonio Fargas (Flyguy), Steve James (Joe "Kung Fu Joe"), John Vernon ("Mr. Big"), Dawnn Lewis (Cheryl Spade), Kadeem Hardison (Willie), Damon Wayans (Leonard), Kim Wayans (Nightclub Singer), Nadia Wayans (Bar Patron), Chris Rock (Rib Joint Customer), Anne-Marie Johnson ("Cherry"), and Eve Plumb (Kalinga's Wife) Written and Directed by Keenen Ivory Wayans.

Review: 
Nothing really stays out of style, particularly when it comes to silly movies making light of, well, "blaxploitation movies". This was the directorial debut of Keenen Wayans. The second of ten children that grew up in New York. He actually studied engineering on a scholarship at Tuskegee University but found that entertaining his friends at college made him more interested to pursue comedy and dropped out of school. He performed on the stage in both New York and Los Angeles; in collaboration with Robert Townsend, who had helped him learn about the comedy business, the two did Hollywood Shuffle (1987), each appearing in the film along with writing it. The resulting hit got Wayans money to make what became this film. Evidently, it was Eddie Murphy who came up with the original idea (including the title) that Wayans got permission to use for what became this film (which featured the film debuts of his brothers Marlon and Shawn) that eventually became a mild success with audiences. To put it mildly, this would be the first of a handful of movies involving the Wayans family, with several Wayans members being featured on television (In Living Color, most notably) and films, with Keenan directing five further movies, most notably doing the first two Scary Movie films.
 
Some movies are better at the hit-or-miss targeting than others, particularly one that starts with an introduction to "Any Ghetto, U.S.A." It plays with the stuff you would probably already know from previous movies of the decade before (why else cast faces as familiar as Brown?) to varying effect in how much one will chuckle at silly lines and sillier situations for the most evident of setups, whether that involves a certain music choice or an early scene seeing a character be swapped out for a white person when doing a stunt involving kicks. You get the pastiches and chuckle if you like thinking about the fact that people really did just think of the most absurd scenarios for inner city mayhem (I haven't had to see Super Fly [1972], but that apparently has a cocaine dealer who used karate, and the third Shaft movie sent the hero to Africa, just for example). Wayans at least is playing a wannabee hero (i.e. he plays a veteran...secretary) rather than just a bland hero to forget about, and he does relatively well in inspiring some chuckles. You've got your three familiar faces with Casey, Hayes, and Brown that each generate a chuckle in their general timing of just rolling with routine stuff, which mostly involves straight-faced play by Brown that probably works the best among the group, although Hayes comes pretty close with one scene opposite Rock about cheapskates in "oh, yes, that is damn funny". Vernon doesn't exactly have much to do for a role that requires sitting and gruff voicework, but since I happen to like Vernon and his workmanlike precision to hard-assery, I accept it. It might not exactly compare in actual sheer audacity seen in, say, Trouble Man (1972), but it'll still play anyway in throwing gags and people on just for the hell of it. In general, the 89-minute runtime has some silly charm and sillier execution that is funny in parts in rolling with familiar attitudes and just chuckling as if the one thing that matters is just rolling without worrying about stereotypes or whatever people claim to think about for certain comedies. Silly stuff really can just work for me if it at least seems committed to the hustle, basically. It proves an adequate little comedy you might find right up your alley in familiar smooth-talking chuckling vibes, so take that for what it is worth.

Overall, I give it 7 out of 10 stars.

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