Cast:
Miki Nakatani (Mai Takano), Rikiya Otaka (Yoichi Asakawa), Nanako Matsushima (Reiko Asakawa), Yoichi Numata (Takashi Yamamura), Rie Inō (Sadako Yamamura; Mebuki Tsuchida as young Sadako Yamamura), Kyoko Fukada (Kanae Sawaguchi), Yūrei Yanagi (Okazaki), Hitomi Satō (Masami Kurahashi), Hiroyuki Sanada (Ryuji Takayama), Fumiyo Kohinata (Ishi Kawajiri), and Kenjirō Ishimaru (Detective Keiji Omuta) Directed by Hideo Nakata (#1747 - Ring and #1755 - The Ring Two)
Review:
Yes, it seemed ideal to cover Hideo Nakata's first sequel to a film with Ring in the title. You might remember that Ring, as adapted from Koji Suzuki's 1991 novel of the same name, was released on the same day as Spiral on January 31, 1998. Wracked with the choice between film adaptations of the first book and the second book, people apparently were really big on picking the first one and ignoring the second one straight up. Nakata was once quoted saying that one of the changes for adaptation was to not involve the use of a "psych-meter" that was key in the horror-mystery plot. At any rate, here one is with the same director and writer (Hiroshi Takahashi) and a handful of cast members from before came out Ring 2; unlike the last two films, this one was not an adaptation of the novels (at the time of its release, Birthday, a short story collection novel and the fourth of the series, was not out). One year later in 2000, Takahashi returned to write Ring 0: Birthday, a prequel to the series. Nakata declined an offer to direct that film, although as you probably already know, he wound up being the director for the the 2005 sequel to the American remake.
It's very amusing that there basically are three Ring sequels in Japan and America that saw Nakata direct two of them, and it is the one that features psychic energy being channeled into a body of water that is somehow the best among the group. That is not particularly a compliment, because there just isn't enough tension here to make one believe that it really matters to justify itself beyond just feeling like an epilogue to the original. Some have apparently thought of the film as apparently taking some inspiration from Exorcist II: The Heretic (1977), which probably has something to do with the attempts at branching out beyond spooky tapes with, well, psychic energy and the apparent abilities of one certain person. The acting is passable but never particularly comes off as compelling with the various people that come and go (such as quiet kids, and a little bit of "oh hey, it's the person from the first film"); Nakatani has some of the curious energy required in inquisition, up to a point. The unravelling of what one gets to know about Sadako (such as a facial reconstruction) is interesting...some of the time. It basically is a procedural (with its own ideas of infecting one in more ways than one) that tries to coast on ideas that surely work better for those into "thoughtography" that isn't particularly scary. Some might call it the kind of movie that fits right in for those looking to absorb atmosphere and subtle nature, but it just seems hollow here, managing instead to feel like a collision of conversations that can only go so far before you wonder if you are going around in circles. The movie can't quite stick its trip down the well when it comes to finding a way to make sense of its actual landing (why is only this person who was saved, well, who really knows?), particularly in its actual final scene, which seems even more open to "throwing your hands up" than definitive, and I should mention that, well, the first film just happened to stick the landing closer in unsettling nature in ways the second never really gets to. As a whole, it has a few ideas perhaps worth looking into for 95 minutes that you either will go right in for as a proper way to follow Ring or you will just leave off mildly disappointed.
Overall, I give it 6 out of 10 stars.
Next up: Rob Zombie's The Lords of Salem
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